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Top 50 things to do and attractions in Pavia

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Wanderlog staff
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• updatedSep 26, 2025

Nestled in the heart of Lombardy, Pavia is a city that beautifully blends history, culture, and charm. Known for its stunning architecture and rich academic heritage, this hidden gem is often overshadowed by its more famous neighbors. From the iconic Ponte Coperto, which gracefully spans the River Ticino, to the impressive Pavia Cathedral with its striking octagonal dome, every corner of this city tells a story waiting to be discovered. Whether you're wandering through the lush Giardini del Castello Visconteo or soaking in the vibrant atmosphere of Piazza della Vittoria, Pavia offers a delightful mix of sights that cater to every traveler’s taste.

As passionate explorers of unique destinations, we at Wanderlog are excited to share some of our favorite spots in Pavia. This city is home to a variety of attractions, from the historic University of Pavia, one of the oldest in Europe, to the enchanting Santa Maria del Carmine church, showcasing exquisite Venetian Gothic architecture. With a blend of well-known landmarks and hidden treasures, Pavia invites you to immerse yourself in its rich tapestry of experiences. So grab your walking shoes and get ready to explore the captivating sights and sounds of this remarkable city!

Why trust us
We scoured through the internet and read through 20 reputable sites and blogs like Lonely Planet and My Italian Diaries. We gathered all the results in one place and ranked them by how many times they were mentioned so you know you're getting the best of the best. Just look for the "mentioned by" tags on each place like these:
Curious about the sites we referenced?
Visiting Pavia? See our Pavia Trip Planner.
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1Ponte Coperto

4.5
(12700)
•
4.2
(1271)
•
Mentioned on 
12 lists 
Bridge
Sights & Landmarks
Ponte Coperto, also known as the Covered Bridge of Pavia, is a charming stone-arched bridge that spans the River Ticino. This historic bridge connects the city center with the Borgo Ticino district and features a covered walkway with a small chapel in its center. The bridge's unique structure consists of five arches and two portals at its ends.
Beautiful and fantastic place for quiet moments. The hike beside the river is a relaxing experience worthy to try. You can sit and have your meal on the river bank and enjoying the scenery around.
Muammar K — Google review
It’s a beautiful bridge with great views of the city in the background. Well worth a visit.
Scot S — Google review
A nice historical bridge that tells a story despite being rebuilt. The bridge is considered an icon of Pavia and still retains a charm across the river. There are viewing points along the 2-way bridge. In the middle of the bridge, there is a small chapel though it is not always open. Across the river, there is a statue on the left dedicated to the people (often, the ladies) who used to wash clothes along the river.
T K — Google review
The Bridge is well worth a visit it's unique I believe it's a rebuild as it was bombed during the 2nd WW but it's great to see lots of people socialising on it . I also like the sculpture of the Washer Woman dedicated to all the scrubbers who washed there laundry in the Ticcino River before the wonderful invention of the washing machine .
Amanda E — Google review
Really nice bridge to see. Not much to do around. Though I’d recommend making a picture at the statue of the guy with the cannon pointing towards the bridge/city. Nice spot
Ramon — Google review
Ponte Coperto is very famous point for walking and enjoying peaceful nature around the Ticino river. It's very soothing and relaxing to walk around ponte after hectic daily routine.
Ehtisham B — Google review
When reading about Pavia, the Ponte Coperto is mentioned as one of its highlights. While it's definitely not something you see every day, it's also definitely not very picturesque. The bridge is still very much in use and only has narrow sidewalks. The amount of traffic crossing the bridge is huge, so it's a noisy and smelly experience crossing it on foot. View from the bridge is nice, but not spectacular. Been there, seen it, that's it.
Jan V — Google review
Best time to visit: At dusk where one could enjoy the breeze and admire the sunset. You will find many vendors selling goods and wares. Italy with its great interest and passion for architecture and history has some of the world’s most interesting and ancient bridges. Albert Einstein spends quite a bit of time here, his quote is inscribed on a plaque.
Angelina C — Google review
27100 Pavia PV, Italy•http://www.comune.pv.it/•+39 0382 538769•Tips and more reviews for Ponte Coperto

2Basilica di San Michele Maggiore

4.7
(1733)
•
4.7
(698)
•
Mentioned on 
+7 other lists 
Basilica
Sights & Landmarks
Catholic church
Church
San Michele Maggiore Church is a magnificent testament to Lombard-Romanesque architecture, steeped in history and artistry. This centuries-old structure stands proudly on the site of an earlier Lombard church, with its lower campanile still echoing tales from the past. Originally destroyed in 1004, it underwent reconstruction starting at the end of the 11th century and was completed by 1155.
Beautiful, not over-the-top, but very lovely. (Sadly the sandstone on the outside is quite weathered, making it challenging to see the external artwork.) Worth seeing if you're in the Pavia area - Have fun!
Jen M — Google review
We were there too late so we saw it only outside. Unfortunately the facade is under renovation, however, there were some interesting elements on it. I must visit Pavia once more to get inside.
Hubert — Google review
Stunning architecture, makes one feel small and insignificant. Amazing frescos and lots of history everywhere.
Adam G — Google review
It is a very beautiful place to see. One of oldest building in pavia.
Ariyapala G — Google review
Wonderful lombardic-roman basilica, San Michele Maggiore stands here since 1100 and is today recognized as one of the most impressive churces of the Longobardic period.
Alfonso F — Google review
The church is impressive. The old sandstone of the façade is impressive. I found the inside less taken care of as it used to be. Especially the crypt. No light to the stone steps to go down. Dark the inside, sloppy the cloth on the altar. I was so surprised, I use to come here when I am near Pavia. San Michele was probably my favourite church... I was really deluded!
Fleicap — Google review
It is worthy to visit.
Amir F — Google review
Worth a visit. Well laid out tourist route with explanations in Italian only (you can get by). Highlight is the 10 century, silver covered wooden crucifix. In and out in 25 minutes. Free.
BT H — Google review
Piazza S. Michele, 27100 Pavia PV, Italy•http://www.sanmichelepavia.it/•+39 0382 477691•Tips and more reviews for Basilica di San Michele Maggiore
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3Santa Maria del Carmine

4.6
(1362)
•
4.4
(166)
•
Mentioned on 
8 lists 
Catholic church
Sights & Landmarks
Points of Interest & Landmarks
This magnificent church was built in the 15th century, and is a true example of Venetian Gothic architecture. The colourful stained glass windows, statues and paintings are a delight to behold and make for a truly spiritual experience. The church also has an impressive layout, with plenty of nooks and crannies to explore.
The cathedral it is well preserved, beautiful inside and the piazza outside the church is very quiet and beatiful.
Giovanna B — Google review
An interesting church. Who are the four mitred gentlemen at the altar? I like the pulpit halfway down the church … no sound system for the preaching … the people know by heart what’s in the Missal but what is said in the homily? Even today, I would like a handout for those interested, to take away and study. I liked the painting of Mary, Mary M., and John at the crucificion.
Stuart N — Google review
All churches in Italy are beautiful with a spectacular architecture and beautiful paintings
A. — Google review
I visited many churches in Milan, but this one is one of the most beautiful.
Mustafa M — Google review
It is the church were I felt more at peace, the ambience, music and almost no one inside when I visit made me stay there for quite a while, I felt at home, and it is beautiful.
Raquel G — Google review
Amazing ancient architecture. Treat to civil engineers eyes 🙂
Vela D — Google review
I like the structure of the church and it's beautiful inside the colors the statues
Kabogera A — Google review
Stunning church, well worth a visit!
Adam G — Google review
Piazza del Carmine, 27100 Pavia PV, Italy•https://parrocchiacarminepavia.wordpress.com/•Tips and more reviews for Santa Maria del Carmine

4Visconti Castle - Civic Museums

4.3
(7398)
•
3.8
(440)
•
Mentioned on 
6 lists 
Art museum
Museums
Archaeological museum
Castle
Visconti Castle, also known as Castello Visconteo, is a late Gothic-era castle located in Lombardy. It features a vast courtyard and houses an art museum with frescos and history displays. The castle is part of the Civic Museums of Pavia and is surrounded by a popular park. This historical site symbolizes wealth and power dating back to 1360, showcasing the region's rich cultural and artistic development.
A great museum set in a lush, green environment. The collection features several masterpieces and a significant array of Lombard artifacts. The serene setting and well-curated exhibits offer visitors a profound appreciation of historical and artistic treasures.
M. M — Google review
Amazing place with a lot of beautiful trees and architecture is amazing. Must visit place.
Ehtisham B — Google review
I didn’t spend much time here, so I don’t have detailed information about the place, but I really liked the architectural style it showcased.
Mustafa M — Google review
Pavia. Beautiful castle with fantastic collection of medieval stone art and pretty decent painting gallery. Highly recommended.
Maria C — Google review
Visconti Castle is a nice place to go to spend maybe 2-3 hours in. Firstly the garden around the castle is very nice and serene (free to access), to enter the castle itself you need a ticket. The reason I gave this 4 stars is that the ticket is €10 per person which is not at all reasonable, and adding to that there is no discount for students (at least that’s what the lady said when we asked). The castle is a museum as well with nice and interesting pieces of history, including some ancient Egyptian artifacts (which caught me by surprise). The architecture of the castle itself is beautiful, it apparently has 4 floors but we could only access the ground and first floor (which has nothing but locked doors). On the ground floor you can enter the “museum” part of the castle. All in all a nice place to visit, but it felt kind of dead and boring sometimes. And I would not come here again simply because of the unreasonable price, only suitable for a one-time visit.
Fouad C — Google review
Civic Museum housed in a massive palace with beautiful arches, high windows and painted ceilings. Walls of each room are differently painted. The collection is well curated. However, lighting at the paintings gallery and the overall maintenance of the building were not that great. Friendliness of the staff made up to it. There is lot to see and enjoy at a slow pace. Definitely worth the ticket price of €10. Tickets could be purchase from the reception counter.
Pramuditha M — Google review
Absolutely brilliant museum - I got in free for being in my early 20's too. Very interesting mixture of historic architectural, artifact and artistic pieces. Definitely worth a visit, even just to see the castle and it's grounds.
J. K — Google review
Super château ! Loved it
Amélie C — Google review
Viale XI Febbraio, 35, 27100 Pavia PV, Italy•http://museicivici.comune.pv.it/•+39 0382 399770•Tips and more reviews for Visconti Castle - Civic Museums

5Piazza della Vittoria

4.2
(466)
•
Mentioned on 
5 lists 
Sights & Landmarks
Points of Interest & Landmarks
Piazza della Vittoria, located behind the Duomo, offers a stunning view of the third largest dome in Italy. It's a perfect spot to enjoy a refreshing Spritz while basking in the sunshine. Nearby, there's also a Danish shop called Tiger that is worth exploring. Families can appreciate the scenery and let their little ones have fun following pigeons around for entertainment.
27100 Pavia PV, Italy•Tips and more reviews for Piazza della Vittoria
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6Basilica di San Pietro in Ciel d'Oro

4.8
(32)
•
Mentioned on 
5 lists 
Basilica
The Basilica di San Pietro in Ciel d'Oro is a stunning example of Romanesque architecture, dating back to the 12th century, though its roots extend as far back as the 7th century. This magnificent church is adorned with a breathtaking ceiling featuring gold leaf behind glass tesserae, creating an ethereal atmosphere. Rich in history and culture, it houses the tombs of significant figures such as Saint Augustine and Liutprand, the king of the Lombards.
(Translated by Google) A place to visit also in honor of Pope Leo IV. The ark of Saint Augustine is splendid. (Original) Luogo ove recarsi anche in onore di Papà Leone IV. L'arca di Sant Agostino è splendida.
Luca F — Google review
(Translated by Google) Visiting the church that houses the Ark of St. Augustine is a must if you come to Pavia... beautiful! (Original) Visitare la Chiesa che custodisce l' Arca di Sant' Agostino è indispensabile se si viene a Pavia.. bellissima!
Erica S — Google review
(Translated by Google) The tomb of Saint Augustine, Father and Doctor of the Catholic Church, lies in the Basilica of San Pietro in Ciel d’Oro in Pavia. His remains were moved to Pavia in the 8th century by the Lombard King Liutprand, who wished for him to be venerated in his capital. The saint's remains are housed in an extraordinary Gothic marble sarcophagus, crafted between 1362 and 1365 by Giovanni di Balduccio and some of his students. Saint Severinus Boethius and the Lombard King Liutprand himself are also buried in the church. If you are in Pavia, a visit to the basilica is highly recommended. (Original) Nella basilica di San Pietro in Ciel d’Oro a Pavia, si trova la tomba di Sant’Agostino, Padre e Dottore della Chiesa cattolica. Le sue spoglie sono state fatte trasferire a Pavia, nell'VIII secolo, dal re longobardo Liutprando che desiderava fosse venerato nella sua capitale. I resti del Santo sono ospitati in una straordinaria arca gotica in marmo, realizzata tra il 1362 e il 1365 da Giovanni di Balduccio con alcuni suoi allievi. Nella chiesa sono sepolti anche San Severino Boezio e lo stesso re longobardo Liutprando. Se si è a Pavia una visita alla basilica è davvero consigliata
Massimo S — Google review
(Translated by Google) The church that houses the remains of Saint Augustine. Located near the Visconti Castle, it is one of Pavia's beautiful churches. Upon entering, however, there is no visible reference to the saint or, more importantly, to his cult. (Original) Chiesa che conserva le spoglie di Sant'Agostino. Situata nei pressi del castello visconteo è una delle belle chiese di Pavia. Entrando non c'è però nessun riferimento ben visibile al santo e soprattutto al suo culto.
Luisella T — Google review
(Translated by Google) The Basilica of San Pietro Cel d'Oro (Saint Peter in the Golden Sky) is built in the Lombard Romantic style. The older church dates back to 604 and was rebuilt several times due to internal strife and the Napoleonic invasion. At the rear of the altar, in a niche in a reliquary, are the relics of the renowned philosopher and theologian Saint Augustine. To the right of the altar, in the crypt, are the relics of the martyr Severinus Boethius. He and his sons held the highest positions in the Roman Empire. He fought against the Arians and was slandered. He was imprisoned, tortured, and executed in Pavia in 524 or 525. He left behind a rich legacy of philosophical and theological works. He is venerated by both Orthodox and Latin believers. A majestic basilica, fragments of delicate frescoes remain in the interior. Konakh above the altar with the image of the golden sky (19th century). (Original) Базилика Сан Пьетро Чель д’Оро (святого Петра в Золотом Небе) построена в стиле ломбардской романтики. Более древняя церковь известна с 604-го года, несколько раз перестраивалась из-за внутренних раздоров, вследствие наполеоновского нашествия. С тыльной стороны алтаря в нише в ковчеге - мощи известного философа и богослова Блаженного Августина. Справа от алтаря в крипте - мощи мученика Северина Боэция. Он и его сыновья занимали самые высокие посты в Римской Империи. Боролся против ариан. Был оклеветан. Его заключили в тюрьму, пытали и казнили в Павии в 524 или 525 г. Оставил после себя богатое наследие из философских и богословских трудов. Почитается как православными, так и латинянами. Величественная Базилика, в интерьере остались фрагменты нежных росписей. Конах над алтарем с изображением золотого неба (XIX в).
Ольга Д — Google review
(Translated by Google) Beautiful, truly characteristic church and absolutely unmissable if you take a day trip out of Pavia, as I did... It's definitely worth a visit! (Original) Bellissima chiesa davvero molto caratteristica e assolutamente imperdibile se fate una gita fuori porta a Pavia come successo nel mio caso... Merita sicuramente una visita!
Claudia — Google review
(Translated by Google) The church was largely rebuilt based on the original model in the early 1900s after the Napoleonic ruins. The altar surmounting the urn of St. Augustine is interesting. The tomb of St. Boethius is also located there. The Augustinians present are available to explain everything. Free admission. (Original) Chiesa in gran parte rifatta sul modello originale all'inizio '900 dopo le rovine napoleoniche: interessante l'ara che sormonta l'urna di Sant'Agostino. Vi è anche la tomba di S.Boezio. Disponibili ad illustrare tutto gli agostiniani presenti. Ingresso gratuito
Massimo C — Google review
(Translated by Google) Pavia's other cathedral. Great thinkers as well as saints are buried here (Augustine and Boethius). Walking around the basilica gives a sense of peace, while inside, one feels deeply spiritual. A truly special place, recommended even for non-believers. (Original) L'altro duomo di Pavia. Grandi pensatori oltre che santi, sono seppelliti qui (Agostino e Boezio). Passeggiare attorno alla basilica da una sensazione di pace, mentre dentro di grande spiritualità. Un luogo davvero speciale, consigliato anche per chi non crede.
Giulia — Google review
Piazza S. Pietro in Ciel d'Oro, 27100 Pavia PV, Italy•Tips and more reviews for Basilica di San Pietro in Ciel d'Oro

7Castello visconteo

4.9
(10)
•
Mentioned on 
+4 other lists 
Castle
Nestled near the charming city of Bergamo, Castello di Malpaga is a captivating historical site that draws visitors with its rich connection to the legendary condottiero Bartolomeo Colleoni. This impressive fortress showcases remarkable examples of medieval military architecture, allowing guests to step back in time and explore the strategic designs that once protected its inhabitants. A visit here promises not only a glimpse into Italy's storied past but also an opportunity to appreciate the artistry and craftsmanship of bygone eras.
(Translated by Google) Wonderful, beyond all expectations. Both the ground floor with its antiquities and the art gallery on the first floor are unmissable. (Original) Meraviglioso, oltre ogni aspettativa. Una tappa imperdibile sia il piano terra con le sue antichità, sia la pinacoteca al primo piano
Susanna S — Google review
(Translated by Google) Civic Museums. The Malaspina collection is very interesting. Currently, until January 11, 2026, an exhibition commemorating the 500th anniversary of the "Battle of Pavia 1525" is on display. The exhibition contains precious paintings by Bergognone and other artists, including Perugino, Foppa, Zenale, and others from collections elsewhere. There are also seven precious 16th-century wool tapestries from the Capodimonte Museum, which depict scenes from the battle that took place in Pavia in 1525. (Original) Musei civici. Molto Interessante la collezione Malaspina. In questi giorni, fino all 11 gennaio 2026 é presente la mostra che ricorda il cinquecentenario della " battaglia di Pavia 1525" . La suddetta mostra contiene preziosi quadri del Bergognone e di altri autori tra cui un Perugino un Foppa lo Zenale ed altri che appartengono a collezioni di altri luoghi ; sono presenti anche 7 preziosi arazzi del secolo XVI in lana provenienti dal musei di Capodimonte che raccontano le scene della battaglia avvenuta a Pavia nel 1525
Roberta V — Google review
(Translated by Google) Enchanting place (Original) Luogo incantevole
Massimiliano V — Google review
Piazza Castello, 27100 Pavia PV, Italy

8Giardini del Castello Visconteo

4.4
(216)
•
4.0
(266)
•
Mentioned on 
4 lists 
Historical landmark
Sights & Landmarks
Garden
Castles
Giardini del Castello Visconteo, also known as the Visconti Castle, was constructed between 1360 and 1365 by Galeazzo II Visconti. It is now home to the Musei Civici of Pavia and features a popular park surrounding it. The castle served as a private residence rather than a fortress and housed a magnificent library with about a thousand books and manuscripts, which were unfortunately lost over time.
A walk around the castle offers good views of the castle and grounds. It's a pleasant walk in the centre of Pavia. In the garden, there is a statue in honour of man's best friend - the dog.
Wendy S — Google review
The main attraction of pavia after the university, worth to see of course
Hind — Google review
Nice park around the castle
Karol H — Google review
I haven't been on the inside of the Castle/museum but the surroundings are pretty! Reminded me of the Sforza Castle in Milano
Alexis S — Google review
Great location with nice garden for having a walk!
Dario Z — Google review
Very nice garden with a big community of friendly kitties
Luis M — Google review
Beautiful place!!!!
J G — Google review
(Translated by Google) The garden was conceived by the Viscontis as a "place of delight", intended to accommodate the court's moments of leisure, and a hunting reserve. The Park is characterized by its large extension and the richness of fauna and flora within it; the project was based on the ideal model proposed by medieval treaties and a large, flat, fertile place, rich in water and vegetation, was chosen. It is a green lung where you can walk and in the meantime take a look at the outside of the Castle. (Original) Il giardino fu concepito dai Visconti come "luogo di delizia", destinato ad accogliere i momenti di svago della corte, e riserva di caccia. Il Parco si caratterizza per la grande estensione e per la ricchezza di fauna e flora al suo interno; il progetto si basò sul modello ideale proposto dai trattati medievali e venne scelto un luogo ampio e pianeggiante, fertile, ricco di acqua e vegetazione. E’ un polmone verde dove passeggiare e nel frattempo dare un’occhiata all’esterno del Castello.
Andrea C — Google review
Viale XI Febbraio, 2, 27100 Pavia PV, Italy•Tips and more reviews for Giardini del Castello Visconteo

9Teatro Fraschini

4.6
(1536)
•
4.5
(108)
•
Mentioned on 
4 lists 
Performing arts theater
Concerts & Shows
Theaters
Teatro Fraschini is a prestigious building known for its architectural and artistic value. The large theater room, shaped like a horseshoe, exemplifies Baroque perspective research. It offers a rich opera and theatrical season featuring artists from around the world. The Baroque architectural style mesmerizes visitors, with three tier boxes installed for better sound quality. This Italian theatre hosts opera, ballet, and orchestral performances in an impressive scenographic architecture.
The best theater in town. I was amazed by its architecture.
Htoi M — Google review
It was fantastic since i went to see my kid's performance😍. Very big and i was so in love with it.
Marion P — Google review
Beautiful classic theatre, really intresting for tourister and for pavia citadines. The program present Opera, theatre rappresentation and concerts.
#ASAMIO C — Google review
Wonderful old and classic theatre in the inner city of Pavia. Not easy to get in because it is only opened two times a month for visit. Otherwise only visitable when listening to performances.
BanditAus P — Google review
Beautiful theatre, nicely restored. Great acoustics for opera.
Lory L — Google review
Nice place and fancy.. I watched opera performance there.. Its was very beautiful
Hind — Google review
The theater is fantastic. The acustics are perfectly suited for classic music concerts
Luis M — Google review
Beautiful theatre at Pavia city center. Must visit.
Μαίρη Μ — Google review
S.da Nuova, 136, 27100 Pavia PV, Italy•https://www.teatrofraschini.it/•+39 0382 3711•Tips and more reviews for Teatro Fraschini

