The 10 best things to do with kids in Khajuraho

Stepping into the Khajuraho Group of Monuments is like entering a sprawling open-air museum, where every inch of sandstone tells a story. Far from the imposing forts found elsewhere, these temples emerge gracefully from lush gardens, initially appearing modest until you draw closer and their true grandeur, etched in intricate detail, becomes breathtakingly clear. This UNESCO World Heritage site, built by the Chandela dynasty between 950 and 1050 CE, is a profound testament to ancient Indian art, architecture, and a remarkably holistic view of human existence. The architecture itself is a marvel, primarily adhering to the Nagara style of North Indian temple building. Temples like the magnificent Kandariya Mahadeva, the largest and grandest, are characterized by their soaring shikharas (spires) that mimic mountain peaks, symbolic of Mount Meru. Each structure is a complex assemblage of interconnected halls, including the sanctum sanctorum, antarala, mahamandapa, and various other chambers, all meticulously planned and executed. The transition from the naturally lit exterior to the cave-like ambience of the sanctum creates a deliberate spiritual journey for the devotee. However, what truly sets Khajuraho apart are its sculptures. These are not merely decorative elements but a cinematic window into a world long gone. The temple walls are profusely carved with anthropomorphic and non-anthropomorphic motifs, depicting a vibrant tapestry of sacred and secular themes. There are gods and goddesses, celestial beings (apsaras and sura-sundaris), musicians, dancers, warriors, and scenes from daily life – potters shaping clay, hunters stalking prey, yogis in trance. And, of course, the famously explicit erotic sculptures. These aren't isolated curiosities but are woven seamlessly into the narrative of life, celebrating love, procreation, and fertility as integral aspects of human experience and spiritual awakening. They are a powerful expression of kama, one of the four aims of Hindu life, presented not in isolation but alongside scenes of devotion and philosophical contemplation. The Western Group of temples, including Lakshmana Temple and Kandariya Mahadeva, are generally considered the most impressive due to their scale and the sheer volume and artistry of their carvings. The Lakshmana Temple, dedicated to Lord Vishnu, is particularly striking with its two prominent bands of sculptures depicting battles, hunting, and graceful female figures. The overall impression is one of harmonious integration, where the sculptures are not merely additions but are inseparable from the architectural design, creating a rhythmic flow across the temple surfaces. A visit to Khajuraho is more than just sightseeing; it's an immersive experience that challenges preconceived notions about ancient Indian culture. It prompts contemplation on the intertwining of the sacred and the sensual, the divine and the human. To truly appreciate the depth and intricacy of these stone manuscripts, one must slow down, observe closely, and allow the whispering stones to tell their tales. The best time to visit is undoubtedly during the cooler winter months (November to February), when the pleasant weather allows for comfortable exploration of these timeless masterpieces.

1. Kandariya Mahadev Temple 🕉️ The largest and most ornate temple in Khajuraho. Dedicated to Lord Shiva. Famous for over 800 sculptures, including divine figures, dancers, and symbolic erotic art.

The Kandariya Mahadev Temple in Khajuraho is a stunning masterpiece of medieval Indian architecture. Dedicated to Lord Shiva, it features intricate carvings, graceful sculptures, and towering spires that symbolize Mount Kailash. The temple’s detailed stonework and artistic expression make it a highlight of Khajuraho’s UNESCO World Heritage site — a must-visit for history, art, and architecture lovers.

Matangeshwar Mahadev Temple Khajuraho, one of the finest examples of Hindu temple architecture in India. Built around 1025–1050 CE Chandela Dynasty ...it is dedicated to Lord Shiva. The temple stands on stone platform and features a towering shikhara symbolizing Mount Kailash. Its walls are adorned with intricately carved sculptures, depicting gods, celestial beings, apsaras, mythical creatures, and sensual human forms. This artworks represent both spiritual ideals and earthly life, capturing the essence of Indian temple art. The sanctum houses a Shiva-linga, and the interior includes pillared halls and a circumambulatory path. As part of the Khajuraho Group of Monuments, a UNESCO World Heritage Site, Kandariya Mahadev is a testament to India’s rich artistic and architectural heritage.

Kandariya Mahadev Temple in Khajuraho is the largest and most magnificent temple of the Khajuraho group, dedicated to Lord Shiva. Built in the 11th century by the Chandela dynasty, it is renowned for its intricate carvings, soaring spire, and stunning sculptures that depict gods, goddesses, celestial beings, and scenes from everyday life. The temple is a masterpiece of medieval Indian architecture, symbolizing spiritual energy and artistic excellence.

