(Google 번역 제공) 장 프랑수아 밀레의 「낙호 픽업」 이외의 주요 작품이나 에피소드에는, 만종은 밭 일의 손을 쉬고, 먼 교회의 종소리에 맞추어 기도를 바치는 농부부를 그린 작품입니다. 정적과 경건한 분위기가 특징으로, 「낙호 주워」 「목자의 소녀」와 늘어선 밀레의 3대 명화의 하나로 되어 있습니다. 씨를 뿌리는 사람은 역동적인 구도로 대지에 씨를 뿌리는 농민의 모습을 그려 노동의 존엄과 힘을 표현하여 고흐를 비롯한 후세 화가에 큰 영향을 주었습니다. 양치기의 소녀는 광대한 들판에서 양의 무리를 지켜보는 소녀를 그린 작품입니다. 조심스럽고 확연한 소녀의 모습이 인상적이며 밀레의 농민화의 전형적인 작품 중 하나입니다. 봄은 격렬한 뇌우 후 무지개가 걸린 봄 풍경을 그린 밀레에는 드문 풍경화입니다. 풍부한 자연의 숨결과 재생의 기도가 담겨 있습니다. 밀레는 프랑스 북부의 노르망디 지방으로, 화가를 뜻하고 파리에 나온 당초는 초상화 화가로서 생계를 세워, 농민의 생활이나 노동을 주제로 되어 「농민 화가」라고 불리게 되었습니다. 당시의 농민을 주제로 하는 것은 낮게 평가되었고, 그는 신념을 구부리지 않고 계속 그렸습니다. 「낙호 집어」가 1857년의 살롱(관전)에 출품되었을 때 프랑스 사회에서는 가난한 농민의 모습을 리얼하게 그린 것으로, 파리의 번잡함이나 불위생한 환경을 싫어해, 폰테인블로의 숲에 가까운 바르비종 마을에 이주했습니다. 거기서 테오도르 루소 등 다른 화가들과 교류해 자연과 농민의 생활을 깊게 관찰하고 계속 그려, 생존중은 반드시 높은 평가나 경제적 성공을 거두지 않지만, 그의 농민에 대한 깊은 공감과 인간 통찰력이 가득한 작품은, 특히 고흐는 밀레의 작품을 깊이 존경하고 모사도 합니다. 마쓰다이라
Jean-François Millet의 다른 major works 및 에피소드는 "Gleaners"와 같은 works depicting a farming couple who take a break from working in the fields to pray to the sound of distant church bells. It is characterized bys Millet 's three great paintings, along with ``The Gleaners'' and ``The Shepherd Girl.'' Shepherd Girl is a work depicting a girl who watches over a flock of sheep in a vast field. The modest yet resolute figure of the girl is impressive, and it is one of Millet's typical peasant paintings. This is a rare landscape painting by Millet a severe thunderstorm. It contains the breath of rich nature and a prayer for rebirth. Millet lived in the Normandy region of northern France, and when he first moved to Paris to become a painter, he made a living as a portrait painter, and as he began to focus as a ``peasant painter.'' At the time, farmers were not considered as subjects, so he continued to paint without wavering in his beliefs. hustle and bustle of Paris and the unsanitary environment, so he moved to the village of Barbizon near the Forest of Fontainebleau. There, he interacted with other painters such as Théodore Rousseau, and continued to deeply observe and paint nature and the lives of farmers. Although success during his lifetime, his works were full of deep empathy for farmers and human insight, and Van Gogh in particular deeply respected Millet's works and even copied them. Matsudaira
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ジャン=フランソワ・ミレーの「落穂拾い」以外の主要作品やエピソードには、晩鐘は畑仕事の手を休め、遠くの教会の鐘の音に合わせて祈りを捧げる農夫婦を描いた作品です。静寂と敬虔な雰囲気が特徴で、「落穂拾い」「羊飼いの少女」と並ぶミレーの三大名画の一つとされています。種をまく人はダイナミックな構図で、大地に種をまく農民の姿を描いて、労働の尊厳と力強さを表現して、ゴッホをはじめとする後世の画家に大きな影響を与えました。羊飼いの少女は広大な野原で羊の群れを見守る少女を描いた作品です。慎ましくも毅然とした少女の姿が印象的で、ミレーの農民画の典型的な作品の一つです。春は激しい雷雨の後の虹がかかった春の風景を描いた、ミレーには珍しい風景画です。豊かな自然の息吹と再生の祈りが込められています。 ミレーはフランス北部のノルマンディー地方で、画家を志してパリに出た当初は肖像画家として生計を立て、農民の生活や労働を主題とするようになり「農民画家」と呼ばれるようになりました。当時の農民を主題とすることは低く評価されて、彼は信念を曲げず描き続けました。「落穂拾い」が1857年のサロン(官展)に出品された際フランス社会では貧しい農民の姿をリアルに描いたことで、パリの喧騒や不衛生な環境を嫌い、フォンテーヌブローの森に近いバルビゾン村へ移住しました。そこでテオドール・ルソーら他の画家たちと交流し、自然や農民の生活を深く観察して描き続け、存命中は必ずしも高い評価や経済的成功を収めませんが、彼の農民に対する深い共感と人間洞察に満ちた作品は、特にゴッホはミレーの作品を深く尊敬し、模写もします。 松平
Other major works and episodes by Jean-François Millet other than ``The Gleaners'' are works depicting a farming couple who take a break from working in the fields to pray to the sound of distant church bells. It is characterized by its quiet and pious atmosphere, and is considered one of Millet's three great paintings, along with ``The Gleaners'' and ``The Shepherd Girl.'' The Sower is a dynamic composition depicting a farmer sowing seeds into the earth, expressing the dignity and strength of labor, and had a great influence on later generations of painters, including Van Gogh. The Shepherd Girl is a work depicting a girl who watches over a flock of sheep in a vast field. The modest yet resolute figure of the girl is impressive, and it is one of Millet's typical peasant paintings. This is a rare landscape painting by Millet, depicting a spring landscape with a rainbow after a severe thunderstorm. It contains the breath of rich nature and a prayer for rebirth. Millet lived in the Normandy region of northern France, and when he first moved to Paris to become a painter, he made a living as a portrait painter, and as he began to focus on the lives and labor of peasants, he became known as a ``peasant painter.'' At the time, farmers were not considered as subjects, so he continued to paint without wavering in his beliefs. When ``The Gleaners'' was exhibited at the Salon in 1857, it depicted a realistic depiction of a poor peasant in French society, and he disliked the hustle and bustle of Paris and the unsanitary environment, so he moved to the village of Barbizon near the Forest of Fontainebleau. There, he interacted with other painters such as Théodore Rousseau, and continued to deeply observe and paint nature and the lives of farmers. Although he did not necessarily achieve high acclaim or financial success during his lifetime, his works were full of deep empathy for farmers and human insight, and Van Gogh in particular deeply respected Millet's works and even copied them. Matsudaira