10The University of Pavia

4.2
(16)
•
Mentioned on 
4 lists 
University
The University of Pavia, with its roots dating back to the 9th century, was officially established in 1361. Notable alumni include Christopher Columbus and Alessandro Volta, known as the father of the electric battery. The university boasts several courtyards designed as square cloisters, each with unique characteristics. It is also equipped to accommodate individuals with disabilities. Visitors should not miss historic classrooms like the Spallanzani classroom and the impressive palace with its numerous courtyards.
Excellent university
Ramesh K — Google review
It is one of the oldest universities in the world.
Imtiaz A — Google review
(Translated by Google) A lovely place equipped for the disabled with particular attention (Original) Un posto grazioso attrezzato per i disabili con particolare attenzione
Fra ( — Google review
(Translated by Google) Some historic classrooms such as the Spallanzani classroom are unmissable (Original) Alcune aule storiche come l'aula spallanzani sono imperdibili
Stefano D — Google review
(Translated by Google) The top of the top courtyards that follow one another with beautiful statues... I now understand the importance of this University (Original) Il top del top cortili che si susseguono con bellissime statue..capisco ora l importanza di questo Ateneo
Giovanni N — Google review
(Translated by Google) Impressive palace with many courtyards. (Original) Palazzo imponente con molti cortili.
Paolo F — Google review
(Translated by Google) Unfortunately, my experience with the foundation program in Pavia was disappointing. The overall organization leaves much to be desired, and communication with students is often confusing and ineffective. In particular, the coordinator Elena proved to be incompetent: she has difficulty communicating in different languages ​​and does not seem to know her tasks well. Students often do not receive adequate support or clear information about schedules, exams or deadlines. I expected a more professional environment, considering that it is a university program aimed at international students. I do not recommend it. (Original) Purtroppo la mia esperienza con il foundation program a Pavia è stata deludente. L’organizzazione generale lascia molto a desiderare, e la comunicazione con gli studenti è spesso confusa e inefficace. In particolare, la coordinatrice Elena si è dimostrata poco competente: ha difficoltà a comunicare in lingue diverse e sembra non conoscere bene i propri compiti. Gli studenti spesso non ricevono supporto adeguato né informazioni chiare su orari, esami o scadenze. Mi aspettavo un ambiente più professionale, considerando che si tratta di un programma universitario rivolto a studenti internazionali. Non lo consiglio.
Vlad Y — Google review
❤️❤️
Neranjan R — Google review
Piazza Botta Adorno Antoniotto, 6, 27100 Pavia PV, Italy•http://www.unipv.it/•Tips and more reviews for The University of Pavia
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11Piazza del Duomo

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Piazza del Duomo is a charming square located behind the Duomo in Italy. It offers stunning views of the third largest dome in the country, making it a perfect spot to relax and enjoy a refreshing drink while basking in the sunshine. The square also provides access to various shops and eateries, making it an ideal place for both adults and children to explore.
27100 Pavia PV, Italy•Tips and more reviews for Piazza del Duomo

12Università degli Studi di Pavia

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University
Established in 1361, Università degli Studi di Pavia is a prestigious institution with a rich history. It traces its roots back to the 9th century, making it one of the oldest universities in the world. With over 21,000 students and eighteen departments, it offers a wide range of academic programs and has earned a strong reputation for excellence in education and research.
Piazzale Camillo Golgi, 2, 27100 Pavia PV, Italy•Tips and more reviews for Università degli Studi di Pavia

13Basilica di San Teodoro

4.7
(772)
•
4.7
(212)
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Mentioned on 
2 lists 
Basilica
Sights & Landmarks
Catholic church
Churches & Cathedrals
San Teodoro in Pavia, Italy is a Romanesque-style Catholic church with a rich history dating back to the 8th century. Initially dedicated to Saint Agnes, it was later rededicated to San Teodoro, the bishop of Pavia. The church houses the saint's body and features well-preserved frescoes depicting the city of Pavia, adding to its exceptional beauty. Navigating through narrow streets to find this hidden gem adds to its allure.
This church is incredible. The reach it, you need to find it, walking from narrow streets, it feels like a labyrinth. Reach it is part of the magic of this place: no many people in a quite area, when you enter you discover a small church with many affresco representing Pavia’s history and more.
Dario Z — Google review
Worth a visit. Highlights are the frescoes showing Pavia during the French siege (notice the canons). The painted stone statue of St Theodore near the altar is as also worth noting. Very quiet. I was the only visitor. Unlike many other churches, it doesn't close midday. In and out in 20 minutes. Free.
BT H — Google review
San Teodoro is a Romanesque-style Roman Catholic church in the town center of Pavia, Italy. A church at the site is documented since the year 752. The parish is cited in documents from the mid-13th-century. Initially the church was dedicated to Saint Agnes, but by the year 1000, it was dedicated to San Teodoro, bishop of Pavia who died in 778. The body of the saint, who is the protector of fisherman and those working in the River Ticino, is housed in the main altar. The interior has a 13th-century altarpiece of a Madonna and child. and a series of early 16th-century frescoes depicting the Life of Sant'Agnese and San Teodoro. The Apse has a painting of the Adoration of the Lamb and some saints by Antonio Villa. The church has frescoes (1507) by Bramantino and Bernardino Lanzani. The latter's fresco includes a vista of Pavia in 1525/26 replete with medieval towers.
F V — Google review
No words are enough to describe this church. If you love early middle ages or are a fan of the Longobards is one of those places you can't miss.
Marcela L — Google review
One of the modt beautiful church in Pavia with very nice frescos rapresenting Saint Teodoro life.
#ASAMIO C — Google review
This is a must-see landmark when it is open.
Jamie B — Google review
Walking alongside the path leading to this church really gives me an illusion of being in the middle ages.
Lorraine J — Google review
Nice church, free entrance
Jaqsbcn — Google review
Piazza San Teodoro, 3, 27100 Pavia PV, Italy•http://www.diocesi.pavia.it/•Tips and more reviews for Basilica di San Teodoro

14Chiesa di Santa Maria di Canepanova

4.7
(181)
•
4.4
(40)
•
Mentioned on 
2 lists 
Catholic church
Sights & Landmarks
Churches & Cathedrals
Nestled in the heart of Pavia, the Chiesa di Santa Maria di Canepanova is a stunning example of Renaissance architecture that dates back to the early 16th century. Constructed between 1500 and 1507 by Giovanni Antonio Amedeo, this church showcases an octagonal design that reflects the ad quadratum style. Its interior features a centrally planned space with a dome that elegantly extends into its square perimeter.
Good place, free meals everyday Monday-Sunday, a lot of food there, beautiful and quite place. Kind workers, Caring employees
Azamat S — Google review
I was fascinated by the beauty of the place
Bianca G — Google review
(Translated by Google) Church and adjacent convent of the Franciscan friars. The Friars run a canteen aimed at people experiencing a period of daily difficulty. To help manage the canteen you can offer your time (as a volunteer), donate food or contributions. (Original) Chiesa ed attiguo convento dei frati francescani. I Frati gestiscono una mensa rivolta alle persone che vivono un periodo di difficoltà quotidiana. Per aiutare nella gestione della mensa si può offrire il proprio tempo (quale volintario), donare beni alimentari o contributi.
Simone I — Google review
(Translated by Google) The Church of Santa Maria di Canepanova is the most important sixteenth-century monument in Pavia. We are in via Defendente Sacchi and behind a rather anonymous and partly unfinished façade lies a jewel to be discovered. Once inside you are fascinated by the colorful frescoes and the richness of their details, which make this church a small seventeenth-century Lombard art gallery. The shape is octagonal, with eight large arches separated by columns that enclose niches decorated with baroque motifs. But we want to focus our attention on a small fresco on the main altar depicting a Madonna, the oldest work already existing at the time of the church's construction. In fact, the history of the Church of Santa Maria di Canepanova starts from here. Where the church now stands, there once stood a home of an ancient and noble family from Pavia, the Canepanovas. On the outside wall of their house was a fresco of the Madonna breastfeeding a child that was believed to be able to work miracles. The number of pilgrims who arrived to venerate the sacred image increased more and more and this is how it was decided to build a sanctuary to safeguard and protect the work. The Canepanovas donated the land of the house and in 1500 the first stone of the sanctuary was laid. There are those who attribute the initial project as the work of Bramante, while the theory that attributes the initial works to Giovanni Antonio Amadeo, an architect from Pavia who built the dome of the Milan cathedral, is more realistic. Thus was born the sanctuary of the Madonna di Canepanova, which takes its name from the image of Mary venerated inside and from the family who financed it. Once you enter it is amazing. (Original) La Chiesa di Santa Maria di Canepanova è il più rilevante monumento cinquecentesco di Pavia. Siamo in via Defendente Sacchi e dietro una facciata abbastanza anonima e in parte incompiuta si nasconde un gioiello da scoprire. Una volta entrati si resta affascinati dagli affreschi colorati e dalla ricchezza dei lori dettagli, che fanno di questa chiesa una piccola pinacoteca del Seicento lombardo. La forma è ottagonale, con otto grandi archi separati da colonne che racchiudono nicchie decorate a con motivi barocchi. Ma vogliamo concentrare la nostra attenzione su un piccolo affresco sull’altare maggiore raffigurante una Madonna, l’opera più antica già esistente al momento della costruzione della chiesa. Da qui parte infatti la storia della Chiesa di Santa Maria di Canepanova. Dove ora si trova la chiesa, sorgeva prima un’abitazione di una antica e nobile famiglia pavese, i Canepanova. Sul muro esterno della loro casa si trovava un affresco della Madonna che allatta un bambino che si riteneva potesse fare miracoli. Il numero di pellegrini che arrivava per venerare l’immagine sacra aumentò sempre di più ed è così che si decise di costruire un Santuario per custodire e proteggere l’opera. I Canepanova donarono il terreno della casa e nel 1500 si pose la prima pietra del santuario. C’è chi attribuisce il progetto iniziale come opera del Bramante, più realistica invece la teoria che attribuisce i lavori iniziali a Giovanni Antonio Amadeo, architetto pavese che fece costruire il tiburio del duomo di Milano. Nacque così il santuario della Madonna di Canepanova, che prende appunto il nome dall’immagine di Maria venerata all’interno e dalla famiglia che lo finanziò. Una volta entrati è meraviglia.
Andrea C — Google review
(Translated by Google) Construction period: 15th century Current use: Church Historical use: Church Accessibility: Small square in via Defendente Sacchi State of conservation: good Historical-artistic notes: by Restriction Decree: “It is a centrally planned building, with corner bell towers, designed by G.A. Amodeo perhaps with the collaboration or design of Bramante (1492 – 1507). Incomplete facade. Octogonal interior with dome, decorations by G. Moncalvo and G.B. Longarone”. The Sanctuary of S. Maria Incoronata di Canepanova dates back to the year 1500 and owes its origin to a miraculous fresco of the Virgin, which once existed on the facade of the house of the noble Canepanova family. The construction of the sanctuary was completed only with the advent of the Barnabites (1557), during the 17th century it was enriched with numerous paintings, sculptures and stuccos, which make this church a true museum of 17th century art. Following the suppressions of 1810, the Barnabites were forced to abandon the convent and sanctuary. The ancient Barnabite college attached to the church had in the meantime been used as a school, while the church was preserved as a subsidiary of the parish church of S. Francesco. On 6 December 1915 the place of worship was entrusted to the Friars Minor; they, no longer able to occupy the ancient Barnabite convent, took up residence in some rooms adjacent to the church. Therefore the need arose for a building that was more suitable for community life. Based on the architect's project. Carlo Morandotti, construction of the current convent began in 1935, which continued until 1937. Since their arrival in Pavia, the Friars distinguished themselves for their attention to the least and the poor. Thus they began to distribute hot meals daily to those who came to the convent door. Over the years the charitable activity has become increasingly better organised; currently some rooms of the convent are used as a "soup kitchen", which welcomes numerous needy brothers every day. In 1972, a studio for the design and creation of sacred art was established within the convent, on the initiative of P. Costantino Ruggeri, with the aim of translating the sacred language that post-conciliar liturgy he proposed. With the death of the Franciscan artist, the artistic studio was transferred and continues its activity supported by the Frate Sole Foundation. In 2007 work began on the renovation and rethinking of the convent spaces with the aim of adapting them to new pastoral needs: a renewed presence at the service of the Marian sanctuary and youth and university pastoral care. Catalog of Restricted Goods of the Municipality of Pavia at No. 030. (Original) Epoca di costruzione: secolo XV Uso attuale: Chiesa Uso storico: Chiesa Accessibilità: Piazzetta di via Defendente Sacchi Stato di conservazione: buono Note storico-artistiche: da Decreto Vincolo: “E’una costruzione a pianta centrale, con campanili angolari, progettata da G.A. Amodeo forse con la collaborazione o su disegno del Bramante (1492 – 1507). Facciata incompleta. Interno ottogonale con cupola, decorazioni di G. Moncalvo e G.B. Longarone”. Il Santuario di S. Maria Incoronata di Canepanova risale all’anno 1500 e deve la sua origine ad un affresco miracoloso della Vergine, che esisteva anticamente sulla facciata della casa della nobile famiglia dei Canepanova. La costruzione del santuario fu ultimata solo con l’avvento dei Barnabiti (1557), durante il ‘600 si arrichì di numerose pitture, sculture e stucchi, che fanno di questa chiesa un vero e proprio museo d’arte del Seicento. In seguito alle soppressioni del 1810 i Barnabiti furono costretti ad abbandonare il convento e il santuario. L'antico collegio dei Barnabiti annesso alla chiesa era stato nel frattempo adibito a scuola, mentre la chiesa fu conservata come sussidiaria della parrocchiale di S. Francesco. Il 6 dicembre del 1915 il luogo di culto fu affidato ai Frati Minori; essi, non potendo più occupare l’antico convento dei Barnabiti, presero dimora in alcuni locali adiacenti la chiesa. Nacque perciò l'esigenza di una costruzione che fosse più idonea alla vita comunitaria. Su progetto dell'Arch. Carlo Morandotti venne allora iniziata nel 1935 la costruzione dell'attuale convento, che si protrasse fino al 1937. Sin dal loro arrivo a Pavia i Frati si distinsero per la loro attenzione agli ultimi e ai poveri. Iniziarono così a distribuire quotidianamente dei pasti caldi a quanti ricorrevano alla porta del convento. Nel corso degli anni l’attività caritativa è andata organizzandosi sempre meglio; attualmente alcuni locali del convento sono adibiti a "mensa del povero", che accoglie ogni giorno numerosi fratelli bisognosi. Nel 1972 fu costituito all’interno del convento, per iniziativa di P. Costantino Ruggeri, uno Studio per la progettazione e la realizzazione di arte sacra con lo scopo di tradurre nelle molteplici manifestazioni artistiche (architettura, scultura, pittura) il linguaggio sacro che la liturgia post-conciliare proponeva. Con la morte dell’artista francescano, lo studio artistico è stato trasferito e continua la sua attività sostenuta dalla Fondazione Frate Sole. Nel 2007 è iniziato un lavoro di ristrutturazione e di ripensamento degli spazi del convento con il fine di adattarli alle nuove esigenze pastorali: una rinnovata presenza a servizio del santuario mariano e della pastorale giovanile ed universitaria. Catalogo dei Beni Vincolati del Comune di Pavia al N. 030.
Pantera R — Google review
(Translated by Google) Beautiful church but there was mass and I couldn't visit it as I would have liked (Original) Bella chiesa ma c'era la messa e non ho potuto visitarla come avrei desiderato
Luciano F — Google review
(Translated by Google) The church of Santa Maria Incoronata di Canepanova is a Catholic place of worship located in via Defendente Sacchi in Pavia. It is the most important sixteenth-century monument in the city of Pavia, the work of the architect Giovanni Antonio Amadeo or, according to others, of Donato Bramante. History The construction work of the church began in 1500 and the first part was completed in 1507. The construction project is earlier if it is true that the Confraternity of Santa Maria Immacolata di Canepanova was founded in 1492, which deals with the collection of the funds necessary for its construction. The works were carried out under the direction of Giovanni Antonio Amadeo. The architect from Pavia, at the height of his fame after having erected the tiburio of the cathedral of Milan, was in Pavia on behalf of Cardinal Ascanio Sforza, brother of Ludovico il Moro, to direct the construction of the cathedral. The scholar Bruno Adorni disputes this attribution: according to his thesis, due to the citation by the art historian Francesco Malaguzzi Valeri of a seventeenth-century writing which stated that Amadeo was present on the construction site in 1507, the attribution "has heavily influenced scholars who have dealt with the church up to the present day"[1]. According to Adorni, as well as for Arnoldo Bruschi, the design of the church must be attributed to Bramante. The church was built to celebrate a fifteenth-century fresco considered miraculous by tradition[2], depicting the Madonna del Latte which was located on the facade of a house in Viscardo of the noble Canepanova family, who partially subsidized the works; hence the name of the church itself[3]. To the left of the church entrance there is a painting dating back to the first half of the 17th century, depicting Pope John XIV venerating the image of the Madonna. The pope is the most illustrious exponent of the Canepanova family, assumed the throne of Peter after having been bishop of Pavia in the 10th century. Under the fresco an engraving bears the writing: «To Giovanni The construction works were interrupted during the war periods, being completed only in the 16th century with the arrival of the Barnabite fathers in 1557, who completed the construction with the erection of the dome. The church was consecrated in 1564 by Cardinal Ippolito de' Rossi. The Barnabites purchased some houses in the surrounding area and obtained building permits to build their own college, until 1620 when the square in front was created with the demolition of some houses[4]. In the seventeenth century the baroque decoration of the interior was created with paintings and stucco[5]. In 1810, with the Napoleonic suppression of religious congregations, the Barnabites had to abandon the convent, which was already used as a school[6]. The premises of the convent house the Liceo Classico which in 1865 was named after Ugo Foscolo[7] and the church became a subsidiary of the parish of San Francesco. On 6 December 1915 the church was entrusted to the Friars Minor who built the new convent next door, whose works, entrusted to Carlo Morandotti, lasted from 1935 to 1937. On 30 May 1926 the cardinal and archbishop of Milan Eugenio Tosi presided over the rite of the Coronation of the Virgin[8] On January 22, 2012, the conclusion of the works was presented, which involved an integral restoration project throughout 2016. Here the miraculous fresco of the Madonna del Latte... the beauty that can be admired inside this Marian Sanctuary in the center of Pavia is truly surprising... Thank God😇🙏👼 ⛪ (Original) La chiesa di Santa Maria Incoronata di Canepanova è un luogo di culto cattolico sito in via Defendente Sacchi a Pavia. È il più rilevante monumento cinquecentesco della città di Pavia, opera dell'architetto Giovanni Antonio Amadeo o, secondo altri, di Donato Bramante. Storia I lavori di costruzione della chiesa iniziarono nel 1500 e la prima parte fu ultimata nel 1507. Il progetto di costruzione è precedente se è vero che nel 1492 venne fondata la Confraternita di Santa Maria Immacolata di Canepanova, che si occupa della raccolta dei fondi necessari per la sua costruzione. I lavori furono realizzati sotto la direzione di Giovanni Antonio Amadeo. L'architetto pavese, all'apice della sua fama dopo aver eretto il tiburio del duomo di Milano, si trovava a Pavia su incarico del cardinale Ascanio Sforza, fratello di Ludovico il Moro, per dirigere la costruzione del duomo. Lo studioso Bruno Adorni contesta questa attribuzione: secondo la sua tesi, dovuta alla citazione da parte dello storico dell'arte Francesco Malaguzzi Valeri di uno scritto seicentesco che dava presente nel cantiere l'Amadeo nel 1507, l'attribuzione "ha pesantemente condizionato gli studiosi che si sono occupati della chiesa fino ai giorni nostri"[1]. Secondo Adorni, così come per Arnoldo Bruschi, invece il progetto della chiesa deve essere attribuito a Bramante. La chiesa è stata costruita per celebrare un affresco quattrocentesco ritenuto miracoloso dalla tradizione[2], raffigurante la Madonna del Latte che si trovava sulla facciata di una casa di Viscardo della famiglia nobile dei Canepanova, che sovvenzionò in parte i lavori; da qui il nome della chiesa stessa[3]. A sinistra dell'ingresso della chiesa vi è un dipinto risalente alla prima metà del XVII secolo, raffigurante papa Giovanni XIV che venera l'immagine della Madonna. Il papa è l'esponente più illustre della famiglia Canepanova, assunto al soglio di Pietro dopo essere stato vescovo di Pavia nel X secolo. Sotto l'affresco un'incisione riporta la scritta: «A Giovanni XIV, pontefice pavese della famiglia Canepanova, regnante nel 985, in precedenza vescovo di Pavia e primo cancelliere dell'imperatore Ottone III, l'immagine della Vergine, anticamente dipinta sulla casa della sua famiglia, avrebbe concesso benefici e miracoli» I lavori della costruzione furono interrotti durante i periodi bellici, venendo poi ultimati solo nel XVI secolo con l'arrivo nel 1557 dei padri Barnabiti, che completarono la costruzione con l'erezione della cupola. La chiesa fu consacrata nel 1564 dal cardinale Ippolito de' Rossi. I Barnabiti acquistarono alcune case nel circondario e ottennero dei permessi edilizi per edificare il proprio collegio, fino al 1620 quando fu creata la piazza antistante con l'abbattimento di alcune case[4]. Nel Seicento fu realizzata la decorazione barocca dell'interno con pitture e stucchi[5]. Nel 1810, con la soppressione napoleonica delle congregazioni religiose, i Barnabiti dovettero abbandonare il convento, che era già adibito a scuola[6]. I locali del convento ospitano il Liceo Classico che nel 1865 venne intitolato a Ugo Foscolo[7] e la chiesa divenne sussidiaria della parrocchia di San Francesco. Il 6 dicembre del 1915 la chiesa venne affidata ai Frati Minori che costruirono a fianco il nuovo convento, i cui lavori, affidati a Carlo Morandotti, si protrassero dal 1935 al 1937. Il 30 maggio 1926 il cardinale e arcivescovo di Milano Eugenio Tosi, presiede al rito dell'Incoronazione della Vergine[8] Il 22 gennaio 2012 è stata presentata la conclusione dei lavori che hanno interessato per tutto il 2016 un integrale progetto di restauro. Qui l' affresco miracoloso della Madonna del Latte...davvero sorprendente la bellezza che si può ammirare all'interno di questo Santuario Mariano nel centro di Pavia ... Grazie a Dio😇🙏👼 ⛪
Cristian — Google review
(Translated by Google) A little gem, both artistically and spiritually. The Canepanova Friars. (Original) Un piccolo gioiello, sia sotto il profilo artistico che dello spirito. I frati di Canepanova.
Alberto R — Google review
Via Defendente Sacchi, 27100 Pavia PV, Italy•http://www.fraticanepanova.it/•Tips and more reviews for Chiesa di Santa Maria di Canepanova

15Orto Botanico

4.6
(25)
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Mentioned on 
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Cultural center
Orto Botanico, part of the University of Pavia, is a historic botanical garden filled with beautiful roses and notable features like the Scopoli plane tree. The care and passion for the place are evident in its well-labeled plants and clean pathways. This hidden gem in the center of Pavia often hosts cultural events. Visitors praise it as a fabulous and must-visit location, exuding history and charm despite occasional rain showers.
It gives you the feeling people take care of the place with true love and passion. Every plant is labelled, all the pathways are clean. It's a little treasure in the centre of the town and often involved in other cultural events
Roni B — Google review
Beautiful garden of the University of Pavia. Must visit
Μαίρη Μ — Google review
(Translated by Google) It is part of the University of Pavia, a historic botanical garden, full of roses, the rose gardens are very beautiful. Worthy of note is the Scopoli plane tree. Worth visiting. (Original) Fa parte dell' Università di Pavia, storico giardino botanico, ricco di rose, molto belli i roseti. Degno di nota il platano di Scopoli. Da visitare.
Liliana G — Google review
(Translated by Google) I have been there for work, a truly beautiful structure that oozes history (Original) Veramente bello io sono stato per lavoro struttura che trasuda storia
Paolo L — Google review
(Translated by Google) It's not clear what it's for: paid for with our money and used only by the arrogant employees. Hm... (Original) Non si capisce a che serva: pagato con i nostri soldi e fruito solo dagli arroganti impiegati. Mah...
Max A — Google review
(Translated by Google) Fabulous.....Absolutely worth visiting, a gem in the center of Pavia.... (Original) Favolosa.....Assolutamente da visitare una chicca in pieno centro a Pavia....
Bidellato S — Google review
(Translated by Google) Nice to see. Too bad it rained shortly after entering. (Original) Bello da vedere. Peccato la pioggia poco dopo essere entrati.
Cristina P — Google review
(Translated by Google) Free entry every day. Must see. Exceptional. (Original) Ingresso gratuito tutti i giorni. Da vedere . Eccezionale.
Ida P — Google review
Via Sant'Epifanio, 14, 27100 Pavia PV, Italy•https://www.amiciortobotanico.it/•Tips and more reviews for Orto Botanico
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16Cimitero Monumentale di Pavia

3.9
(15)
•
Mentioned on 
+1 other list 
Cemetery
Cimitero Monumentale di Pavia offers plenty of free parking and welcomes visitors with a beautiful main entrance. The initial tombs are noteworthy for their artistic value. Despite occasional quiet and desolate atmospheres, the cemetery is known for its floral arrangements, creating a serene and picturesque setting inside.
(Translated by Google) One day, I will come here to give a flower to Germano Mosconi, a great man of great personality and faith. Hi Germano, you will always be with us... (Original) Un giorno, verrò qui a dare un fiore a Germano Mosconi, grande uomo di grande personalità e fede. Ciao Germano, sarai sempre con noi...
Dream V — Google review
(Translated by Google) Tomb-monument by the sculptor Carlo Mo (Original) Sepolcro -monumento dello scultore Carlo Mo
ALFA M — Google review
(Translated by Google) Lots of free parking. The main entrance is beautiful, and the initial tombs are works of art. (Original) Tanti parcheggi liberi. L'ingresso principale è bello, e le tombe iniziali sono opere d'arte.
Vincenzo E — Google review
(Translated by Google) let go, especially the Second World War Shrine to be restored, and also that of the first one!!!! It would be a really nice cemetery if they looked after it well!!! Example from us in Bergamo, top. My grandfather is there in the Shrine in Pavia :-( (Original) lasciato andare, da restaurare soprattutto il Sacrario 2 guerra mondiale, e pure quello della prima!!!! Sarebbe proprio un bel cimitero se lo tenessero bene!!!Esempio da noi a Bergamo, top. Mio nonno sta li nel Sacrario a Pavia :-(
Luisella P — Google review
(Translated by Google) The oldest part is the richest in interesting monuments, with the guided tour you can grasp many details, there is a whole portico around it, in the center the chapel where Sunday Mass is celebrated. (Original) La parte più antica è la più ricca di monumenti interessanti, con la visita guidata si riescono a cogliere molti particolari, c'è tutto un porticato attorno, al centro la cappella dove viene celebrata la Messa domenicale.
Anna — Google review
(Translated by Google) Small but fairly well kept. (Original) Piccolo ma abbastanza ben tenuto.
Valeria — Google review
(Translated by Google) Splendid monuments but cleanliness is lacking... (Original) Splendidi monumenti ma la pulizia scarseggia...
Luca S — Google review
(Translated by Google) Cold and deserted as usual They get excited about the anniversary of the dead and then... (Original) Freddo e deserto cm al solito Si scalmanano x ricorrenza dei morti e poi...
CAROLINA O — Google review
Cimitero, PAVIA S.Giovannino, Via Stafforini, 7, 27100 Pavia PV, Italy•http://www.comune.pv.it/•+39 0382 3991•Tips and more reviews for Cimitero Monumentale di Pavia

17Campana della Torre Civica

Mentioned on 
2 lists 
Historical landmark
The Campana della Torre Civica, or Civic Tower, is a must-see landmark nestled in the historic heart of Pavia, Italy. This remarkable medieval structure dates back to the 12th century and reaches an impressive height of around 80 meters. Visitors are treated to breathtaking panoramic views from its summit, showcasing the charming cityscape and scenic landscapes that surround this iconic tower.
Piazza Cavagneria, 27100 Pavia PV, Italy

18Cathedral of Pavia

4.5
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4.2
(519)
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Mentioned on 
1 list 
Cathedral
Sights & Landmarks
Points of Interest & Landmarks
The Cathedral of Pavia, also known as Duomo di Pavia, is a stunning 15th-century Renaissance building primarily made of red brick. It features a huge dome that stands 97 meters high and weighs around 20,000 tons, making it the third largest in Italy. The cathedral houses a reliquary believed to contain a thorn from Christ's crown. Notable artists like Leonardo da Vinci have contributed to its design and construction.
An incredible church — it’s the third tallest Church in Italy and absolutely massive and stunning inside. Don’t miss the chance to visit it in Pavia.
Mustafa M — Google review
Architecture wowww ....must see in Pavia. Can be reach by local train from Milan Centrale. Get off at certosa di pavia From train station you need to walk for 20mins.
Julius M — Google review
The exterior of this cathedral is a bit dull with poor brickwork. But inside, you are overwhelmed by the massive pillars and the fine details all around.
Seimen B — Google review
Il Duomo di Pavia is a beautiful cathedral with lot of history. If you stop in Pavia you cannot miss it.
Daniela C — Google review
The cathedral is nice. I like big columns inside. It's not ornate like many other churches I've seen, but that's not to say it's not beautiful. And there is San Siro inside.
Hubert — Google review
A beautiful Cathedral with such intricate marble work inside. Visible from almost every corner of Pavia, the Duomo is an exceptional icon of the city. Definitely a must visit when in Pavia!
Krithi R — Google review
Such a big Duomo for such a relatively small city. In front of the church there is a horse’s statue with a warrior on it. There’s a competition in the town between graduates of 5 different schools, and the winner gets to paint the balls of the house!
Iliya P — Google review
BEAUTIFUL DUOMO in PAVIA, HUMBLE ROMANIC STYLE with RED BRICK WALLS, WHITE INTERIORS/LIGHT COLOURS.
Darckghost ( — Google review
Piazza del Duomo, 27100 Pavia PV, Italy•+39 0382 24251•Tips and more reviews for Cathedral of Pavia

19Botanical Garden of the University of Pavia

4.3
(708)
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4.0
(69)
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Mentioned on 
1 list 
Botanical garden
Nature & Parks
Gardens
Nestled in the heart of Pavia, the Botanical Garden of the University of Pavia is a serene oasis that dates back to 1773. This enchanting garden boasts lush greenhouses and an impressive collection of around 2,000 plant varieties, including medicinal herbs, tropical flora, and a stunning rose garden. Visitors can also explore its arboretum and enjoy peaceful strolls among trees that provide a calming escape from city life. The garden's friendly staff enhances the experience with their warm hospitality.
Beautiful place to spend time in Pavia. If you are a student at the University of Pavia, you do not even need to pay for the entrance! It is recommended to go there in different times of the year, so you can enjoy different sort of flowers and plants! Friendly gardener. Also, they organize lots of organizations, so if you are interested, please check their website for more!
Ekin — Google review
Buying a mosquito spray should be a suggestion before going
Cotut P — Google review
One of Pavia's few green places. One feel like it's stepping out of the city. Especially the part with trees is very calming and helps to restore one's strengths.
Joanna B — Google review
Amazing however recommend to go in May
Htoi M — Google review
It was really nice and felt calm and magical.
Neelam K — Google review
Nice small garden good for for relaxing
Shiva S — Google review
The reception by the staff was top notch and the views were perfect
Sibongile B — Google review
Bello!!
Giusto B — Google review
Via Sant'Epifanio, 14, 27100 Pavia PV, Italy•https://ortobotanico.unipv.eu/•+39 0382 984848•Tips and more reviews for Botanical Garden of the University of Pavia

20Palazzo dei Diversi

4.2
(5)
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4.0
(10)
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Mentioned on 
1 list 
Historical landmark
Palazzo dei Diversi is a historical building that was built at the end of the 14th century by Nicolino Dei Diverse. It was considered one of the most sophisticated private residences of its time, featuring three above-ground floors and a ground porch. The first floor boasted stunning three-windows with marble columns, one of which has been reconstructed.
(Translated by Google) This palace, which was the most elegant private building in Pavia of the fourteenth century, was built by Nicolino dei Diversi, Master of the Ducal Revenue, around 1374. Due to the use of terracotta and fake brick plaster, it was called "domus rubea" or red house. It consists of three floors above ground and a ground portico set on rectangular pillars supporting pointed arches. On the first floor there were stupendous three-light windows with marble columns, of which only one has been restored. The other three-lancet and single-lancet windows on the top floor have been closed and plastered, and await providential restoration. The side facing Via Beccarla also has traces of elegant terracotta openings, which need to be restored. In the courtyard, there was a wonderful and grandiose fifteenth-century polychrome wooden crucifix, from the Lombard school, now in the civic museums of the new Castle. (Original) Questo palazzo, che costituiva il più elegante edificio privato pavese del Trecento, fu costruito da Nicolino dei Diversi, Maestro delle Entrate Ducali, verso il 1374. Per l'impiego della terracotta e dell'intonaco a finto mattone, fu denominata « domus rubea » o casa rossa. Consta di tre piani fuori terra e di un porticato terreno impostato su pilastri rettangolari che reggono archi acuti. Al primo piano erano stupende trifore con colonnine marmoree, di cui una sola è stata restaurata. Le altre trifore e le monofore dell'ultimo piano sono state chiuse e intonacate, e attendono provvidenziali restauri. Anche il fianco verso via Beccarla presenta tracce di eleganti aperture in cotto, da restaurare. Nel cortile, era conservato un mirabile e grandioso crocifisso ligneo quattrocentesco policromo, di scuola lombarda, ora presso i musei civici del Castello nuovo.
Claudio D — Google review
Piazza della Vittoria, 13, 27100 Pavia PV, Italy•Tips and more reviews for Palazzo dei Diversi
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21University History Museum

4.7
(128)
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4.5
(233)
Local history museum
Museums
Science museum
Specialty Museums
The University History Museum in Pavia, Italy is located within the University of Pavia and showcases a diverse collection of scientific and medical equipment dating back to the Middle Ages. Divided into two main sections focusing on medicine and physics, the museum houses an extensive array of artifacts, documents, literary manuscripts, and legal manuscripts that offer a comprehensive look into the academic history of the university.
A very inyeresting Museum for the history of Sciences and Research wonderful guided tourby Ester.
Alexandra A — Google review
A Small Museum, worth visiting. The medical portion is really great. It could have English description of the items
Jit M — Google review
The artifacts are fascinating and the guide persons can help with English descriptions. However, the written descriptions' language are all in Italian and is not appreciated for a museum in an international university. Overall, the museum is very nice to visit.
Kourosh S — Google review
The medical section was very interesting with many unique exhibits and very nice staff!
Shouichi T — Google review
(Translated by Google) Interesting museum on the history of the University of Pavia, with special reference to anatomy and physics. Rich in finds, the readability of many of its labels should be improved (Original) Museo interessante sulla storia della università di Pavia, con speciale riferimento all'anatomia e alla fisica. Ricco di reperti, andrebbe migliorato nella leggibilità di molte delle sue targhette
Iacopo M — Google review
(Translated by Google) Interesting museum inaugurated in 1936 and located inside the central university building, with entrance from the ancient courtyard of the medical faculty. In addition to the first room, where the portraits of teachers who have brought prestige to the University are collected, there are essentially two sections, that of physics and that of medicine. The physics section includes two rooms, centered on the figure of Alessandro Volta, who taught experimental physics in Pavia from 1778 and which contains the instruments used or invented by him and his successors. The medicine section is divided into three rooms, named respectively after the anatomist Antonio Scarpa, the pathologist surgeon Luigi Porta and the histologist and pathologist Camillo Golgi, Nobel Prize winner for medicine in 1906 and the first Italian, together with Giosuè Carducci, to receive the prestigious recognition. Given the specificity of the museum, it would be preferable to join one of the guided tours that are organized periodically. However, if you have a good knowledge of the subjects covered, a visit on your own, using computer aids, may also be interesting. (Original) Interessante museo inaugurato nel 1936 e situato all'interno del palazzo centrale universitario, con ingresso dall'antico cortile della facoltà di medicina. Oltre alla prima sala, dove sono raccolti i ritratti di docenti che hanno dato lustro all'Università, vi sono sostanzialmente due sezioni, quella di fisica e quella di medicina. La sezione di fisica comprende due sale, incentrate sulla figura di Alessandro Volta, che insegnò fisica sperimentale a Pavia dal 1778 e che contiene gli strumenti utilizzati od inventati da lui e dai suoi successori. La sezione di medicina è invece articolata in tre sale, intitolate rispettivamente all'anatomista Antonio Scarpa, al patologo chirurgo Luigi Porta ed all'istologo e patologo Camillo Golgi, premio Nobel per la medicina nel 1906 e primo italiano, insieme con Giosuè Carducci, a ricevere il prestigioso riconoscimento. Data la specificità del museo, sarebbe preferibile associarsi ad una delle visite guidate che vengono organizzate periodicamente. Tuttavia, se si ha una buona conoscenza delle materie trattate, può essere interessante anche la visita da soli, usufruendo dei supporti informatici.
Giuseppe M — Google review
(Translated by Google) Museum in the center of Pavia and inside the university. Little frequented and small in size (5 rooms) but full of information (mainly visual) that leaves you speechless. University pieces and instruments in the fields of optics, electrology, physics and some original documents also in the literary field (few things to be honest). For those who are not easily impressionable, it is worth a visit to the human anatomy rooms which illustrate the progress of medicine (with difficulty but unstoppable) in the 19th century. (Original) Museo in centro Pavia e all'interno della università. Poco frequentato e di dimensioni ridotte ( 5 stanze) ma pieno di informazioni ( visive principalmente) che lasciano a bocca aperta. Pezzi e strumenti della università nei campi di ottica,elettrologia, fisica e alcuni documenti originali anche nel campo letterario ( poche cose per la verità). Per chi non è facilmente impressionabile merita la visita alle stanze di anatomia umana che illustrano i progressi della medicina ( con fatica ma inarrestabili) dell'800.
Giuseppe C — Google review
(Translated by Google) In Pavia, it's a must-see! A unique place, and well worth a visit. Be careful, though, as it can be challenging for those with a slightly impressionable nature. (Original) A Pavia è una visita doverosa! Un luogo fuori dal comune e che merita. Attenzione però perché può mettere in difficoltà le persone un po' impressionabili.
Erica S — Google review
S.da Nuova, 65, 27100 Pavia PV, Italy•https://museoperlastoria.unipv.it/•+39 0382 984659•Tips and more reviews for University History Museum

22Piazza Leonardo da Vinci

4.5
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4.2
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Historical landmark
Sights & Landmarks
Points of Interest & Landmarks
Piazza Leonardo da Vinci is a charming historical square that boasts two magnificent towers, remnants of the past that add to the city's allure. Nestled close to the University of Pavia, this area buzzes with student life while offering a serene escape for visitors. The three iconic towers stand proudly, providing a stunning backdrop as vibrant green parrots flit about, creating an enchanting atmosphere.
Place very beautyful..amazing towers..just inside of university of Pavia
Trips W — Google review
I was fascinated by the towers as much as by hundreds of tiny little green parrots flying in and around them.
Laurinda S — Google review
Two towers, a symbol of the old times that are still standing still and making this city even more beautiful! Very nice area, full of students as the University is very near!
Filip P — Google review
Three historical towers, house for parrots, one of them one of them restored. Great place to sit for afternoons.
Ali G — Google review
An historical part of the city,is near the university and it's a quiet place to stay
Giuseppe D — Google review
Amazing torri. 3 next to each other. Make u feel so small....
Dr. N — Google review
Pavia small but nice place to visit
Carmel Z — Google review
Nice place near Pavia University
Μαίρη Μ — Google review
Piazza Leonardo Da Vinci, 16, 27100 Pavia PV, Italy•http://www.lombardiabeniculturali.it/architetture/schede/PV240-0…•+39 0382 3991•Tips and more reviews for Piazza Leonardo da Vinci

23Statua della Minerva

4.3
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3.8
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Sights & Landmarks
Sculpture
Points of Interest & Landmarks
The Statue of Minerva in Pavia is a towering bronze and marble sculpture created by Italian artist Francesco Messina in 1938. This magnificent monument of the Roman goddess stands near the city center, exuding an air of majesty and magic. The dedicated square where it resides is bustling with activity, surrounded by charming bakeries and restaurants.
It's a unique monument. At night the lighting is quite special so dont miss it during a night stroll.
Abdul H — Google review
The Statue of Minerva in Pavia, created by Francesco Messina in 1938, stands as a symbol of wisdom and strength. Its intricate craftsmanship and imposing presence make it a key cultural landmark in the city, reflecting Pavia’s rich heritage.
Edoardo A — Google review
A large square that does an important job in Pavia's traffic, an imposing statue but not recommended during rush hour given the number of cars and the danger they can cause
Alessandro G — Google review
Most amazing piece of art in my city.
Saloni ( — Google review
We walked through a few times during our stay in Pavia. The statue is very nice. The circle is bustling. There is a few very nice bakeries and restaurants here. Very near the downtown walking neighborhood.
Kristopher K — Google review
Wonderfull monument of Minerva, Roman godess of wisdom, justice, law and victory. The Statue is located into the dedicated square, at few steps from train station of Pavia
Stefano P — Google review
One of the most majestic structures in the city.
Priyam G — Google review
Lot of history, small town, nice place
Constantin D — Google review
Viale della Libertà, 21, 27100 Pavia PV, Italy•http://www.paviaedintorni.it/temi/arteearchitettura_file/artearc…•Tips and more reviews for Statua della Minerva

24Vernavola Park

4.2
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4.0
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Park
Nature & Parks
Vernavola Park is a sprawling natural oasis that offers an array of outdoor activities for visitors of all ages. With its expansive grassy fields, serene forest walking trails, and a charming pond teeming with wildlife like ducks and turtles, it’s the perfect spot for nature lovers. Families can enjoy quality time at the playground or have a delightful picnic at one of the many tables scattered throughout the park—though some may be in need of repair.
Relaxing place where you can do running or walking. Here, dogs must be on leash and cannot stay at playground area. Nice park where spent some hours enjoing with your family and friends.
Alessia M — Google review
The park is very nice and very large, so you can get quite a long hike. If you walk north up the center you’ll follow a stream that meanders in the extreme! A lot of picnic tables along the way but many of them are broken.
Andrea E — Google review
Very nice park
Kiran A — Google review
Very big and very beautiful park
Yaser A — Google review
Very big wild kind of park. Open air monkey bar for pullups. Stream and a water resevior near highway. Good for long walks/ running only during the day. No lights in the evening. Child play area on one side which is decently equipped.
Muhammad — Google review
This park in Pavia is really big, walking one round in thus park we can achieved our daily goal of 10k steps. It’s generally quiet and tranquil.
Sirimanas M — Google review
Looks very natural, but people walk their dogs which is forbidden inside the park. Very good for families especially with kids. Good place for a picnic lunch.
Ali G — Google review
Park is good for Joggers and exercises. There is a small kid park where children can have a lot of fun.
NIKHIL K — Google review
Via Torretta, 27100 Pavia PV, Italy•https://www.comune.pv.it/site/home/aree-tematiche/ambiente-e-rif…•+39 0382 439201•Tips and more reviews for Vernavola Park

25Statua della Lavandaia

4.6
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4.1
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Sights & Landmarks
Monuments & Statues
Once upon a time, there existed a forgotten and arduous profession known as "the washerwoman," symbolizing the cultural heritage of Pavia. Situated near the Covered Bridge, close to the Ticino river, stands the statue of "the washerwoman," an emblematic figure representing the city. This sculpture commemorates an important character from history, encapsulating the toilsome labor associated with washing clothes in ancient times.
(Translated by Google) Located in the Borgo Ticino district and dating back to the 80s..last stop before returning to Voghera heroes in Syracuse.. (Original) Situata nel quartiere do Borgo Ticino e risalente agli anni 80 ..ultima tappa prima di tornare a Voghera eroi a Siracusa..
Giovanni N — Google review
(Translated by Google) The statue by Giovanni Scapolla, from 1981, remembers the women who, like his mother Teresina, washed clothes in the river waters. This happened in particular in Borgo Ticino, Burg a bass in pavese, which gives its title to the poem by Dario Morani, sculpted on the base of the monument; the last lines evoke the washerwomen: "the launderers I slammed the pages to earn not" (the washerwomen / beat the clothes / to earn / their bread) (Original) La statua di Giovanni Scapolla, del 1981, ricorda le donne che come sua madre Teresina lavavano i panni nelle acque del fiume. Questo accadeva in particolare a Borgo Ticino, Burg a bass in pavese, che dá il titolo alla poesia di Dario Morani, scolpita sulla base del monumento; gli ultimi versi evocano proprio le lavandaie: "i lavander i sbatn i pagn per guadagnase la mica" (le lavandaie / sbattono i panni / per guadagnarsi / il pane)
Mario M — Google review
(Translated by Google) Historical and reference point in memory of an ancient and popular profession. The statue recalls the washerwomen who used to wash clothes on the banks of the Ticino. Very close to the entrance to the covered bridge, it is located at the entrance to the city and the pedestrian and shopping area. (Original) Punto storico e di riferimento in ricordo di un mestiere antico e popolare. La statua rievoca le lavandaie che erano solite lavare i panni in riva al Ticino. Vicinissima all'ingresso del ponte coperto, si trova all'ingresso della città e della zona pedonale e di shopping.
Maria Z — Google review
(Translated by Google) Bronze statue dedicated to the washerwomen who in the past went to the river to wash clothes. Located near the Covered Bridge of Pavia where you can take excellent souvenir photos (Original) Statua in bronzo dedicata alle lavandaie che nei tempi passati si recavano al fiume per lavare i panni.Situata nei pressi del Ponte Coperto di Pavia dove si può scattare ottime foto ricordo
Alessio M — Google review
(Translated by Google) A beautiful statue at Ponte Coperta depicting a fisherman preparing his fishing net. (Original) Eine schöne Statue an der Ponte Coperta, die einen Fischer darstellt, der sein Fischernetz herrichtet.
Kai A — Google review
(Translated by Google) 🌊🌊🌊"LAUNDERS AT THE RIVER CULTURAL HERITAGE" Once upon a time there was "the washerwoman", a forgotten, hard and tiring profession. 🥀🥀🥀Significant figure linked to the Ticino river, a stone's throw from the Covered Bridge the statue of "the washerwoman", represented one of the symbols of the city of Pavia. (Original) 🌊🌊🌊"LAVANDAIE AL FIUME PATRIMONIO CULTURALE" C'era una volta "la lavandaia", un mestiere dimenticato,duro e faticoso. 🥀🥀🥀Figura significativa legata al fiume Ticino, a due passi dal Ponte Coperto la statua "della lavandaia", rappresentata uno dei simboli della città di Pavia.
Concetta B — Google review
(Translated by Google) The washing machine with a historical design is impressive (Original) La lavatrice dal design storico è impressionante
Svitlana P — Google review
(Translated by Google) This statue has no artistic pretensions, but rather is a symbol and reminder of an activity carried out by the women of Pavia on the Ticino River. (Original) Statua con nessuna pretesa artistica, ma simbolo e ricordo di un'attività svolta dalle donne di Pavia sul Ticino.
Luisella T — Google review
Via Milazzo, 1, 27100 Pavia PV, Italy•Tips and more reviews for Statua della Lavandaia
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26Chiesa Parrocchiale di San Lanfranco

4.5
(322)
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4.3
(50)
Catholic church
Sights & Landmarks
Churches & Cathedrals
Chiesa Parrocchiale di San Lanfranco is a captivating Romanesque-style Catholic church and former abbey situated in the Lombardy region of Italy. Originally built by the Monks of Vallombrosa, it features late Romanesque architecture with a single nave and a protruding transept, forming a Latin cross layout. The church boasts numerous significant frescoes and two impressive cloisters.
Really good
Vaisakh P — Google review
An amazing church layers and layers of supreme craftsmanship, frescoes,sculpture carpentry, oil paintings,masonry this church has it all the ceilings are as good as the Sistine chapel . It's a feast for anyone who loves the arts.
Amanda E — Google review
(Translated by Google) It is all that remains of an ancient monastic complex dating back to the end of the 12th century, built outside the walls of Pavia, on the left bank of the Ticino. The monastery, given its strategic position, was used several times as an army camp. For example, it was the headquarters of the king of France, Francis I, during the famous battle of Pavia in 1524 and inevitably suffers damage and loss of some parts. The church and the bell tower, both in Romanesque style, are however well preserved. Inside you can see, in particular, the Ark of San Lanfranco and some frescoes. Very interesting is the fresco of St. Thomas Becket, which recalls the well-known historical episode that occurred in 1170 in Canterbury Cathedral. There are also two cloisters, although partially preserved. It is an interesting church, with a long history behind it and which is worth a visit. (Original) È quanto rimane di un antico complesso monastico risalente alla fine del XII secolo, costruito all'esterno delle mura di Pavia, sulla riva sinistra del Ticino. Il monastero, data la sua posizione strategica, fu utilizzato più volte come accampamento di eserciti. Ad esempio, fu quartier generale del re di Francia, Francesco I, durante la famosa battaglia di Pavia del 1524 ed inevitabilmente presenta danni e perdita di alcune parti. La chiesa ed il campanile, entrambi di stile romanico, sono comunque ben conservati. All'interno sono possono vedere, in particolare, l'Arca di San Lanfranco ed alcuni affreschi. Molto interessante è l'affresco di San Tommaso Becket, che ricorda il noto episodio storico avvenuto nel 1170 nella cattedrale di Canterbury. Ci sono anche due chiostri, sia pure conservati in modo parziale. Si tratta di una chiesa interessante, con una lunga storia alle spalle e che merita di essere visitata.
Giuseppe M — Google review
(Translated by Google) A very pretty church with a small cloister. Entirely in Romanesque style. Free admission. Inside are some 12th-century frescoes. One interesting one is the one depicting the Archbishop of Canterbury, Thomas Becket, assassinated by King Henry II of England. (Original) Chiesa molto carina, con un piccolo chiostro. Tutta in stile romanico. Ingresso gratuito. All'interno ci sono alcuni affreschi del XII secolo. Interessante è quello che ritrae l'arcivescovo di Canterbury Thomas Becket fatto assassinate dal re d'Inghiterra Enrico II.
Vincenzo E — Google review
(Translated by Google) Near the place where the church of San Lanfranco is located, there was a church dedicated to the Holy Sepulchre, founded in 1090. A new church of the Holy Sepulcher was built around the second decade of the 12th century, as remembered in the writings of Bernardo da Pavia , it stood in an area close to Ticino, surrounded by woods, called Valvernasca. Its construction was the work of the Vallombrosani, a community of Benedictine monks founded between 1012 and 1015 by Giovanni Gualberto of the Florentine Visdomini family. It was part of the Vallombrosan tradition and spirit to choose isolated places but close to important centres, to encourage meditation and, at the same time, preaching. The church was therefore located outside the city, but along a road traveled by travelers and pilgrims who could find hospitality in the monastery's hospitium. There is little information relating to the first years of life of the monastery, whose existence has been documented since 1123. The most significant period coincided with the years in which Lanfranco Beccari (born in 1124 and died in 1198) was bishop of Pavia. Lanfranco, consecrated bishop of Pavia by Pope Alexander III in 1180[4], was often a guest of the monastery. During his life Lanfranc fought against the local civil authorities who wanted to appropriate some ecclesiastical assets. For this reason he was forced to leave Pavia and go to Rome to find comfort and support in the Pope. Lanfranco decided to spend the last years of his life in the monastery and was buried here, with a reputation for sanctity. After his death on 23 June 1198, the church was dedicated to him. In 1236 the church was consecrated by the bishop of Pavia, Rodobaldo Cipolla, who died in 1254 and was later declared a saint. His relics are preserved in the cathedral of Pavia. The bell tower was built in 1237. The façade was completed in 1257. In the 12th and 13th centuries the monastery's properties were mainly concentrated in San Marzano, near Castel San Giovanni. In 1356 Galeazzo II Visconti had his troops stationed in the monastery of San Lanfranco to besiege Pavia and here he had a bastita built, later taken by the people of Pavia, connected, via a bridge over the Ticino, to a similar fortification located along the Gravellone canal. During 1476, commissioned by Abbot Luca Zanachi from Parma, the small cloister was rebuilt thanks to the architect Giovanni Antonio Amadeo. In 1480 Abbot Zanachi died under mysterious circumstances. Between the end of the 1400s and the beginning of the 1500s, many monasteries in Pavia had to accept the commenda regime, according to which the effective government of the monastery is separated from its ownership. This regime gave a strong impetus to the life of the monastery. The Marquis Pietro Pallavicini de' Scipione, commendatory abbot, removed the corrupt monks and renovated the monastery for the use of the remaining brothers and built a second courtyard to the east of the first. He then promoted the financing for the construction of the ark of San Lanfranco and the reconstruction of the presbytery in Renaissance forms (finished around 1509), to give the ark itself a correct location. In October 1524, Francis I, King of France, when laying siege to the imperial forces of Emperor Charles V barricaded in Pavia, chose to place his headquarters in the monastery. During the Battle of Pavia the monastery was the scene of clashes and had to suffer damage from a fire. In 1576 the monastery, of which Cardinal Albani was the commendator, was the subject of the apostolic visit of Monsignor Angelo Peruzzi from Bologna, on behalf of Bishop Ippolito De' Rossi. In the visit report the church appears to be in good condition. Maintenance works were carried out during the seventeenth century, in particular the southern wing of the complex was demolished due to problems with the infiltration of the waters of the Ticino. The bays were instead equipped with baroque windows, replacing Romanesque single-lancet windows. (Original) Nelle vicinanze del luogo in cui si trova la chiesa di San Lanfranco, sorgeva una chiesa dedicata al Santo Sepolcro, fondata nel 1090. Una nuova chiesa del Santo Sepolcro fu eretta intorno al secondo decennio del XII secolo, come ricordato negli scritti di Bernardo da Pavia, esso sorgeva in un'area prossima al Ticino, circondata da boschi, detta Valvernasca. La sua costruzione fu opera dei Vallombrosani, una comunità di monaci benedettini fondata fra il 1012 e il 1015 da Giovanni Gualberto della famiglia fiorentina dei Visdomini. Era parte della tradizione e dello spirito vallombrosano scegliere luoghi isolati ma vicini a importanti centri, per favorire la meditazione e, allo stesso tempo, la predicazione. La chiesa fu collocata dunque fuori città, ma lungo il corso di una via percorsa da viandanti e pellegrini i quali potevano trovare ospitalità presso l'hospitium del monastero. Sono scarse le notizie relative ai primi anni di vita del monastero, la cui esistenza è documentata dal 1123. Il periodo più significativo coincise con gli anni in cui Lanfranco Beccari (nato nel 1124 e morto nel 1198) fu vescovo di Pavia. Lanfranco, consacrato vescovo di Pavia da papa Alessandro III nel 1180[4], fu spesso ospite del monastero. Durante la sua vita Lanfranco lottò contro le autorità civili locali che volevano appropriarsi di alcuni beni ecclesiastici. Per questo motivo fu costretto a lasciare Pavia e a recarsi a Roma per trovare conforto e sostegno nel papa. Lanfranco decise di trascorrere gli ultimi anni della sua vita nel monastero e qui fu sepolto, in fama di santità. Dopo la sua morte, avvenuta il 23 giugno 1198, la chiesa gli fu dedicata. Nel 1236 la chiesa fu consacrata dal vescovo di Pavia, Rodobaldo Cipolla, morto nel 1254 e poi dichiarato santo. Le sue reliquie sono conservate nella cattedrale di Pavia. Il 1237 fu eretto il campanile. Nel 1257 fu ultimata la facciata. Nel secoli XII e XIII le proprietà del monastero erano concentrate, prevalentemente, a San Marzano, presso Castel San Giovanni. Nel 1356 Galeazzo II Visconti fece sistemare le sue truppe nel monastero di san Lanfranco per assediare Pavia e qui fece erigere una bastita, poi presa dai pavesi, collegata, tramite un ponte sul Ticino, a un'analoga fortificazione posta lungo il canale Gravellone. Nel corso del 1476 su commissione dell'abate Luca Zanachi da Parma, venne ricostruito il chiostro piccolo grazie all'architetto Giovanni Antonio Amadeo. Nel 1480 l'abate Zanachi mori in circostanze misteriose. Tra la fine del 1400 e l'inizio del 1500 molti monasteri pavesi dovettero accettare il regime della commenda, secondo il quale il governo effettivo del monastero è separato dalla sua titolarità, Questo regime diede un forte impulso alla vita del monastero. Il marchese Pietro Pallavicini de' Scipione, abate commendatario, allontanò i monaci corrotti e ristrutturò il monastero a uso dei confratelli rimasti e fece costruire un secondo cortile a est del primo. Promosse poi il finanziamento per la costruzione dell'arca di San Lanfranco e la ricostruzione del presbiterio in forme rinascimentali (finito nel 1509 circa), per dare una giusta collocazione all'arca stessa. Nell'ottobre 1524, Francesco I re di Francia, all'atto di porre sotto assedio gli imperiali dell'imperatore Carlo V asserragliati in Pavia, scelse di sistemare il suo quartier generale nel monastero. Durante la Battaglia di Pavia il monastero fu teatro di scontri e dovette subire i danni di un incendio. Nel 1576 il monastero, di cui commendatario era il cardinale Albani, fu oggetto della visita apostolica del bolognese monsignor Angelo Peruzzi, su incarico del vescovo Ippolito De' Rossi. Nel verbale della visita la chiesa risulta essere in buone condizioni. Durante il Seicento furono eseguiti lavori di manutenzione, in particolare fu demolita l'ala meridionale del complesso, per problemi di infiltrazione delle acque del Ticino. Le campate vennero invece dotate di finestre barocche, in sostituzione di monofore romaniche.
TheMax1075 — Google review
(Translated by Google) Open to the public. Facade with decorative plates. The surrounding structure is a bit neglected and deserves to be seen. Very ancient. Inside there are traces of important frescoes. (Original) Aperta al pubblico. Facciata con piatti decorativi. Un po' lasciata andare la struttura circostante che meriterebbe di essere vista. Molto antica. All'interno tracce di affreschi importanti.
S F — Google review
(Translated by Google) Beautiful ancient church that stood on the bank of the Ticino in the middle of the woods, with an adjoining monastery of the Monks of Vallombrosa who founded the church dedicating it to the Holy Sepulchre. Then the new church was built where Bishop Lanfranco was buried, in the marble ark. The structure is a Latin cross, with a single nave, late Romanesque architecture, many important frescoes, two cloisters, a beautiful bell tower... It is worth a guided tour! (Original) Bella chiesa antica che sorgeva sulla sponda del Ticino in mezzo ai boschi, con annesso un monastero dei Monaci di Vallombrosa che fondarono la chiesa dedicandola al Santo Sepolcro. Poi venne costruita la nuova chiesa dove venne sepolto il vescovo Lanfranco, nell'arca marmorea. La struttura è a croce latina, a navata unica, architettura del tardo romanico, tanti affreschi importanti, due chiostri, un bellissimo campanile... Merita una visita guidata!
Anna — Google review
(Translated by Google) San Lanfranco is a beautiful example of Pavia Romanesque art. Its foundation dates back to around 1090, when the church was part of a Vallombrosian monastery and its dedication was still to the Holy Sepulchre. The current dedication was given only after the death of bishop Lanfranco Beccari, which occurred in 1198. The church was also rebuilt in its current form: 1237 saw the erection of the bell tower, while the gabled façade, finished with sawtooth decorations which surmount intertwined hanging arches, was completed in 1257 in imitation of that of the Basilica of San Michele Maggiore, like all the Romanesque churches of Pavia. The single nave interior, however, stands out from the city model and follows Vallombrosian canons. The apse area was rebuilt at the beginning of the sixteenth century in Renaissance forms, and houses the stupendous Ark of San Lanfranco, a sculptural masterpiece by Giovanni Antonio Amadeo (1447 - 1522), built in 1498. The nave, however, has preserved typically Romanesque features, and its right side preserves some notable remains of thirteenth-century frescoes, including the depiction of the assassination of Saint Thomas Becket. (Original) San Lanfranco è un bellissimo esempio di arte romanica pavese. La sua fondazione risale al 1090 circa, quando la chiesa era parte di un monastero vallombrosiano e la sua dedicazione era ancora al Santo Sepolcro. L'attuale dedicazione venne data solo dopo la morte del vescovo Lanfranco Beccari, avvenuta nel 1198. Venne anche ricostruita la chiesa nelle forme attuali: il 1237 vide l'erezione del campanile, mentre la facciata a capanna, conclusa da decorazioni a dente di sega che sormontano archetti pensili intrecciati, fu ultimata nel 1257 a imitazione di quella della Basilica di San Michele Maggiore, come del resto tutte le chiese romaniche di Pavia. L'interno a singola navata, invece, si distacca dal modello cittadino e segue canoni vallombrosiani. La zona absidale fu ricostruita all'inizio del Cinquecento in forme rinascimentali, e ospita la stupenda Arca di San Lanfranco, capolavoro scultoreo di Giovanni Antonio Amadeo (1447 - 1522), realizzata nel 1498. La navata, invece, ha conservato tratti tipicamente romanici, e il suo fianco destro conserva alcuni notevoli resti di affreschi duecenteschi, fra cui la raffigurazione dell'assassinio di San Tommaso Becket.
Stefano M — Google review
Via S. Lanfranco Beccari, 4, 27100 Pavia PV, Italy•http://www.sanlanfranco.it/•+39 0382 528356•Tips and more reviews for Chiesa Parrocchiale di San Lanfranco

27Museum of Electrical Technologies

4.5
(372)
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4.3
(36)
Technology museum
Museums
Cultural landmark
Specialty Museums
The Museum of Electrical Technologies offers a fascinating journey through the history of electricity. Visitors can explore a diverse range of exhibits, from an anatomical Venus model to the Nikola Tesla exhibition. The museum's permanent collection provides a comprehensive overview of electrical advancements, while temporary exhibitions offer curated insights into various aspects of technology. With its extensive and diverse collection, this museum is a hidden gem for science and technology enthusiasts, offering an inspiring and electrifying experience for all who visit.
Fantastic museum with numerous exhibits. Worths visiting for science lovers. The exhibits are accompanied with English explanations as well as in Italian.
Kourosh S — Google review
This is one of the hidden gems of the region, for sci/tech buffs. The collection is extensive, dating from 1700's to present. The organization is roughly chronological, in these groups: Static electricity generation / Leyden Jars Voltaic Piles / early batteries Early Telegraphy Later telegraphy - various methods of channel multiplexing Electric motors and generators Radio receivers spanning from coherer-based to solid-state Radio transmitters Television from mechanical-scan to PAL Telephones and telephone switching equipment Early medical X-ray equipment Particle accelerators used at U. of Pavia Early personal computers Consumer electronics from mid to late 20th century. Modern, 21st century automotive electronics Additionally there is a special area with a century-wide span of amateur and military communication equipment. I highly recommend this museum for giving a comprehensive history of electronics unmatched in my museum visits. The only significant exclusion here would be in solid-state microelectronics (integrated circuits).
Stefanoaz — Google review
Wonderful. A lot electrical equipments from ancient to recent. A good visit.
Jit M — Google review
Inspiring place 👍👍👍
Arash G — Google review
Perfect place to learn history of electrical engineering. Tribute to Alessandro Volta.
Lidija P — Google review
Good place
Erkan Ç — Google review
(Translated by Google) A little gem in the museum landscape. Lots of unique pieces, experiments you can literally touch. The curators are friendly and willing to serve as guides. The entire history of energy technology is covered, from amber to computers. Everything is meticulously curated. Even the opening videos, usually boring, are invaluable. A highly recommended visit. If you have a full-price ticket to one of the other university museums, admission is also free (in this case, I recommend purchasing full-price tickets for children as well, otherwise they'll pay at each museum). (Original) Una piccola perla del panorama museale. Tanti pezzi unici, esperimenti che si possono "toccare con mano" (letteralmente). Custodi bendisposti e pronti a fare anche da guide. C'è tutta la storia della tecnologia legata all'energia: dall'ambra ai computer. Tutto curatissimo. Persino I filmati iniziali, solitamente noiosi, sono preziosi. Visita consigliatissima. Se avete il biglietto intero di uno degli altri musei universitari, l'ingresso è pure gratuito (consiglio, in questo caso di fare i biglietti interi anche per i minori altrimenti pagano in ogni museo).
Alessio O — Google review
(Translated by Google) Magnificent location for conventions and conferences and also for a guided tour of the museum where it is possible to observe numerous innovations of the time (Original) Location magnifica per convegni e conferenze ed anche per un tour guidato del museo dove é possibile osservare numerose innovazioni dell’epoca
Julian V — Google review
Via Adolfo Ferrata, 6, 27100 Pavia PV, Italy•http://museotecnica.unipv.eu/•+39 0382 984105•Tips and more reviews for Museum of Electrical Technologies

28Porta Milano

5.0
(4)
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3.2
(33)
Historical landmark
Porta Milano is a neoclassical-style gateway that served as the entrance to the city and a toll house. It features anthropomorphic marble statues representing the Po' and Ticino rivers, which were gifted by the Imperial House of Austria during its administration of Pavia in the early 19th century. These statues hold significant artistic value and stand atop two structures flanking the road.
(Translated by Google) Open portal, in neoclassical style, once used as the entrance gate to the city and toll house. At the top of the two structures on the sides of the road are the anthropomorphic statues (in marble) representing the Po' and Ticino rivers, subjects of very high artistic value: they were a gift from the Imperial House of Austria when it administered Pavia during the Lombard Venetian kingdom , circa 1820. (Original) Portale aperto, in stile neoclassico, adibito un tempo a Cancello d'ingresso della città e dazio. In cima alle due strutture ai lati della strada sono poste le statue (in marmo) antropomorfe che rappresentano i fiumi Po' e Ticino, soggetti di altissimo valore artistico: furono un dono della Imperiale Casa d'Austria quando amministrava Pavia durante il regno Lombardo Veneto, 1820 circa.
Davide F — Google review
Viale XI Febbraio, 310, 27100 Pavia PV, Italy•Tips and more reviews for Porta Milano

29Crypt of St. Eusebius

4.1
(54)
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3.6
(32)
Temporarily Closed
Sights & Landmarks
Points of Interest & Landmarks
The Crypt of St. Eusebius is an impressive tourist attraction that was constructed through the efforts of Marquis Luigi Malaspina di Sannazzaro, a visionary artist. Upon his death, he generously donated his art collections to the municipality, leading to the establishment of this museum. Initially housed in the Malaspina Palace, it was subsequently relocated to the castle in 1951. Over time, this collection has grown significantly due to numerous donations.
It's easy to miss so be careful. It is worth spending 10-15 minutes to visit it. There are old graves behind it.
Hubert — Google review
(Translated by Google) Very ancient church unfortunately closed to visits, certainly of antiquarian and archaeological interest (Original) Chiesa molto antica purtroppo chiusa alle visite, sicuramente di interesse antiquario e archeologico
Giorgio S — Google review
(Translated by Google) Simply spectacular. The crypt of Sant'Eusebio is located in Piazza Leonardo da Vinci, near the towers in front of the University of Pavia, and is what remains of an ancient Lombard church from the time of King Rotari (636-652). Initially the seat of the Arian bishop, it was dedicated to Sant'Eusebio after the conversion to Catholicism by the Lombards. Mentioned in Paolo Diacono's Historia Langobardorum, the building of worship was completely rebuilt in the 11th century, remodeled between the 16th and 17th centuries, rebuilt in the 18th century and completely razed to the ground in 1923 to make room for the adjacent Palazzo della Posta. The crypt is what remains today. (Original) Semplicemente spettacolare. La cripta di Sant’Eusebio si trova in piazza Leonardo da Vinci, nei pressi delle torri di fronte all’Università di Pavia, ed è ciò che rimane di un’antica chiesa longobarda al tempo di re Rotari (636-652). Inizialmente sede del vescovo ariano, fu dedicata a Sant’Eusebio dopo la conversione al cattolicesimo da parte dei Longobardi. Menzionata nell’Historia Langobardorum di Paolo Diacono, l’edificio di culto è stato completamente ricostruito nell’XI secolo, rimaneggiato tra Cinquecento e Seicento, rifatto nel Settecento e raso al suolo del tutto nel 1923 per fare spazio all’adiacente Palazzo della Posta. La cripta è ciò che rimane oggi.
Andrea C — Google review
(Translated by Google) “Very precious Romanesque crypt, remnant of the Arian cult basilica above existing at the time of Rotari. The dating between the 7th and 11th centuries is controversial. It has five naves with frescoes on the vaults". The construction of the church dates back to the time of King Rotari (636-652) but the existence of Ostrogothic capitals inside the crypt suggests that Rotari rebuilt the church on the area of ​​a pre-existing cathedral . It seems that the building had a basilica plan, with three naves of considerable length divided by eight large marble columns. The church was restored in the early seventeenth century, while in the following century, threatening ruin, it was demolished and completely rebuilt. Suppressed in 1805, it was demolished in the first decades of the twentieth century. The crypt, the only part spared from demolition, looks like a small temple covered by cross vaults with apparent arches supported by ten load-bearing elements that have no base. On these ten pillars and columns rest as many truncated-pyramidal capitals with tall palm foliage without ribs but with an outline. The capitals are surmounted by a rough pulvino, often wider than the capital itself, but hidden by the vault's impost. Scholars have considered these elements as belonging to the church rebuilt by Rotari. As regards the masonry of the crypt, it is attributed to the 7th century or the end of the 6th century. The vaults preserve interesting traces of Romanesque frescoes. Catalog of Restricted Goods of the Municipality of Pavia at No. 001. (Original) “Pregiatissima cripta romanica resto della sovrastante basilica di culto ariano esistente al tempo di Rotari. La datazione è controversa tra il VII e XI sec. E’ a cinque navate con affreschi sulle crociere delle volte”. La costruzione della chiesa si fa risalire al tempo di re Rotari (636-652) ma l'esistenza, nell'interno della cripta, di capitelli d'arte ostrogota, lascia supporre che Rotari abbia ricostruito la chiesa sull'area di una preesistente cattedrale. Sembra che l'edificio avesse pianta basilicale, con tre navate di notevole lunghezza scompartite da otto grandi colonne marmoree. La chiesa fu restaurata nei primi anni del Seicento, mentre nel secolo seguente, minacciando rovina, fu demolita e integralmente ricostruita. Soppressa nel 1805, fu atterrata nei primi decenni del Novecento. La cripta, unica parte risparmiata dalla demolizione, si presenta come un tempietto coperto da volte a crociera con archi apparenti sostenuti da dieci elementi portanti che sono privi di base. Su questi dieci pilastrini e colonnette poggiano altrettanti capitelli di tipo tronco-piramidale ad alto fogliame di palma senza nervature ma con un contorno. I capitelli sono sormontati da un abbozzo di pulvino, più largo spesso dello stesso capitello, ma nascosto dall'imposta delle volte. Gli studiosi hanno considerato questi elementi come appartenenti alla chiesa ricostruita da Rotari. Per quanto riguarda la muratura della cripta, viene attribuita al secolo VII o alla fine del secolo VI. Le volte conservano interessanti tracce di affreschi romanici. Catalogo dei Beni Vincolati del Comune di Pavia al N. 001.
Pantera R — Google review
(Translated by Google) A crypt found under a square. It can be visited in a few minutes but it is worth seeing. You must have already visited the castle museum, the ticket also includes a visit to the crypt. (Original) Una cripta trovata sotto una piazza. Visitabile in pochi minuti ma vale la pena vederla. Bisogna aver già visitato il museo del castello, il biglietto comprende anche la visita della cripta.
Piergiorgio P — Google review
(Translated by Google) A suggestive and exciting place, witness to the historical roots of the city. To visit it, you need to book in advance: the attendant opens the premises, but does not provide a guide service. (Original) Un luogo suggestivo ed emozionante, testimone delle radici storiche della città. Per visitarlo è necessario prenotare per tempo: l'addetto apre i locali, ma non svolge servizio di guida.
Agnese R — Google review
(Translated by Google) The crypt of Sant'Eusebio is located in the central part of Piazza Leonardo da Vinci, next to the university and the three medieval towers. It is all that remains of the church of the same name, of ancient Lombard foundation. It is protected by a modern shelter that protects it from the elements. Pavia....a city to be rediscovered, with its important and ancient history, with these "gems" that you almost suddenly find before your eyes, crossing two very central streets.....how wonderful!!! (Original) La cripta di Sant'Eusebio si trova nella parte centrale della Piazza Leonardo da Vinci , accanto all'università ed alle tre torri medioevali. È quanto resta dell'omonima Chiesa, di antica fondazione longobarda. È protetta da una moderna pensilina che la preserva dalle intemperie. Pavia....città tutta da riscoprire, con la sua importante e antichissima storia, con queste "chicche" che ti ritrovi quasi improvvisamente davanti agli occhi, attraversando due centralissime vie.....che meraviglia!!!
Silvana C — Google review
(Translated by Google) at the time of the Lombards, it was the Arian cathedral, perhaps dedicated to the Archangel Michael, then to Saint Eusebius of Vercelli who had fought heresy. (Original) ai tempi dei longobardi, fu la cattedrale ariana, forse dedicata all'arcangelo Michele, poi a sant'Eusebio di Vercelli che aveva combattuto l'eresia.
Luciano F — Google review
Piazza Leonardo Da Vinci, 27100 Pavia PV, Italy•https://museicivici.comune.pv.it/site/home/i-musei/la-cripta-di-…•Tips and more reviews for Crypt of St. Eusebius

30Monumento alla famiglia Cairoli

4.3
(6)
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3.3
(31)
The Monumento alla famiglia Cairoli is a striking sculpture located in Milan, Italy. It commemorates the Cairoli family, who were prominent figures in the Italian unification movement. The monument features a central obelisk surrounded by statues and reliefs depicting scenes from the family's history. Situated in a picturesque square, it offers visitors a chance to reflect on the city's rich historical heritage and pay homage to this influential family.
(Translated by Google) Work of the sculptor Enrico Cassi, the monument was inaugurated in 1900 and depicts the Cairolis, one of the most famous families of the Italian Risorgimento. Originally from the town of Gropello (since 1888 called Gropello Cairoli, in honor of the patriots), located a few kilometers from Pavia, the 5 Cairoli brothers were all Garibaldi heroes. Four of them died during the battles for Italian independence. The only one who survived was Benedetto, the eldest, who later also became Prime Minister. The monument depicts the mother handing the tricolor flag to her children, the father, a doctor and professor at the University of Pavia, and the five Cairoli brothers, together with reliefs that reproduce some of Garibaldi's battles. We are in the beautiful Piazza del Lino, which is certainly worth a visit. (Original) Opera dello scultore Enrico Cassi, il monumento venne inaugurato nel 1900 e raffigura i Cairoli, una delle famiglie più note del Risorgimento italiano. Originari del paese di Gropello (dal 1888 denominato Gropello Cairoli, in onore dei patrioti), situato a pochi chilometri da Pavia, i 5 fratelli Cairoli furono tutti eroi garibaldini. Quattro di loro morirono durante le battaglie per l'indipendenza italiana. L'unico che sopravvisse fu Benedetto, il maggiore, che successivamente divenne anche Presidente del Consiglio. Il monumento raffigura la madre che consegna la bandiera tricolore ai figli, il padre, medico e professore dell'Università di Pavia, ed i cinque fratelli Cairoli, insieme con rilievi che riproducono alcune battaglie garibaldine. Siamo nella bella piazza del Lino, che merita senz'altro una visita.
Giuseppe M — Google review
(Translated by Google) Walking through the streets of Pavia you come across testimonies of the Cairoli family. In Piazza del Lino the city wanted to testify with a celebratory monument the commitment made for the homeland. The work is by the sculptor Enrico Cassi and was inaugurated in 1900 and depicts his mother Adelaide giving, as a testimony, the Italian flag to her children with a patriotic sense. (Original) Percorrendo le vie di Pavia si incontrano testimonianze della famiglia Cairoli. In piazza del Lino la città ha voluto testimoniare con un monumento celebrativo l' impegno profuso per la patria. L'opera è dello scultore Enrico Cassi e fu inaugurato nel 1900 e raffigura la mamma Adelaide che consegna, come tesimonianza, la bandiera italiana ai figli con senso patriottico.
Angelo B — Google review
(Translated by Google) Work inaugurated in the early 1900s regarding our Risorgimento...today it shows the signs of time and pigeons do not give discounts (Original) Opera inaugurata nei primi del 900 riguardante il nostro risorgimento..oggi mostra i segni del tempo e i piccioni non fanno sconti
Giovanni N — Google review
Piazza del Lino, 27100 Pavia PV, Italy•Tips and more reviews for Monumento alla famiglia Cairoli
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31Statua del Regisole

4.3
(55)
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3.5
(27)
Sculpture
Monument
The Statua del Regisole, an impressive bronze equestrian monument, graces the vibrant Piazza Duomo in Pavia, right in front of the stunning cathedral. Its origins are shrouded in mystery, with various theories suggesting it may represent historical figures like Theodoric the Great or even Marcus Aurelius. This enigmatic statue has sparked much debate over its true identity and purpose throughout its long history.
Nice ancient church ⛪️ in Pavia … Good location, close to the downtown…
MD S — Google review
A 1930’s restoration of a 1024 lost-wax bronze … see Wiki for story … lovingly treasured by the people of Pavia, and reconstructed after destruction by the authorities. In a corner of the square, easily missed.
Stuart N — Google review
Impozante impresionante in front of the Cathedral
Louanna N — Google review
(Translated by Google) The Statue of Regisole is a bronze equestrian monument that stands in Piazza Duomo in Pavia in front of the Pavia cathedral. Its history is full of anecdotes and movements that mix reality and legend. From its origins, the vicissitudes of the Regisole are unclear: in fact, neither the certain date of construction nor the subject of the statue are known. Some speak of Lombard origins, with the subject being King Theodoric the Great, while others believe that the statue was created in Aachen at the behest of Charlemagne and subsequently transferred to Pavia. In 1315 the Viscontis conquered Pavia and, thanks to the move of the residence of Galeazzo II Visconti to Pavia, the monument achieved great fame in the peninsula, being cited by Petrarca in a letter to Boccaccio, and by Leonardo Da Vinci. This popularity meant that the Regisole became a point of reference for many Renaissance sculptors intent on creating equestrian statues. The current statue, however, is not the original one, which was destroyed by the Pavia Jacobins in 1796 in the wake of the anti-monarchist sentiments evoked by the French Revolution. In the 1930s the municipality decided to make a copy. (Original) La Statua del Regisole è un monumento equestre in bronzo che sorge in piazza Duomo a Pavia di fronte alla cattedrale pavese. La sua storia è ricca di aneddoti e spostamenti che mischiano realtà e leggenda. Già dalle origini le vicissitudini del Regisole non sono chiare: non si conoscono infatti né la data certa di costruzione né il soggetto della statua. Qualcuno parla di origine longobarda, con soggetto re Teodorico il Grande, altri invece ritengono che la statua sia stata creata ad Acquisgrana su volere di Carlo Magno e, successivamente, trasferita a Pavia. Nel 1315 i Visconti conquistarono Pavia e, complice lo spostamento della residenza di Galeazzo II Visconti a Pavia, il monumento conobbe grande fama nella penisola, venendo citato da Petrarca in una lettera al Boccaccio, e da Leonardo Da Vinci. Questa popolarità fece sì che il Regisole diventasse un punto di riferimento per molti scultori rinascimentali intenti a realizzare statue equestre. La statua attuale non è tuttavia quella originale, che venne distrutta dai Giacobini Pavesi nel 1796 sulla scia dei sentimenti antimonarchici evocati dalla Rivoluzione francese. Negli anni ’30 del ‘900 il comune decise di realizzarne una copia.
Andrea C — Google review
(Translated by Google) History The origin of the statue is unclear: some hypothesize that it was the monument to the Ostrogothic king Theodoric the Great[1], cast at the beginning of the 6th century, according to other sources brought to Aachen by Charlemagne and placed near the Palatine Chapel (act criticized by Valafrido Strabo in his De imagine Tetrici, Theodoric being Arian)[2], others believe that the work, documented from the 11th century, was originally located in the Royal Palace and transported to the new location following a popular uprising in 1024, when the building was destroyed. Located in front of the cathedral, it has since then been one of the symbols of the city, depicted for example on the silver seal of the Municipality. According to the Arab geographer Ibrāhīm al-Turtuši, who traveled in central-western Europe between 960 and 965 and visited Pavia, the regisole was placed near a door of the Royal Palace[3]. However, it must have been a late antique work or the only example of monumental bronzework from the Italian Middle Ages, cast with the lost wax technique before it was forgotten, at least in Western Europe. The name perhaps derives from "Rege[m] Solis", as it was covered in ancient times with gilding which reflected the sun's rays, or from the position of the raised arm which seemed to "hold" the sun, or even from the word "regisolio", i.e. royal throne. In 1315, after taking the city, the Viscontis brought the statue to Milan, but returned them to the people of Pavia in 1335[4]. After Galeazzo II moved his residence from Milan to Pavia, many illustrious guests of the Visconti court were impressed: Francesco Petrarca spoke about it in a letter to Boccaccio, and, later, Leonardo da Vinci admired him in 1490, while visiting the city ​​with Francesco by Giorgio Martini. It was one of the models that Renaissance sculptors drew on to revive the art of the equestrian monument. The statue had a raised hand like the Marc'Aurelius and the horse held a raised leg to highlight the dynamism. However, to overcome the static problems, under the raised hoof of the horse a small dog standing on its hind legs acted as decoration and point of relief for the weight. A similar solution was taken up, in 1446, by Donatello for the Equestrian Monument to Gattamelata in Padua, the first equestrian statue of the Renaissance. In 1527, during the Sack of Pavia, the statue was stolen by a soldier from Ravenna, a certain Cosimo Magni, who had the statue loaded onto a boat, with the intention of sending it to his city. But the ship was stopped in Cremona by order of Francesco II Sforza and, after remaining there for five years, was finally brought back to Pavia[5]. The statue was destroyed in 1796 by the Pavia Jacobins, as it depicted a monarch. In 1809 the city administration sold the surviving pieces of the work, until then kept in a warehouse, to finance some public works. Towards the mid-1930s it was decided to entrust the sculptor Francesco Messina with the execution of a copy of the Regisole strictly based on ancient reproductions. The new Regisole, a 6 meter high bronze statue placed on a travertine base, was thus relocated in front of the Duomo and solemnly inaugurated on 8 December 1937. (Original) Storia L'origine della statua non è chiara: se alcuni ipotizzano che si trattasse del monumento al re ostrogoto Teodorico il Grande[1], fuso all'inizio del VI secolo, secondo altre fonti portato ad Aquisgrana da Carlo Magno e posto vicino alla cappella palatina (atto criticato da Valafrido Strabone nel suo De imagine Tetrici, essendo Teodorico ariano)[2], altri credono che l'opera, documentata dall'XI secolo, fosse originariamente posta nel Palazzo Reale e trasportata nella nuova sede in seguito a un'insurrezione popolare del 1024, quando l'edificio venne distrutto. Collocata davanti alla cattedrale, fu da allora uno dei simboli della città, raffigurato ad esempio sul sigillo d'argento del Comune. Secondo il geografo arabo Ibrāhīm al-Turtuši, che viaggiò nell’Europa centro-occidentale tra il 960 e il 965 e visitò Pavia, il regisole era posto presso una porta del Palazzo Reale[3]. Doveva trattarsi comunque di un'opera tardoantica o dell'unico esempio di bronzistica monumentale del medioevo italiano, fuso con la tecnica della cera persa prima che andasse obliata, almeno in Europa occidentale. Il nome derivò forse da "Rege[m] Solis", poiché ricoperto anticamente di dorature che riflettevano i raggi solari, oppure dalla posizione del braccio alzato che sembrava "reggere" il sole, o ancora dalla parola "regisolio", cioè trono regale. Nel 1315, dopo presa della città, i Visconti portarono la statua a Milano, ma le restituirono ai pavesi nel 1335[4]. Dopo che Galeazzo II trasferì la sua residenza da Milano a Pavia, molti ospiti illustri della corte dei Visconti ne rimasero colpiti: Francesco Petrarca ne parlò in una lettera al Boccaccio, e, più tardi, Leonardo da Vinci lo ammirò nel 1490, mentre visitava la città con Francesco di Giorgio Martini. Fu uno dei modelli a cui attinsero gli scultori del Rinascimento per far rinascere l'arte del monumento equestre. La statua aveva una mano sollevata come il Marc'Aurelio e il cavallo teneva una zampa sollevata per evidenziare il dinamismo. Per ovviare però ai problemi statici, sotto lo zoccolo sollevato del cavallo un cagnolino in piedi sulle zampe posteriori faceva da decorazione e punto di scarico per il peso. Una soluzione analoga venne ripresa, nel 1446, da Donatello per il Monumento equestre al Gattamelata a Padova, prima statua equestre del Rinascimento. Nel 1527, durante il Sacco di Pavia, la statua venne trafugata da un soldato di Ravenna, un certo Cosimo Magni, che fece caricare la statua su di una barca, con l'intenzione di inviarla nella propria città. Ma la nave fu fermata a Cremona per ordine di Francesco II Sforza e, dopo esserevi rimasta cinque anni, venne infine riportata a Pavia[5]. La statua venne distrutta nel 1796 dai giacobini pavesi, poiché raffigurante un monarca. Nel 1809 l'amministrazione della città vendette i pezzi superstiti dell'opera, fino ad allora conservati in un magazzino, per finanziare alcune opere pubbliche. Verso la metà degli anni trenta si decise di affidare allo scultore Francesco Messina l'esecuzione di una copia del Regisole strettamente basata sulle riproduzioni antiche. Il nuovo Regisole, una statua bronzea alta 6 metri posta su una base di travertino, fu così ricollocato davanti al Duomo e solennemente inaugurato l'8 dicembre 1937.
Cristian — Google review
(Translated by Google) It is perhaps the most enigmatic of the mysteries that the thousand-year history of our Pavia brings with it. And no one, although his image is one of the most genuine symbols of civility, has yet solved it. Who represents the Regisole? Much has been written and many arguments have been produced on the equestrian statue in Piazza del Duomo. An emperor? Marcus Aurelius? Septimius Severus? Odoacer? Theodoric? First of all, it must be clarified that the current Regisole is not the ancient original statue, but a modern copy. It was in fact placed where it is now in 1937, and is the work of the sculptor Francesco Messina (the same author of the Minerva) and presents some variations compared to the image handed down to us by the historians of Pavia: the rider has no beard, the movement of the horse is rendered in a decidedly more lively manner than the more static ancient monument, and the original and picturesque support for the horse's left front leg is missing: a little dog. Overall, the Regisole, as we can admire it today, is a work of high sculpture: the play of the horse's muscles, between the trot and the gallop, the perfect anatomy of horse and rider, the folds of the cloak and the whole thing reflect the high plasticity and mastery of fusion. The old Regisole, for his part, nevertheless enjoyed the admiration of visitors of the caliber of Leonardo da Vinci, who, during one of his visits to the Cathedral factory, expressed himself thus in his notes: «Of that (i.e. the horse) of Pavia, movement is praised more than anything else." Petrarca also reported the same impression as Leonardo: in the letter to his friend Boccaccio he wrote that the «Regisole is an admirable thing for the momentum of the horse as for the assault on the top of a hill». It is also important to note that the ancient Regisole was like the current one in bronze, but showed off, unlike this one, a precious gilding, which was periodically cleaned and restored, a sign of the care that the people of Pavia always had for the equestrian statue. A certain dating of the ancient Regisole is impossible, but it can plausibly be placed within the late Roman Empire. On the character he represents, some hypotheses can be ventured: the most reliable would lean towards a relationship between the "sun" of the word "Regisole" and the Greek word "helios", to which the names of the Roman emperors Marcus Aurelius (Aurelios) and Aurelian refer. , of which it would be medieval corruption. If on the one hand the iconography handed down to us suggests the identification of Regisole with Marcus Aurelius, on the other it is plausible that the statue represented Aurelian, closely linked to the history of Pavia for having defeated the Alemanni at the gates of the city, therefore probably closer to the sympathies of the local population. Even the hand raised in the typical Roman greeting would lean towards the thesis that the Regisole was the representation of an emperor. (Original) È forse il più enigmatico tra i misteri che la millenaria storia della nostra Pavia porta con sé. E nessuno, benché la sua immagine sia uno dei più genuini simboli della pavesità, lo ha ancora risolto. Chi rappresenta il Regisole? Molto è stato scritto e molte argomentazioni sono state prodotte sulla statua equestre di piazza del Duomo. Un imperatore? Marco Aurelio? Settimio Severo? Odoacre? Teodorico? Innanzitutto occorre precisare che l'attuale Regisole non è l'antica originaria statua, ma una copia moderna. Fu infatti collocato dov'è ora nel 1937, ed è opera dello scultore Francesco Messina (lo stesso autore della Minerva) e presenta alcune varianti rispetto all'immagine tramandataci dagli storici pavesi: il cavaliere è privo di barba, il movimento del cavallo è reso in maniera decisamente più briosa rispetto al più statico antico monumento, e manca l'originale e pittoresco sostegno alla zampa anteriore sinistra del cavallo: un cagnolino. Nel complesso, il Regisole, come possiamo ammirarlo oggi, è opera di alta scultura: il gioco dei muscoli del cavallo, tra il trotto ed il galoppo, l'anatomia perfetta di cavallo e cavaliere, le pieghe del mantello e tutto l'insieme riflettono l'alta plasticità e maestria della fusione. Il vecchio Regisole, dal canto suo, godette tuttavia dell'ammirazione di visitatori del calibro di Leonardo da Vinci, che, durante una delle sue visite alla fabbrica del Duomo, così si espresse nei suoi appunti: «Di quel (ossia del cavallo) di Pavia, si lauda più il movimento che niuna altra cosa». Anche il Petrarca aveva riportato la medesima impressione di Leonardo: nella lettera all'amico Boccaccio scrive che il «Regisole è cosa ammirevole per lo slancio del cavallo come all'assalto della cima di un colle». È importante inoltre notare come l'antico Regisole fosse come l'attuale in bronzo, ma sfoggiasse, a differenza di questo, una preziosa doratura, che veniva periodicamente ripulita e restaurata, segno questo della cura che i pavesi ebbero sempre per la statua equestre. Una datazione certa dell'antico Regisole è impossibile, ma può essere verisimilmente collocata nell'ambito del tardo Impero Romano. Sul personaggio che rappresenta, si possono azzardare alcune ipotesi: la più attendibile propenderebbe per una relazione tra il "sole" della parola "Regisole" e la parola greca "helios", cui rimandano i nomi degli imperatori romani Marco Aurelio (Aurelios) ed Aureliano, dei quali sarebbe la corruzione medievale. Se da una parte l'iconografia tramandataci suggerisce l'identificazione del Regisole con Marco Aurelio, dall'altra è plausibile che la statua rappresentasse Aureliano, legato a doppio filo alla storia di Pavia per aver sconfitto, alle porte della città, gli Alemanni, dunque verosimilmente più vicino alle simpatie della popolazione locale. Anche la mano alzata nel tipico saluto romano propenderebbe per la tesi che vorrebbe il Regisole come la raffigurazione di un imperatore.
Freddy R — Google review
(Translated by Google) It is located on the left as you exit the Duomo in the square of the same name. (Original) Si trova alla sinistra all uscita dal Duomo nel omonima Piazza ..
Giovanni N — Google review
(Translated by Google) I passed right in front of it. A small, well-crafted and historic monument in the square of Pavia. (Original) Ci sono passato proprio davanti.Un piccolo monumento ben realizzato e storico della piazza di Pavia.
Emanuele E — Google review
Piazza del Duomo, 7, 27100 Pavia PV, Italy•http://www.paviaedintorni.it/temi/arteearchitettura_file/artearc…•Tips and more reviews for Statua del Regisole

32Kosmos Museo di Storia naturale di Pavia

4.7
(688)
•
4.2
(25)
Museum
Kosmos Museum of Natural History in Pavia is a small but impressive museum showcasing an extensive collection of natural history artifacts. The exhibits feature interactive displays, evolutionary showcases, and taxidermy animals. The museum offers a great experience for both adults and children, with accessible drawers and engaging games for the younger visitors. The wall text and games are available in both English and Italian, making it accessible to a wider audience.
Full of exhibits with English descriptions. It also depicts the works of different sceintinsts in an interesting manner and good visuals.
Kourosh S — Google review
Great place! A well cured museum with very polite staff and great collection. Good place for kids with some activities to interact during the visit.
Marcelo L — Google review
Warmly recommended museum! Beautiful and well organized collection. Very engaging for kids (big and small 😉)
The E — Google review
Beautiful experience, well designed museum.
Behiç B — Google review
Very interesting and nice place for family with kids but also for adults.
Ban A — Google review
A great museum with stupendous artifacts and exceptionally polite staff who gently guide you through your visit. It even features skeletons of some early hominins.
Navid — Google review
Officers are very kind and nice. The museum have many models and the exhibits have very highly quality. I love this museum, it’s suitable for kids, absolutely they can learn something there.
Leyun C — Google review
Small natural history museum with a fantastic collection and excellent, well-designed displays. Good for adults and children. Lots of accessible drawers and interactive games for the younger ones. Wall text and games in English and Italian.
Bonnie M — Google review
Piazza Botta Adorno Antoniotto, 9, 27100 Pavia PV, Italy•http://museokosmos.eu/•+39 0382 986220•Tips and more reviews for Kosmos Museo di Storia naturale di Pavia

33Monumento ai Re Longobardi

3.9
(27)
•
2.2
(25)
Historical landmark
The Monument to the Lombard king (Carlo Mo) is a very interesting and beautiful work of art, located in the center of a roundabout, making it difficult to view up close. The installation is highly regarded, despite its challenging location. It serves as a reference point for those entering the city and is appreciated for its abstract and suggestive nature. While some find it problematic to access or photograph due to its position, others appreciate its significance and value as part of Pavia's landscape.
Nice.
MILDOM A — Google review
(Translated by Google) Large road roundabout, with four lanes, with an aluminum installation on concrete in the centre, modernist and absolutely out of any concept of artistic harmony: The ancient capital of the Lombard Kingdom Pavia, called at that time the second Rome, would have deserved a worthy monument of that name. With these two abstract forms (one might say they're completely up in the air) we're not quite there. (Original) Grande rotonda stradale, a quattro corsie, con al centro una installazione di alluminio su cemento, modernista e assolutamente fuori da ogni concezione di armonia artistica: L'Antica capitale del Regno longobardo Pavia chiamata a quei tempi la seconda Roma si sarebbe meritata un monumento degno di tale nome. Con queste due forme astratte (si direbbe proprio campate per aria) proprio non ci siamo.
Davide F — Google review
(Translated by Google) A modern monument to the Lombard kings. Unfortunately located in a roundabout. (Original) Ett modernt monument över de lombardiska kungarna. Ligger tyvärr i en rondell.
Nils H — Google review
(Translated by Google) it is very beautiful but its position in the center of a roundabout makes it difficult to use. let's say that it is not appropriate to talk about telephone numbers or disabled access as it is also problematic to photograph it without risking your life (I will use a telephoto lens..) otherwise abstractly suggestive. I'd prefer it in a park! (Original) è molto bello ma la sua posizione al centro di una rotonda lo rende di difficile fruibilità. diciamo che non è appropriato parlare di numeri di telefono od accesso disabili in quanto è problematico anche fotografarlo senza rischiare la vita (userò un teleobiettivo..) per il resto astrattamente suggestivo. lo preferirei in un parco!
Mauro R — Google review
(Translated by Google) Reference point for those arriving in the city from the motorway or the Giovi state road. Since it is located in the center of a busy roundabout, it is not easy to visit up close. (Original) Punto di riferimento per chi arriva in città dall'autostrada o dalla statale dei Giovi. Dato che si trova al centro di una rotonda trafficata, non è agevole da visitare da vicino.
Michele A — Google review
(Translated by Google) Very interesting work; perhaps the location, due to the difficulties in viewing the installation up close, is not exactly ideal, but the work is very valid, as are the proposals of the master Carlo Mo! Thanks to the philanthropists for donating to the citizens. (Original) Opera molto interessante; forse l’ubicazione, causa le difficoltà a visionare da vicino la installazione, non è proprio l’ideale, ma l’opera è validissima, come del resto le proposte del maestro Carlo Mo! Grazie ai filantropi per la donazione alla cittadinanza.
Riccardo R — Google review
(Translated by Google) These abstract statues were given by Mr. Fortunato Fedegari in honor of his late brother Giampiero, to welcome a visitor from the Milan area. (Original) Queste statue astratte sono state regalate dal signor Fortunato Fedegari in onore al suo defunto fratello Giampiero, per accogliere un visitatore proveniente dall'area di Milano.
隼田志郎Hayata S — Google review
(Translated by Google) In themselves the sculptures are very beautiful and particular, the roundabout where they were placed certainly deserves redevelopment (Original) Di per se le sculture sono molto belle e particolari, la rotatoria dove sono state sistemate merita sicuramente una riqualifica
Gabriele B — Google review
Rondò dei Longobardi, 12, 27100 Pavia PV, Italy•Tips and more reviews for Monumento ai Re Longobardi

34Cupola Arnaboldi

4.1
(516)
•
3.4
(23)
The Cupola Arnaboldi in Pavia, Southern Lombardy is a remarkable architectural monument. Constructed during the latter part of the 19th century, this octagonal dome made of iron and glass encloses a courtyard of the same shape. Adorned with a balcony between its first and second floors, it was initially designed as a meeting place for farmers and merchants. Nowadays, it accommodates various commercial activities as well as a luxurious hotel.
Cupola Arnaboldi is a monument in Pavia, Southern Lombardy. Cupola Arnaboldi is situated nearby to Piazza del Lino  and the university Facoltà di Lettere e Filosofia. Built in the second half of the 19th century, it is an octagonal dome in iron and glass covering an internal courtyard of the same shape, embellished by a balcony between the first and second floors. This space was built to house the exchanges and negotiations of farmers and merchants, currently houses some commercial activities and a luxury hotel.
Mirko C — Google review
A jaw dropping place. Such a gigantic place housing so many shops and restaurants. A must visit!
Priyam G — Google review
It’s beautiful here. I can just imagine it full of people dancing with a live band or orchestra playing.
B Y — Google review
Has definitely seen better times... looks a bit unkempt.
Michael F — Google review
Nice and quite..very hidden in thebmiddle of city center of Pavia
Trips W — Google review
It's very beautiful place.. I Cross through it everyday when I go to the library, how ever I never understand what is it and what is the perpose of making it
Hind — Google review
Lovely 😍 Pavia is a beautiful city
Davide B — Google review
A nice covered passage between historical palaces, sometimes you can find a dancing party or chanting choirs
Luca Z — Google review
S.da Nuova, 47/D, 27100 Pavia PV, Italy•Tips and more reviews for Cupola Arnaboldi

35Parco Palustre

4.2
(134)
•
4.0
(22)
Park
Nature & Parks
Parco Palustre is an ideal destination for leisurely walks with animals and children, as well as for group outings. The park offers a pleasant environment where visitors can enjoy the presence of harmless wild animals and engage in sport fishing in the ponds. However, it is important to note that barbecues or similar activities are strictly prohibited in this area. Nonetheless, visitors will be mesmerized by the stunning autumn colors that grace the park, making it a picturesque location amidst nature.
(Translated by Google) Well-kept park, very large with a beautiful breeze (Original) Parco Ben tenuto, molto ampio con un venticello bellissimo
Dide — Google review
Bellisimo
Stanica V — Google review
(Translated by Google) A quiet place with many paths immersed in nature where you can relax and forget all stress. Walkable and beautiful in all seasons. The play of light on the bodies of water and the changing colors of the leaves and flowers always allow you to take beautiful photographs. (Original) Un posto tranquillo con tanti percorsi immersi nella natura dove è possibile rilassarsi e dimenticare ogni stress. Percorribile e bello in tutte le stagioni. I giochi di luce degli specchi d'acqua e il mutare dei colori delle foglie e dei fiori permettono sempre di fare belle fotografie.
Mauro G — Google review
(Translated by Google) Pleasant walk in the nature that is awakening. Presence of animals and vegetation typical of the area, lakes and silence. Numerous waste containers. Ideal for a relaxing afternoon. To avoid disturbing the animals, a suitably low voice volume is recommended. (Original) Piacevole passeggiata nella natura che si sta risvegliando. Presenza di animali e vegetazione tipica della zona, laghetti e silenzio. Numerosi contenitori per rifiuti. Ideale per un pomeriggio di relax. Per non disturbare gli animali si consiglia un volume di voce adeguatamente basso.
Laurielle B — Google review
(Translated by Google) Perfect place for walks with animals, children and others... presence of some wild but not dangerous animals and then lakes where people practice sport fishing... it is not possible to have barbecues or anything like that and it is strictly forbidden! With the autumn colors really beautiful! (Original) Luogo perfetto per passeggiate con animali bambini e in compagnia...presenza di qualche animale selvatico ma non pericoloso e poi laghetti dove la gente pratica pesca sportiva...non e possibile fare barbecue o roba del genere e severamente vietato! Con i colori dell'autunno veramente bello!
Carmelo M — Google review
(Translated by Google) Very beautiful, lush park, I like going there to walk the dog in all seasons, it's worth a lot in spring and autumn, you can also fish with a license, I recommend it to everyone for a walk in the greenery and tranquility, rating 10 ! (Original) Parco molto bello, rigoglioso, mi piace andarci a portare a spasso il cane in tutte le stagioni, merita molto in primavera e in autunno, si può anche pescare previa licenza, lo consiglio a tutti per una passeggiata nel verde e nella tranquillità, voto 10 !
Freddy R — Google review
(Translated by Google) Stroll in the midst of nature with the possibility of going along the paths on a mountain bike...equipped for picnics or outdoor snacks...ideal with children for a day in direct contact with nature (Original) Passeggiare in mezzo alla natura con la possibilità di percorrere i sentieri in mountain bike...attrezzato per picnic o merende all'aperto...ideale con i bambini per una giornata a contatto diretto con la natura
Paola G — Google review
(Translated by Google) Park to visit surrounded by nature with the possibility of picnicking (Original) Parco da visitare in mezzo alla natura possibilità di picnic
Claudio P — Google review
Via 20 Settembre, SP1, 28, 27053 Lungavilla PV, Italy•https://parcopalustre.beedb.it/•Tips and more reviews for Parco Palustre
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36Cascina Bosco Grande

4.7
(16)
•
4.3
(22)
Historical landmark
Nature & Parks
Nature & Wildlife Areas
(Translated by Google) Amazing place. All the members of the association friends of the woods super kind and organization. Summer camp for children highly recommended (Original) Posto stupemdo. Tutti i membri dell'associazione amici dei.boschi super gentili e organizzazione. Campo estivo per i bambini super consigliato
Manuela L — Google review
(Translated by Google) The place is large, but honestly I would have expected something more, just a few goats (Original) Il posto è grande,ma onestamente mi sarei aspettata qualcosa in più,solo qualche capretta
Daniela P — Google review
(Translated by Google) Very nice, welcoming atmosphere and very kind. Ideal as a preschool experience (Original) Molto bella, atmosfera accogliente e molto gentili. Ideale come esperienza di scuola materna
Marco C — Google review
(Translated by Google) Wonderful place for children, they can be in contact with nature a stone's throw from Pavia (Original) Posto meraviglioso x i bambini, possono stare a contatto con la natura a due passi da Pavia
Giovanni A — Google review
(Translated by Google) quiet and relaxing place (Original) posto tranquillo e rilassante
Domenico L — Google review
Str. Cascina Bosco Grande, 1, 27100 Pavia PV, Italy•https://ente.parcoticino.it/visita-il-parco/strutture-e-riserve-…•Tips and more reviews for Cascina Bosco Grande

37Castello di Mirabello

3.9
(113)
•
3.4
(19)
Castle
Castello di Mirabello is a historic site with a fascinating history, although currently closed and in need of restoration. It was the location of the famous Battle of Pavia in 1525, where Spanish arquebusiers defeated the French heavy cavalry. The castle's surroundings also hold significance, as it was once part of a hunting park that extended from the Visconti castle of Pavia to the Certosa di Pavia.
(Translated by Google) Dropped by to see the Battle of Pavia demonstration. By eye I saw the participation and the organization and I can only congratulate you on the safety and the desire to organize. Unfortunately due to bad weather I didn't enjoy the experience of the battle, I wanted to leave. (Original) Passato per vedere la manifestazione della battaglia di Pavia. A occhio ho visto la partecipazione e l'organizzazione ed è solo da fare tanti complimenti per la sicurezza e la voglia di organizzare. Purtroppo causa maltempo non ho goduto della prova della battaglia, ho voluto andare via.
I. F — Google review
Great place, full of history
Jeffery S — Google review
Nice but quite abandoned
Paolo B — Google review
(Translated by Google) Built in the 14th century by the Visconti family as a hunting lodge and control point for the surrounding areas, its history is closely linked to the Battle of Pavia in 1525. On that occasion it hosted the King of France, Francis I, and his entourage. The castle was entirely frescoed and had an elegant and refined structure. But over the centuries it deteriorated more and more and was partly demolished in 1857. Today only one wing remains standing, which however gives a good idea of ​​its potential. Unfortunately it is in a considerable state of decay and is currently abandoned. It is essential to intervene immediately and, in addition to organizing historical re-enactments, it would be good to urgently restore what can be saved. (Original) Costruito nel XIV secolo dai Visconti come residenza di caccia e punto di controllo delle zone circostanti, la sua storia è strettamente legata alla battaglia di Pavia del 1525. In tale circostanza ospitò il re di Francia, Francesco I, ed il suo seguito. Il castello era interamente affrescato ed aveva una struttura elegante e raffinata. Ma nel corso dei secoli andò sempre più deteriorandosi e fu in parte demolito del 1857. Oggi rimane in piedi solo un'ala, che però fa bene intuire quali sarebbero le sue potenzialità. Purtroppo si trova in notevole stato di degrado ed è attualmente abbandonato. È indispensabile intervenire subito ed, oltre ad organizzare rievocazioni storiche, si farebbe bene a restaurare con urgenza quel che è possibile salvare.
Giuseppe M — Google review
(Translated by Google) Historic site of the Battle of Pavia (24 February 1525) undergoing restoration Here the Spanish arquebusiers, in the shelter of the park's woods, defeated the French heavy cavalry. "The French heavy cavalry was destroyed; the knights who remained on foot were annihilated with bladed weapons by the infantry with dagger blows to the neck, in the junction between helmet and armour, or through the small cracks in the helmet's cover. The arquebusiers, however, they used their firearms to strike at close range, in many cases firing directly into the armor of the knights after placing the arquebus through the main coat commanders of King Francis I fell in this phase of the battle; Louis de la Trémoille was killed by a close range harquebus shot, Guillaume Gouffier de Bonnivet himself and Galeazzo Sanseverino, while La Palice died from dagger wounds." (Wikipedia) Francis I falls from his horse and is taken prisoner. (Original) Luogo storico della battaglia di Pavia (24 febbraio 1525) in fase di restauro Qui gli archibugieri spagnoli, al riparo del bosco del parco, hanno ragione della cavalleria pesante francese. "La cavalleria pesante francese venne distrutta; i cavalieri rimasti appiedati vennero annientati all'arma bianca dalla fanteria con colpi di pugnale al collo, nella giunzione tra elmo e corazza, o attraverso le piccole fessure della celata dell'elmo. Gli archibugieri, invece, impiegarono le loro armi da fuoco colpendo a distanza ravvicinata, in molti casi facendo partire il colpo direttamente dentro l'armatura dei cavalieri dopo aver sistemato l'archibugio attraverso la cotta. I principali comandanti del re Francesco I caddero in questa fase della battaglia; Louis de la Trémoille venne ucciso da un colpo ravvicinato di archibugio, lo stesso Guillaume Gouffier de Bonnivet e Galeazzo Sanseverino, mentre La Palice morì per ferite da pugnale." (Wikipedia) Francesco I cade da cavallo e viene fatto prigioniero.
Paolo Z — Google review
(Translated by Google) Unfortunately the castle is closed and cannot be visited due to structural problems, risk of collapse and lack of maintenance. The portico facing the Castle, next to the large courtyard, is also quite ruined. It is desirable that it be renovated and made safe so that it can be opened to the public. (Original) Purtroppo il castello è chiuso, non visitabile, per problemi strutturali, a rischio crolli, per mancata manutenzione. Abbastanza diroccato anche il porticato che fronteggia il Catello, a lato del l'ampio cortile. Si auspicabile una sua ristrutturazione e messa in sicurezza per poterlo aprire al pubblico.
Giovanni V — Google review
(Translated by Google) Potentially seven-star but inexplicably left to fall into disrepair after the municipality acquired the Policlinico S. Matteo several decades ago. It would be enough to make a call for tenders offering the major national and international hotel chains the possibility of acquiring the structure free of charge for a suitable number of years (99) in exchange for the renovation of the castle. There are obvious great business opportunities for the structure's conformation (the stables alone could accommodate dozens of rooms), the large attached park, the proximity to Milan, the absence in Pavia of high-level accommodation facilities and a proper conference center and there are equally obvious opportunities for employment and economic development for the city. For decades, however, the local administration has proven to be inept and incapable of thinking of any destination for the site other than to let it go to waste. (Original) Potenzialmente da sette stelle ma inspiegabilmente lasciato diroccare dopo l'acquisizione del comune dal policlinico s. Matteo diversi decenni fa. Basterebbe fare un bando offrendo alle maggiori catene alberghiere nazionali ed internazionali la possibilità di acquisire gratuitamente la struttura per un congruo numero di anni (99) a fronte della ristrutturazione del castello. Ci sono evidenti grandi possibilità di business per la conformazione della struttura (le sole scuderie potrebbero ospitare decine di camere), il grande parco annesso, la vicinanza con Milano, l'assenza a Pavia di strutture ricettive di alto livello e di un centro congressi come si deve e ci sono altrettanto evidenti opportunità di sviluppo occupazionale ed economico per la città. Da decenni però l'amministrazione locale si è rivelata inetta ed incapace di pensare a qualsivoglia destinazione del sito se non di lasciarlo andare in malora.
Marco L — Google review
(Translated by Google) The place would be beautiful and very interesting (Battle of Pavia) if it weren't for the fact that the site is so badly kept. It seems like being in an abandoned parking lot... If the municipality took care of keeping this area at least looked after and maintained it would be a lot.. Wake up Italy, these are your treasures.. (Original) Il posto sarebbe bellissimo e interessantissimo (Battaglia di Pavia) se non fosse xhe il sito è tenuto malissimo. Sembra di stare in un parcheggio abbandonato... Se il comune si premurasse di tenere quest'area per lo meno curata e mantenuta sarebbe già tanto.. Svegliati Italia, questi sono i tuoi tesori..
Paolo F — Google review
Via Pietro Pavesi, 177, 27100 Pavia PV, Italy•http://www.lombardiabeniculturali.it/architetture/schede/1A050-0…•Tips and more reviews for Castello di Mirabello

38Church of Saints Primus and Felician

4.7
(109)
•
4.3
(19)
Catholic church
Sights & Landmarks
Churches & Cathedrals
On April 26, a prayer vigil took place at the Church of Saints Primus and Felician to honor the migrants who lost their lives at sea. The event was organized by the Sant'Egidio community and witnessed a significant turnout. This church is known for being a gathering place where people come together to express heartfelt solidarity, share reflections, and offer prayers. Additionally, outside the church, there is a small square with benches and lush trees where individuals can engage in conversations if desired.
I find it so peaceful and the people are so helpful
Suvedha K — Google review
(Translated by Google) A very beautiful church that initially appears very inconspicuous from the outside. Inside it is very magnificent and has furnishings in the Baroque and Classicist styles. The floor in front of the choir room is well worth seeing. (Original) Eine sehr schöne Kirche, die zunächst äußerlich sehr unscheinbar wirkt. Im Inneren ist sie sehr prächtig und verfügt über eine Ausstattung im Stil des Barock und Klassizismus. Sehr sehenswert ist der Boden vor dem Chorraum.
Kai A — Google review
(Translated by Google) Compared to the others a little smaller and hidden but really very interesting to see.. (Original) Rispetto alle altre un po ' piu' piccola e nascosta ma davvero molto interessante da vedere..
Giovanni N — Google review
(Translated by Google) What a surprise! We are the only visitors here. Quiet... Majestic... Peaceful... (Original) Неожиданная находка! Мы здесь единственные посетители. Тихо.. Величественно... Умиротворенно...
Liudmila K — Google review
(Translated by Google) It's worth seeing inside (Original) W środku warto zobaczyć
Mariusz S — Google review
(Translated by Google) Splendid church, truly wonderful, I have no words to describe its beauty, I only recommend going and seeing it! (Original) Splendida chiesa, davvero meravigliosa, non ho parole per descriverne la bellezza, consiglio solo di andarela a vedere!
Daniela B — Google review
(Translated by Google) Very beautiful church located in the heart of Pavia. (Original) Chiesa molto bella e situata nel cuore di Pavia.
Gio R — Google review
(Translated by Google) Ancient and beautiful (Original) Antica e bella
Alina A — Google review
Via Langosco, 8, 27100 Pavia PV, Italy•Tips and more reviews for Church of Saints Primus and Felician

39Oasis Bosco Negri

4.3
(172)
•
4.1
(18)
Wildlife refuge
Nature & Parks
Forests
Oasis Bosco Negri is an incredibly tranquil location, perfect for solitary strolls. The trail presents a symphony of avian melodies and an array of vibrant blossoms. The nocturnal activities are particularly enchanting. It's a remarkable destination to discover various species of birds in their natural habitat. This scenic spot offers a pleasant environment to explore and marvel at the wonders of wildlife.
Amazing place to explore birds
Kateryna K — Google review
Very relaxing place, especially for walking alone. Along the path you can heard many kind of bird tweets and see many flowers! Very magic are the night events!
Gabriele B — Google review
Nice place!
Fabio M — Google review
(Translated by Google) An oasis of peace a stone's throw from the city, where you can regenerate your spirit and body. With an atmosphere that is always different depending on the seasons. Walking along the paths it is possible to meet roe deer, foxes and many species of birds. The staff who manage it are always available and know how to organize wonderful initiatives to let children and adults experience this forest. Equipped with a large picnic area, covered, outdoor play area and toilets. Once you discover this place, you will always return willingly. (Original) Un'oasi di pace a due passi dalla città, dove rigenerare lo spirito e il corpo. Con un'atmosfera sempre diversa a seconda delle stagioni. Inoltrandosi nei sentieri è possibile incontrare i caprioli, le volpi e moltissime specie di uccelli. Lo staff che lo gestisce è sempre disponibile e sanno organizzare bellissime iniziative per far vivere questo bosco a bambini e adulti. Provvisto di una grande area pic-nic, coperta, area giochi outdoor e servizi igienici. Una volta che scopri questo posto, ci ritorni sempre volentieri.
Federico A — Google review
(Translated by Google) Interesting naturalistic oasis with different routes in which to immerse yourself in nature a few steps from Pavia. Silence is recommended during the visit to be able to see as many animals as possible and not disturb them. (Original) Interessante oasi naturalistica con diversi percorsi in cui immergersi nella natura a pochi passi da Pavia, consigliato il silenzio durante la visita per poter vedere più animali possibili e non disturbarli.
Niccolò T — Google review
(Translated by Google) Beautiful piece of nature. Unfortunately we only came across one rock as soon as we entered and then nothing for about 2 hours of walking. Even though we were equipped with binoculars and a cautious step so as not to scare the fauna. There were only a few of us in the park. And at the entrance there was a super loud children's party. But I don't think this was the reason for the few sightings. I imagine it is best to visit the site in early spring/full summer. We will be back next year. Thank you lipu for preserving nature <3 (Original) Bellissimo pezzo di natura. Purtroppo abbiamo incrociato solo uno scogliattolo appena entrati e poi nulla per circa 2 ore di passeggiata. Nonostante fossimo forniti di binocolo e un cauto passo per non spaventare la fauna. Eravamo in pochi nel parco. E all'entrata c'era una festa per bimbi super rumorosi. Ma non penso sia stato questo il motivo degli scarsi avvistamenti. Immagino sia meglio visitare il sito in inizio primavera/estate piena. Ci torneremo l'anno prossimo. Grazie lipu per preservare la natura <3
Street L — Google review
(Translated by Google) With Google maps you can get there easily, otherwise it is not well signposted. Once inside, however, it seems like you are in another world, forgetting that you are very close to the city. Worth seeing (Original) Con Google maps si arriva facilmente, diversamente non è ben segnalata. Una volta entrati però sembra di stare in un altro mondo, dimenticandosi di essere vicinissimi alla città. Da vedere
Rossana C — Google review
(Translated by Google) My opinion is that it is closed during the periods when it would be best to visit: summer... (Original) Il mio giudizio va al fatto che è chiusa nei periodi in cui sarebbe meglio visitabile: l'estate...
Riccardo ( — Google review
Via Bramante, 1, 27100 Pavia PV, Italy•http://www.lipu.it/oasi-naturale-bosco-negri-pavia•+39 0382 569402•Tips and more reviews for Oasis Bosco Negri

40Villa Mezzabarba

4.3
(115)
•
4.1
(15)
Historical place
Concerts & Shows
Theaters
Villa Mezzabarba, a magnificent historical estate in Borgarello, serves as the headquarters of the municipality and houses the municipal library. This grand manor is not only aesthetically pleasing but also holds significant importance to the community. The Villa offers various rooms that are accessible to both residents and individuals who require them. Its beauty and rich history make it a prominent landmark in Borgarello, attracting visitors from all walks of life.
Beautiful old Villa in Borgarello now used as the Municipality office (Comune) of Borgarello. The staff and city mayor at Comune are really humble and helpful people. I saw this beautiful cat in Comune so uploading her picture 😊
Sanchit S — Google review
Ok
Carlo P — Google review
(Translated by Google) Beautiful villa, conservative renovation. But not exploited to its potential. (Original) Bella villa, ristrutturazione conservativa. Ma non sfruttata per il suo potenziale.
E. S — Google review
(Translated by Google) This splendid villa is the seat of the Municipality of Borgarello. (Original) Questa splendida villa è la sede del Comune di Borgarello.
Roby R — Google review
(Translated by Google) Positive example of how to use a beautiful ancient villa renovated and made available to the community. where they hold interesting concerts and exhibitions of various kinds. (Original) Esempio positivo di come utilizzare una bella Villa antica ristrutturata e messa a disposizione della comunita. dove svolgono interessanti concerti e mostre di vario genere.
Paolo G — Google review
(Translated by Google) It has become the seat of the Town Hall, very beautiful and also home to some rooms available to the population or to those who request them! (Original) Diventata sede del Palazzo comunale, molto bella e sede anche di alcune stanze a disposizione della popolazione o di chi ne fa richiesta!
Adriano C — Google review
(Translated by Google) Finally the institutional headquarters of the municipality... I hope that it will soon also be a point of reference for cultural and artistic initiatives (Original) Finalmente sede istituzionale del comune..spero che presto sia anche punto di riferimento per iniziative culturali e artistiche
Antonio M — Google review
(Translated by Google) The place is nice enough, nothing too historically important. I hope the municipality takes care of it (Original) Il luogo è abbastanza carino, niente di così storicamente importante. Spero che il comune ne abbia cura
Tommaso B — Google review
Via Principale, 2, 27010 Borgarello PV, Italy•Tips and more reviews for Villa Mezzabarba
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41Torre di San Dalmazio

4.2
(5)
•
4.3
(15)
Historical landmark
Sights & Landmarks
Observation Decks & Towers
The Torre di San Dalmazio is one of the few surviving medieval towers in Pavia, a city renowned for its numerous towers. This historical landmark holds great significance as it stands as a testament to Pavia's rich past. With its ancient architecture and distinct charm, the tower serves as a captivating reminder of the city's medieval era. As an iconic symbol of Pavia's history, the Torre di San Dalmazio showcases the architectural prowess and cultural heritage of this vibrant Italian city.
(Translated by Google) One of the 5 medieval towers remaining in Pavia, city of 100 towers. (Original) Una delle 5 torri medievali rimaste a Pavia, città delle 100 torri.
Ugo D — Google review
Via Luigi Porta, 13, 27100 Pavia PV, Italy•Tips and more reviews for Torre di San Dalmazio

42Statua di G. Garibaldi

3.3
(3)
•
3.8
(15)
(Translated by Google) The statue is located in the square of the Voghera train station. The monument is dedicated to Giuseppe Garibaldi. (Original) La statua si trova nel piazzale della stazione ferroviaria di Voghera. Il monumento è dedicato a Giuseppe Garibaldi.
Michele L — Google review
(Translated by Google) Place to avoid (Original) Posto da evitare
Marco P — Google review
Piazzale Guglielmo Marconi, 21, 27058 Voghera PV, Italy•Tips and more reviews for Statua di G. Garibaldi

43St. Pietro Apostolo Parish

4.3
(111)
•
3.7
(14)
Catholic church
(Translated by Google) A beautiful parish in the San Pietro neighborhood, the neighborhood of my uncles and cousins. Don Gabriele's work for the community is truly commendable, in particular the renovation of the oratory (which allowed many kids to be removed from the streets). The management of the structure is entrusted to a very competent and kind lady: Stefania. (Original) Una bella parrocchia nel quartiere San Pietro, il quartiere dei miei zii e cugini. Veramente encomiabile il lavoro di don Gabriele per la comunità, in particolare la ristrutturazione dell'oratorio (che ha permesso di togliere tanti ragazzi dalla strada). La gestione della struttura è affidata ad una signora molto competente e gentile: Stefania.
Ezio S — Google review
(Translated by Google) It is an ancient church and there are the relics of Sant'Agostino..built in the Roman period..it is particular. Come out with another spirit. Very beautiful to visit. (Original) E' una chiesa antica e vi sono le relique di Sant"Agostino..costruita nel periodo romano..e' particolare. Esci con un altro spirito. Molto bella da visitare.
Anna O — Google review
(Translated by Google) The chivalric orders dedicated by the Church to tasks of charity and assistance were headed by the village of S.Pietro in Verzolo (a name probably taken from the cabbage that was grown in the neighboring fields, but also called in ancient times for the lepers) along the road axis to Cremona. (Templars, Crucifers, Jerusalemites). The church was built in an area outside the city, along the route of the "queen" road to Piacenza. (Original) Facevano capo al Borgo di S.Pietro in Verzolo (nome probabilmente desunto dalle verze che venivano coltivate nei campi limitrofi, ma detto anche anticamente dei lebbrosi) lungo l'asse viario per Cremona, gli ordini cavallereschi votati dalla Chiesa a compiti di carità ed assistenza (Templari, Crociferi, Gerosolimitani). La chiesa fu edificata in un'area esterna alla città, lungo il percorso della strada "regina" per Piacenza.
Filippo M — Google review
(Translated by Google) It is the parish of my childhood and youth. Modest but with a big heart (Original) È la parrocchia della mia infanzia e giovinezza. Modesta ma con grande cuore
Pasqualina D — Google review
(Translated by Google) Parish church The Easter service was enriched by songs which, despite the leaflet being available, were difficult to follow and very long. (Original) Chiesa parrocchiale La funzione di Pasqua è stata arricchita da canti che nonostante fosse a disposizione il foglietto, sono stati difficili da seguire e molto lunghi.
Matelda B — Google review
(Translated by Google) Unfortunately it is one of the saddest and most gloomy churches I have ever seen, and I have seen many... (Original) Purtroppo è una delle chiese più tristi e lugubri che abbia mai visto, e ne ho viste tante...
Guerrino A — Google review
(Translated by Google) I thank the Don who gave us a room to organize our mother Francesca's 80th birthday. Very convenient little square with parking! (Original) Ringrazio il Don che ci ha concesso una sala per organizzare l'80mo compleanno della ns mamma Francesca. Piazzetta con parcheggio molto comoda!
Alessandra ( — Google review
(Translated by Google) When the presence of God becomes flesh. Walking along the nave I feel an almost earthly inner peace. God is in me, I feel it. Amen. (Original) Quando la presenza di Dio si fa carne. Passeggiando lungo la navata avverto una pace interiore quasi ultra terrena. Dio è in me, lo sento. Amen.
Arianna S — Google review
Via S. Pietro in Verzolo, 1, 27100 Pavia PV, Italy•https://www.lombardiabeniculturali.it/architetture/schede/PV240-…•Tips and more reviews for St. Pietro Apostolo Parish

44Palazzo Bellingeri

4.5
(2)
•
4.4
(10)
Historical landmark
Sights & Landmarks
Architectural Buildings
Points of Interest & Landmarks
Nestled in the vibrant heart of Grava, Palazzo Bellingeri is a stunning historical gem that dates back to the early 18th century. Originally constructed around 1734 as a summer retreat for the Bellingeri De Rubeis family, this magnificent building showcases an impressive U-shaped design with a charming appendix that creates the picturesque Canepanova square. The palace boasts 24 rooms of varying sizes, some adorned with exquisite frescoes in delightful shades of pink, green, and blue.
(Translated by Google) Palazzo Bellingeri stands in the heart of Grava... along the main street, it was built at the beginning of the 18th century, to become the summer residence of the Bellingeri De Rubeis... who were the owners of various properties throughout the Pavia area. This entire complex is made up of 24 rooms, both small and large, some of which stand out from the others because they are completely frescoed, with pink, green and blue colours. There are also very visible pictorial decorations in the so-called games room on the upper floor, while on the ground floor there are still life and floral paintings in very strong colours. Later in the 1920s, a certain Felice Zambruno bought the entire building and in the rooms surrounding the large courtyard he built a sawmill and also a knitwear factory which later became a clog factory, and finally a carpentry shop, which in 1952 gave work to many people, and inside a cinema hall was created in the old stables. (Original) Palazzo Bellingeri sorge nel cuore di Grava ..lungo la via principale , fu eretto agli inizi del 700 , per diventare la residenza estiva dei Bellingeri De Rubeis ..che erano i proprietari di diverse proprietà in tutto il pavese . Tutto questo complesso e" costituito da 24 stanze sia piccole che grandi , alcune di queste si distinguono dalle altre ..perché sono completamente affrescate , con colori rosa , verde e azzurre , ci sono anche delle decorazioni pittoriche molto ben visibili ..nella cosiddetta sala dei giochi al piano superiore , mentre al pian terreno ci sono ..dipinti di nature morte e floreali , su tinte molto forti . Più in la" negli anni nel 1920 ..un certo Felice Zambruno compro" tutto l'edificio ..e nei locali che circondano il grande cortile ..realizzò una segheria e pure un maglificio che divento" poi uno zoccolificio , e infine una falegnameria , che nel 1952 diede lavoro a molta gente ..e all'interno fu creata una sala cinema proprio nelle antiche scuderie.
Gaetano C — Google review
(Translated by Google) Construction period: 1734 PALAZZO GIA' BELLINGERI, THEN PORCARA, THEN CAPELLO Current use: residence Historical use: residence Accessibility: P.zzetta Defendente Sacchi, via Mentana State of conservation: good Historical-artistic notes: This palace was built around 1734 by the jurist Gio Battista Bellingeri Orlandi, and has a U-shaped plan, with a protruding appendix that forms the small square of Canepanova. The front of the building is rather simple and smooth, but boasts a whimsical portal and a small wrought iron balcony that introduce a note of movement. In the courtyard there is a portico, with three arches on each side, open towards the garden in a pleasant perspective. The square spiral staircase is very unique, supported by four granite pillars with a stone and wrought iron balustrade. Noteworthy are the stucco friezes and the fresco on the vault of the staircase. Catalog of Restricted Goods of the Municipality of Pavia at No. 017. (Original) Epoca di costruzione: 1734 PALAZZO GIA’ BELLINGERI, POI PORCARA, POI CAPELLO Uso attuale: residenza Uso storico: residenza Accessibilità: P.zzetta Defendente Sacchi, via Mentana Stato di conservazione: buono Note storico-artistiche: Questo palazzo fu costruito verso il 1734 dal giureconsulto Gio Battista Bellingeri Orlandi, e presenta una pianta ad U, con una appendice sporgente che viene a formare la piazzetta di Canepanova. La fronte dell'edificio è piuttosto semplice e liscia, ma vanta un estroso portale e un mosso balconcino in ferro battuto che introducono una nota di movimento. Nel cortile è un portico, a tre fornici per lato, aperto verso il giardino in una piacevole prospettiva. Singolarissimo è lo scalone a spirale quadrata, sostenuto da quattro pilastri in granito con balaustra in pietra e ferro battuto. Notevoli i fregi in stucco e l'affresco sulla volta dello scalone. Catalogo dei Beni Vincolati del Comune di Pavia al N. 017.
Pantera R — Google review
Via Defendente Sacchi, 10, 27100 Pavia PV, Italy•Tips and more reviews for Palazzo Bellingeri

45Stadio Pietro Fortunati

3.8
(524)
•
3.9
(8)
Stadium
I love!
Giovanni M — Google review
Top
Massimo C — Google review
Good
Tirath T — Google review
Top
IMPERIALE C — Google review
I Iii
Roberto R — Google review
Lovely arena
Noel S — Google review
(Translated by Google) I went there for a youth tournament. How sad everything in ruins, a historic stadium but the club is there? Disastrous locker rooms, training fields that are nothing short of horrible and dangerous. By mistake I entered the gym and...how sad. What a shame (Original) Ci sono andato per un torneo giovanile. Che tristezza tutto allo sfascio, uno stadio storico ma la società c'è? Spogliatoi disastrati, campi di allenamento a dir poco orribili e pericolosi. Per errore sono entrato in palestra e ....che tristezza. Che peccato
Diego P — Google review
(Translated by Google) The stadium is nice, but there's no running track, so you can see the players clearly even from the top step. The only thing I'd improve is the ticket office for away fans, which is almost invisible because there's no sign or signage. (Original) Stadio bellino, senza pista di atletica quindi I giocatori li vedi bene anche dall'ultimo gradino. Unica cosa che migliorerei il punto vendita di biglietti per ospiti che é quasi invisibile poiché non segnalato da targa o cartello.
Wudy P — Google review
V. Alzaia, 137, 27100 Pavia PV, Italy•+39 0382 460111•Tips and more reviews for Stadio Pietro Fortunati
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46Remains of the Civic Tower

4.3
(151)
•
3.1
(7)
Historical landmark
The remains of the Civic Tower in Pavia are a testament to its once towering presence in the city. Originally constructed with a quadrangular plan and reaching an impressive height of 78 meters, it stood next to the city cathedral for centuries. In the late 16th century, a belfry was added by architect Pellegrino Tibaldi to house the cathedral's bells.
Unfortunately, on 17th March 1989, the tower fell down destroying part of the close church. Douring the disaster, 4 persons died and where the tower was, a memorial have been built.
Alessia M — Google review
I visited the ruins as part of a day trip to Pavia. Although I was deeply saddened to contemplate how 900 years of history collapsed in minutes at least they preserved what little remained and we can imagine how the tower must have appeared it all its proud glory
Jeanne G — Google review
This place is just beside of Duomo...is a towe that fallen down
Trips W — Google review
“In memory of four innocents … Civic Tower, Pavia. There’s a story here, if you look closely. In 1989 the tower unexplainable collapsed, killing four people … Wikipedia collects what we know. Very sad. At least their names are listed for all to see.
Stuart N — Google review
Closed on a weekday! Will have to revisit again. No hours were posted!
Dr. N — Google review
the Civic Tower collapsed on 17/03/1989
Federica Z — Google review
Amazing
Biswabhanu P — Google review
Very nice place
Elena M — Google review
Piazza del Duomo, 1, 27100 Pavia PV, Italy•Tips and more reviews for Remains of the Civic Tower

47Palazzo Vescovile

4.6
(11)
•
3.9
(7)
Historical landmark
(Translated by Google) Construction period: 16th century The first Bishopric was located behind the cathedrals of S. Maria del Popolo and S. Stefano, practically the current Broletto and its founder was probably Bishop San Damiano. According to the historian Bossi it was then bishop Rodobaldo. in the mid-1200s, to sell "the court or part of the episcopal palace to the Republic of Pavia"; In fact, Opicino de Canistris reports that in his time the courtyard of the civic palace, Broletto, was still called Curia Episcopi. When Ippolito De Rossi, in the second half of the sixteenth century, became bishop of Pavia, he found himself without a dignified bishop and therefore had to arrange the arrangement of his residence. The location chosen is in the so-called Atrium of San Siro, the religious heart of the city, in the block in front of the Cathedrals, in practice the Monastery of the Mats, which was sacrificed and largely demolished (the nuns had already been transferred to Santa Maria of the Hunts). The design was entrusted to Pellegrino Pellegrini, who was present in Pavia in the second half of the 16th century for the construction of the Borromeo College and then for the construction of the crowning of the civic tower. The sixteenth-century nucleus is made up of two quadrilateral bodies placed side by side. The ashlar portal leading to the courtyard is preserved on the southern façade, surmounted by a plaque commemorating the client Ippolito de Rossi and the date of construction of the building, 1575. In the courtyard towards the Piazza del Duomo, from the portico, you can access the monumental staircase overlooked by a series of marble portals of a certain importance; on the ground floor a classic sixteenth-century portal gives access to the sequence of ground rooms. Gianbattista Sfondrati, bishop of Pavia from 1639 to 1647, was responsible for the large entrance portal towards the Piazza del Duomo as can also be seen from the inscription on the architrave. Bishop Francesco Pertusati (bishop from 1724 to 1752) was responsible for the arrangement of the first courtyard with the creation of the window frames, in light relief, and the closure of the upper loggia with moving glass windows and the decoration of the chapel and the Hall of the Bishops, entrusted to the brush of Felice Biella. The Palace has a series of rooms, each of which has splendid decorations. The seasons room also opened onto the small garden. The vault decorated with grotesques is characterized, in the corners, by golden herms carrying tall baskets with seasonal depictions on their heads; in the central medallion Moses is represented with the copper serpent. The vault of the next room of San Siro is covered in grotesques: four medallions with landscapes are arranged around the central painting with the evangelical episode of the Multiplication of the Loaves. You then enter the room of Jacob's Dream. At the center of the vault, within a frame of foliage, fruit and ribbons, the episode of the ladder where Jacob meets the Lord in a dream is painted. The three rooms on the western side also retain their sixteenth-century grotesque painted vaults intact. In particular, the beautiful room of the Eternal Father is decorated with four small medallions with the Arts. The monumental staircase, built in 1566 by Pellegrino Pellegrini, is characterized by the balustrade with small pillars in Angera stone on which small lions holding the coat of arms and stone spheres are arranged. The chapel, completely decorated by Felice Biella in 1737 commissioned by Bishop Pertusati, is dedicated to the passion of Christ and occupies the space corresponding to the portico below. From the staircase another marble portal (16th century, but with an 18th century window) opens onto the Hall of the Bishops, completely frescoed by Felice Biella, with portraits of the bishops of Pavia, starting from the protobishop San Siro (with the basket of loaves and fishes), represented in full figure, indicating with his hand the beginning of the sequence. We then move on to the San Giuseppe room and then to the Bishop's study. Catalog of Restricted Goods of the Municipality of Pavia at No. 024. (Original) Epoca di costruzione: ‘500 Il primo Vescovado era collocato alle spalle delle cattedrali di S. Maria del Popolo e di S. Stefano, praticamente l'attuale Broletto e ne era stato fondatore probabilmente il vescovo San Damiano. Secondo lo storico Bossi fu poi il vescovo Rodobaldo. a metà del 1200, a vendere “la corte o parte del palazzo episcopale alla Repubblica di Pavia”; Opicino de Canistris riferisce infatti che ai suoi tempi il cortile del Palazzo civico, Broletto, si chiamava ancora Curia Episcopi. Quando Ippolito De Rossi, nella seconda metà del Cinquecento, diventa vescovo di Pavia si ritrova privo di un episcopio dignitoso e pertanto deve provvedere alla sistemazione della sua residenza. La collocazione scelta è nel cosiddetto Atrio di San Siro, il cuore religioso della città, nell’isolato di fronte alle Cattedrali, in pratica il Monastero delle Stuoie, che viene sacrificato e in buona parte abbattuto (le monache erano già state trasferite a Santa Maria delle Cacce). La progettazione viene affidata a Pellegrino Pellegrini, presente nella seconda metà del '500 a Pavia per la costruzione del Collegio Borromeo e poi per la realizzazione del coronamento della torre civica. Il nucleo cinquecentesco è costituito da due corpi quadrilateri accostati. Si conserva sulla facciata meridionale il portale bugnato di accesso al cortile, sovrastato da una lapide che ricorda il committente Ippolito de Rossi e la data di esecuzione dell’edificio, 1575. Nel cortile verso la piazza del Duomo, dal portico, si accede, allo scalone monumentale sul quale si affacciano una serie di portali marmorei di un certo rilievo; al piano terra un classico portale cinquecentesco dà l’accesso alla sequenza delle sale terrene. A Gianbattista Sfondrati, vescovo di Pavia dal 1639 al 1647 si deve il grande portale d’ingresso verso la piazza del Duomo come risulta anche dall’iscrizione sull’architrave. Si deve al vescovo Francesco Pertusati (vescovo dal 1724 al 1752) la sistemazione del primo cortile con la realizzazione delle cornici delle finestre, a leggero rilievo, e la chiusura del loggiato superiore con serramenti a vetrata ad andamento mosso e la decorazione della cappella e della sala dei Vescovi, affidata al pennello di Felice Biella. Il Palazzo possiede una serie di sale, ognuna delle quali possiede splendide decorazioni. La sala delle stagioni si apriva anche sul piccolo giardino. La volta decorata a grottesche è caratterizzata, negli angoli, da erme dorate che portano sul capo alti cesti con raffigurazioni stagionali; nel medaglione centrale è rappresentato Mosè con il serpente di rame. La volta della successiva sala di San Siro è rivestita di grottesche: intorno al dipinto centrale con l’episodio evangelico della Moltiplicazione dei pani si dispongono quattro medaglioni con paesaggi. Si accede quindi alla saletta del Sogno di Giacobbe. Al centro della volta, entro una cornice di fogliami frutti e nastri, è dipinto l’episodio della scala dove Giacobbe incontra in sogno il Signore. Anche le tre sale del lato occidentale conservano integre le volte cinquecentesche dipinte a grottesche. In particolare la bella sala del Padre Eterno è decorata con quattro piccoli medaglioni con le Arti. Lo scalone monumentale, realizzato nel 1566 da Pellegrino Pellegrini, è caratterizzato dalla balaustra a pilastrini in pietra d’Angera su cui si dispongono leoncini reggistemma e sfere lapidee. La cappella, completamente decorata da Felice Biella nel 1737 su committenza del vescovo Pertusati, è dedicata alla passione di Cristo e occupa lo spazio corrispondente al portico sottostante. Dallo scalone un altro portale marmoreo (cinquecentesco, ma con serramento settecentesco) si apre sulla sala dei Vescovi, completamente affrescata da Felice Biella, con i ritratti dei vescovi pavesi, a partire dal protovescovo San Siro (con il cesto dei pani e pesci), rappresentato a figura intera, che indica con la mano l’inizio della sequenza. Si passa poi alla sala di San Giuseppe e quindi allo studio del Vescovo. Catalogo dei Beni Vincolati del Comune di Pavia al N. 024.
Pantera R — Google review
(Translated by Google) The Bishop's Palace is located in front of the Cathedral, along the western side of the square. The building is structured on two successive quadrilateral bodies, with as many courtyards in sequence. The façade is characterized by the portico typology with paired columns projecting from the adjacent buildings, which are also porticoed; in the center, it opens with a large portal. The important entrance is the prominent element of the facade, which above the level of the portico displays simple austerity. On the side of the building is Vicolo Regisole, onto which the sixteenth-century entrance opens on the southern side of the building. (Original) Il Palazzo Vescovile è situato di fronte alla Cattedrale, lungo il lato occidentale della piazza. L'edifico si struttura su due corpi quadrilateri susseguenti, con altrettanti cortili in sequenza. La facciata si caratterizza per la tipologia a portico con colonne binate in aggetto rispetto agli edifici adiacenti, anch'essi porticati; al centro, si apre con un grande portale. L'importante ingresso è l'elemento di spicco della facciata, che sopra il livello del portico mostra una semplice austerità. Sul fianco del palazzo si trova vicolo Regisole, su cui si apre il cinquecentesco ingresso sul lato meridionale dell'edificio.
Andrea C — Google review
(Translated by Google) It is located in the center near the famous Pavia Cathedral and the monument. It will not be difficult to find. (Original) Знаходиться в центрі біля відомого Павійського собору та пам'ятника. Знайти складності небуде.
Cha O — Google review
Piazza del Duomo, 27100 Pavia PV, Italy•http://www.diocesi.pavia.it/•Tips and more reviews for Palazzo Vescovile

48Azienda Agricola Ca' del Santo

4.8
(72)
•
5.0
(6)
Winery
Azienda Agricola Ca' del Santo is a winery known for its hospitality and professionalism. Visitors can enjoy new wines with excellent quality and price ratio. The owners are friendly and kind, offering a great experience in the tasting room with delicious appetizers and first courses. The owner personally shares the story of the cellar and the Oltrepo area, showcasing passion and hard work that results in excellent wines.
(Translated by Google) We returned for the second time and had a great time with all the staff...excellent wines and expertise....very good😃😃😃 (Original) Siamo tornati per la seconda volta e ci siamo trovati benissimo con tutto lo staff...ottimi vini e competenza....bravissimi😃😃😃
Alessandro L — Google review
(Translated by Google) Very welcoming, friendly staff, and excellent wines! Recommended. (Original) Accoglienza molto positiva, gentili e ottimi vini! Consigliato
Christian Z — Google review
(Translated by Google) We have been supplying ourselves to this winery for years. And we are more and more enthusiastic about it. Hospitality and professionalism are at home. Every time we find new wines to taste which also amaze us with their excellent quality/price ratio. High quality at truly competitive prices. Well done, well done, well done! (Original) Da anni ci forniamo presso questa cantina. E ne siamo sempre più entusiasti. Ospitalità e professionalità sono di casa. Tutte le volte troviamo vini nuovi da degustare che ci stupiscono anche per l'ottimo rapporto qualità/prezzo. Alta qualità a prezzi davvero competitivi. Bravi bravi bravi!
Graziella R — Google review
(Translated by Google) We were welcomed by the helpfulness of Sonia who led us on a good and rich tasting to discover the wines and typical products of the area. Super recommended. (Original) Siamo stati accolti dalla disponibilità di Sonia che ci ha condotto in una degustazione buona e ricca alla scoperta dei vini e dei prodotti tipici del territorio. Super consigliato.
Giulia F — Google review
(Translated by Google) A few months ago, we had the pleasure of returning to Ca' del Santo in the Oltrepo' Pavese, and like the first time it was a memorable day in some ways, because visiting this winery is not just an opportunity to taste the excellence and the extraordinary nature of their wines, but at the same time the pleasure of meeting people of "great depth" like Mrs. Laura, her husband (a legend!) and their daughter, who welcome you with great cordiality, as if you were friends long-standing, who have a sense of hospitality, in a full immersion made up of stories of wines, of life and true conviviality. A unique experience! Mention for the 50&50, excellent!. We take this opportunity to thank Laura and Carlo again, we will return to visit them soon! Daniele and Cristina. (Original) Alcuni mesi fà, abbiamo avuto il piacere di ritornare a Ca' del Santo nell'Oltrepo' Pavese, e come la prima volta è stato un giorno memorabile per certi versi, perché visitare questa azienda vinicola non è soltanto l'occasione per degustare l'eccellenza e la straordinarietà dei loro vini, ma nel contempo il piacere di incontrare persone di "grande spessore" come la signora Laura, il marito(un mito!) e la loro figlia, che ti accolgono con grande cordialità, come se si fosse amici di vecchia data, che hanno il senso dell'ospitalità, in una full immersion fatta di storie di vini, di vita e convivialità vera. Un'esperienza unica! Menzione per il 50&50, ottimo!. Cogliamo l'occasione per ringraziare ancora Laura e Carlo, ritorneremo a trovarli presto! Daniele e Cristina.
Melinda M — Google review
(Translated by Google) Small but well stocked with both white and red wines. Very courteous and helpful owners. Excellent tasting. (Original) Piccolina ma ben fornita sia come vini bianchi che vini rossi . Proprietari molto cortesi e disponibili . Ottima degustazione .
Luisa M — Google review
(Translated by Google) The owner welcomes you as if you were a friend to whom he can tell the story of his cellar and the entire Oltrepò area. From the first sip you understand that you have arrived in a cellar where passion, taste and hard work give a result that is nothing short of excellent. The tasting is an evolution going from brut to 50e50. Ca del Santo's reds explode in your mouth and the prices are more than reasonable. A fantastic discovery. (Original) Il padrone di casa ti accoglie come se fossi un amico a cui raccontare la storia della sua cantina e di tutto il territorio dell'oltrepò. Dal primo sorso si capisce che si è arrivati in una cantina in cui passione, gusto e duro lavoro danno un risultato a dir poco eccellente. La degustazione è un'evoluzione passando dal brut al 50e50. I rossi di ca del santo esplodono in bocca e i prezzi sono più che ragionevoli. Una fantastica scoperta.
Dario L — Google review
(Translated by Google) If you want to buy some good wine after a visit to the cellars and then sit in the tasting room and be served excellent appetizers, first courses etc., then you absolutely must come to Ca' del Santo. Furthermore, the owners are very nice, easy-going and very kind people. (Original) Se volete acquistare del buon vino dopo una visita alle cantine per poi accomodarsi nella sala degustazione e farsi servire degli ottimi antipasti, primi ecc., allora dovete assolutamente venire a Ca' del Santo. Inoltre, i proprietari sono persone molto simpatiche, alla mano e gentilissimi.
Adriana L — Google review
Località Campolungo, 27040 Montalto Pavese PV, Italy•http://www.cadelsanto.it/•+39 335 133 3689•Tips and more reviews for Azienda Agricola Ca' del Santo

49Casa Beretta

3.5
(2)
•
3.5
(6)
Casa Beretta, a building designed by engineer A. Rossi in 1909, showcases an Art Nouveau style with intricate floral reliefs adorning its facade. The windows are adorned with beautiful cornices and half-round decorations, while the entrance portal features a wrought iron balcony and marble details. Inside, there is an internal courtyard with a wooden box ceiling porch, adding to the charm of this architectural gem.
(Translated by Google) The facade is by the engineer. A. Rossi from 1909. Art Nouveau style building, the façade is characterized by various floral decorations in relief. The cornices above the windows are beautiful. Balcony on the entrance portal in wrought iron and marble. Internal courtyard with porch with wooden box ceiling. The windows on the main floor are surmounted by half-round decorations and separated by half columns. (Original) La facciata è dell'ing. A. Rossi del 1909. Palazzo in stile Liberty, la facciata è caratterizzata da diversi decori floreali a rilievo. Belli i cornicioni sopra alle finestre. Balcone sul portale d’ingresso in ferro battuto e marmo . Cortile interno con porticato con soffitto cassonato in legno. Le finestre al piano nobile sono sormontate da decori semitondi e separate da mezze colonne.
Pantera R — Google review
(Translated by Google) The building was built in the late 16th century on top of medieval and Roman homes, given that the building overlooks Corso Mazzini, the ancient decumanus of the city in the classical age. We do not know the name of the owners of the building in the sixteenth century, we do however know that in the eighteenth century the Carminali family resided there who, in 1855, sold it to the Beretta family. The façade overlooking Corso Mazzini was remodeled in 1909 (based on a design by the engineer Antonio Rossi ) according to the dictates of the architectural fashion of the moment, given that it was rebuilt (adapting it to the previous openings) following the canons of the Liberty style. The reform only affected the façade of the building, which overlooks the narrow street, displaying a decoration that gradually becomes richer as it rises upwards. In fact, the ground area, treated with smooth ashlar and with soberly framed openings, is superimposed by two floors punctuated by pendulous pilasters and lowered arches within which an ornamentation with calligraphic bas-reliefs unfolds which combines, especially in the eyebrows of the windows, secessionist motifs and rococo reminiscences. The decoration of the upper central area is particularly exuberant, concluded by a large lunette, in the center of which a bull's-eye lets out a bouquet of flowers. Once through the door you enter the courtyard, with a square plan, dating back to the 16th century, structured on the ground floor by an architraved portico supported by tall white granite columns with Doric capitals, while on the first floor there is an elegant loggia with round arches supported by small columns combined with Doric pillars and pilasters, above which a shaped cornice winds. In the eighteenth century, to expand the living spaces, some parts of the portico and loggia were infilled, and some small balconies equipped with wrought iron railings finely crafted according to the dictates of the Rococo style were added. (Original) L’edificio sorse nel tardo XVI secolo sopra abitazioni di età medievale e romana, dato che il palazzo si affaccia lungo corso Mazzini, l’antico decumano della città in età classica. Non conosciamo il nome dei proprietari del palazzo nel Cinquecento, sappiamo tuttavia che nel XVIII secolo vi risiedevano i Carminali che, nel 1855, lo cedettero ai Beretta.Il prospetto affacciato lungo corso Mazzini venne rimodellato nel 1909 (su progetto dell’ing. Antonio Rossi) secondo i dettami della moda architettonica del momento, dato che fu rifatta (adattandola alle precedenti aperture) seguendo i canoni dello stile Liberty. La riforma interessò soltanto la facciata del palazzo, che si affaccia sullo stretto corso esibendo un decoro che si fa via via più ricco salendo verso l’alto. Infatti alla zona terrena, trattata a bugnato liscio e dalle aperture sobriamente incorniciate, si sovrappongono due piani ritmati da lesene pendule e arcate a sesto ribassato entro cui si dispiega un ornato a bassorilievi di gusto calligrafico che combina, specie nelle sopracciglia delle finestre, motivi secessionisti e reminiscenze rococò. Particolarmente esuberante la decorazione della zona centrale superiore, conclusa da una grande lunetta, al centro della quale un occhio di bue lascia fuoriuscire un mazzo di fiori. Varcato il portone si accede al cortile, a pianta quadrata, cinquecentesco, strutturato al piano terra da un portico architravato sorretto da alte colonne in granito bianco dotate di capitelli dorici, mentre al primo piano si trova un elegante loggiato ad archi a tutto sesto sostenuti da colonnine abbinate a pilastrini di ordine dorico e lesene, sopra i quali si snoda un cornicione sagomato. Nel Settecento, per ampliare gli spazi abitativi, furono tamponate alcune parti del portico e del loggiato, e vennero aggiunti alcuni balconcini dotati di ringhiere in ferro battuto finemente lavorato secondo i dettami dello stile rococò.
TheMax1075 — Google review
Corso Giuseppe Mazzini, 14, 27100 Pavia PV, Italy•Tips and more reviews for Casa Beretta

50Palazzo Olevano

5.0
(1)
•
3.7
(6)
Historical landmark
Palazzo Olevano is a charming boutique hotel nestled in the heart of a historic Italian town. The property boasts stunning views of the surrounding countryside and offers elegantly decorated rooms that exude old-world charm with modern comforts. Guests can immerse themselves in the rich local culture and explore nearby attractions, or simply relax in the tranquil ambiance of the hotel. With its warm hospitality and picturesque setting, Palazzo Olevano provides an unforgettable Italian getaway for travelers seeking a unique and authentic experience.
Corso Giuseppe Mazzini, 15, 27100 Pavia PV, Italy•Tips and more reviews for Palazzo Olevano
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  • Gazzola
  • Arese
  • Rivolta d'Adda
  • Lainate
  • Monza
  • Piacenza
  • Crema
  • Concorezzo
  • Legnano
  • Grazzano Visconti
  • Novara
  • Bobbio
  • Alessandria
  • Capriate San Gervasio
  • Casale Monferrato

All related maps of Pavia

  • Map of Pavia
  • Map of Sant'Alessio con Vialone
  • Map of Certosa di Pavia
  • Map of Rozzano
  • Map of Morimondo
  • Map of Assago
  • Map of Voghera
  • Map of Chignolo Po
  • Map of Vigevano
  • Map of Abbiategrasso
  • Map of Lodi
  • Map of Milan
  • Map of Godiasco
  • Map of Sesto San Giovanni
  • Map of Rho
  • Map of Melzo
  • Map of Gazzola
  • Map of Arese
  • Map of Rivolta d'Adda
  • Map of Lainate
  • Map of Monza
  • Map of Piacenza
  • Map of Crema
  • Map of Concorezzo
  • Map of Legnano
  • Map of Grazzano Visconti
  • Map of Novara
  • Map of Bobbio
  • Map of Alessandria
  • Map of Capriate San Gervasio
  • Map of Casale Monferrato

Pavia throughout the year

  • Pavia in January
  • Pavia in February
  • Pavia in March
  • Pavia in April
  • Pavia in May
  • Pavia in June
  • Pavia in July
  • Pavia in August
  • Pavia in September
  • Pavia in October
  • Pavia in November
  • Pavia in December

Looking for day-by-day itineraries in Pavia?

Get inspired for your trip to Pavia with our curated itineraries that are jam-packed with popular attractions everyday! Check them out here:

  • 1-Day Pavia Itinerary
  • 2-Day Pavia Itinerary
  • 3-Day Pavia Itinerary
  • 4-Day Pavia Itinerary
  • 5-Day Pavia Itinerary

Best attractions in nearby cities

  • Top things to do and attractions in Milan
  • Top things to do and attractions in Genoa
  • Top things to do and attractions in Bergamo
  • Top things to do and attractions in Varese
  • Top things to do and attractions in Como
  • Top things to do and attractions in Monza
  • Top things to do and attractions in Piacenza
  • Top things to do and attractions in Lugano
  • Top things to do and attractions in Cremona
  • Top things to do and attractions in Lodi
  • Top things to do and attractions in Sesto San Giovanni
  • Top things to do and attractions in Vigevano
  • Top things to do and attractions in Voghera
  • Top things to do and attractions in Rho
  • Top things to do and attractions in Tremezzina
  • Top things to do and attractions in Rozzano

Best restaurants in nearby cities

  • Where to eat: the best restaurants in Milan
  • Where to eat: the best restaurants in Genoa
  • Where to eat: the best restaurants in Bergamo
  • Where to eat: the best restaurants in Varese
  • Where to eat: the best restaurants in Como
  • Where to eat: the best restaurants in Monza
  • Where to eat: the best restaurants in Piacenza
  • Where to eat: the best restaurants in Lugano
  • Where to eat: the best restaurants in Cremona
  • Where to eat: the best restaurants in Lodi
  • Where to eat: the best restaurants in Sesto San Giovanni
  • Where to eat: the best restaurants in Vigevano
  • Where to eat: the best restaurants in Voghera
  • Where to eat: the best restaurants in Rho
  • Where to eat: the best restaurants in Abbiategrasso
  • Where to eat: the best restaurants in Tremezzina
  • Where to eat: the best restaurants in Rozzano
  • Where to eat: the best restaurants in Melzo
  • Where to eat: the best restaurants in Arese
  • Where to eat: the best restaurants in Morimondo
  • Where to eat: the best restaurants in Assago
  • Where to eat: the best restaurants in Rivolta d'Adda
  • Where to eat: the best restaurants in Capriate San Gervasio
  • Where to eat: the best restaurants in Concorezzo
  • Where to eat: the best restaurants in Godiasco
  • Where to eat: the best restaurants in Certosa di Pavia
  • Where to eat: the best restaurants in Gazzola

Best attractions in Pavia in other languages

  • English
  • Français
  • 日本語
  • 中文
  • 한국어
  • Español
  • Português
  • Italiano
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