The Kandariya Mahadev Mandir is located in the Khajuraho town of Chattarpur district of Madhya Pradesh state of India spread over an area of 6 square kilometres of Western temple complex. The Kandariya Mahadev Mandir is dedicated to Bhagwan Shiv in the form Kandariya Mahadev means the great god of caves. The Kandariya Mahadev Mandir was built during the Chandela king Vidhdhara during 1003-1035 CE. Kandariya Mahadev Mandir, built on approximately 6500 square feet area and 31 meter in height largest among the three groups of the Khajuraho complex of temples. Kandariya Mahadev Mandir is the most ornate among other temples. Currently temple is not used for worship. Timings are 9.00 AM to 6.00 PM Har Har Mahadev

The Kandariya Mahadev Temple is one of the most magnificent and largest temples in the Khajuraho Group of Monuments, located in Madhya Pradesh, India. It was built around 1025–1050 CE during the reign of King Vidyadhara of the Chandela dynasty. This temple is dedicated to Lord Shiva, who is worshipped here in the form of a lingam. The temple stands as a masterpiece of Nagara-style architecture, representing the pinnacle of medieval Indian temple design. It is about 31 meters (102 feet) high and built entirely of sandstone. The structure symbolizes Mount Kailash, the mythical abode of Lord Shiva. Its design includes a sanctum (garbhagriha), assembly hall (mandapa), and intricately carved balconies and towers. Kandariya Mahadev Temple is renowned for its exquisite sculptures and carvings. The walls, pillars, and ceilings are adorned with over 800 statues, depicting gods, goddesses, celestial beings, animals, and scenes from everyday life. The erotic sculptures on the outer walls are a part of the Khajuraho temples’ symbolic expression of divine love and spiritual union. In 1986, the Khajuraho Group of Monuments, including Kandariya Mahadev Temple, was inscribed as a UNESCO World Heritage Site. Today, it stands as a testament to India’s rich artistic heritage, spiritual depth, and architectural brilliance, attracting tourists and scholars from all over the world.

Lakshmana Temple This Lakshmana Temple is dedicated to the Vaikuntha form of Maha Vishnu. So called after Lakshavarman, the king who constructed the temple. The sanctum enshrines a three-headed and four-armed image of Vishnu as Vaikuntha with a human central head and the side-heads of boar and lion (Rajoguni, Varaha and Narasimha). Vishnu’s ten avatars and fourteen out of twenty four forms of Vishnu are also represented around the Vishnu Deity’s image. ARCHITECTURE This is the earliest best preserved temple of the mature Chandella architecture. The temple stands on a high platform and retains the powerful processional friezes. It is a Sandhara temple of the Panchayatana variety and consists of principal elements of a developed temple viz. mukha-mandapa (entrance porch), mandapa, and maha-mandapa with transepts. Antarala and grabha-griha enclosed by an inner ambulatory with transepts on the sides and rear. Unlike other temples. its sanctum is pancharatha on plan and its main sikhara is clustered with minor sikharas. The wall portion of the temple is studded with balconied windows having ornate balustrades. The jangha portion is decorated with two bands of graceful sculptures, which includes the divine figures, couples and erotic scenes adorning the wall surfaces. The sanctum doorway is of saptasakhas. The central one is decorated with various incarnations of Vishnu. The lintel depicts Lakshmi in the centre flanked by Brahma and Shiva. The upper lintel frieze shows the Navagrahas in niches. with a huge image of Rahu. The sanctum enshrines a three-headed and four-armed image of Vishnu as Vaikuntha with a human central head and the side-heads of boar and lion. The base platform depicts hunting scenes, soldiers armed with a wide variety of weapons, processions of elephants and horses, erotic images and other representations of domestic life. This is the only temple where the four subsidiary shrines stand intact and the only one to have such wonderfully preserved sculptures along the platform facades. Finest examples of medieval art adorn the walls of this temple with the apsaras and surasundaris, dancing, playing musical Instruments, adorning or attending to deities, the mithunas and the gods and goddesses like the dancing Ganesha are among the finest. The pillared hall leads to the Sanctum Sanctorum, whose doorway is richly carved with sculptures. The Circummambulation path/pradakshina has finely carved sculptures portraying scenes from the life of Krishna, the eighth avatar of Vishnu. HISTORY AND INSCRIPTIONS King Yasovarman (930 – 950 CE) was a Chandela Dynasty military genius. The Khajuraho records prove with an unchallenged authority over the whole of northern India from Ganga Yamuna doab to Dakhina Koshal. He was obtained the Vaikuntha image from Pratihara king Devapala. He constructured the Lakshman temple (dedicated to Vishnu) and installed Vaikuntha Vishnu image in it.

"The Lakshmana Temple in Khajuraho is an absolute masterpiece of Chandela architecture. The detail in the stone carvings, from the friezes on the high platform (depicting daily life and battles) to the exquisite panels of gods, goddesses, and Apsaras on the exterior walls, is breathtaking. Don't miss the sculpture of Vaikuntha Vishnu inside the main sanctum. The preservation is remarkable and the sheer artistry is a testament to ancient Indian skill. Highly recommend hiring a guide to appreciate the stories behind the sculptures."

The Lakshmana Temple is a famous temple located in Khajuraho, Madhya Pradesh, India. It is one of the most significant temples in the Khajuraho group of monuments, which are renowned for their intricate architectural and sculptural designs. The Lakshmana Temple is dedicated to Lord Vishnu and was built in the 10th century during the Chandela dynasty. It is known for its beautiful carvings, including depictions of divine figures, celestial beings, and scenes from everyday life. The temple's architectural design follows the Nagara style, and it is well-known for its detailed erotic sculptures, which are a hallmark of Khajuraho temples. The temple is also celebrated for its elaborately carved walls and large central shikhara (spire) that towers above the sanctum. The Lakshmana Temple remains an important cultural and historical site in India, showcasing the brilliance of medieval Indian architecture and artistry.

1100 year old temple built by Chandela kings. Feast to eyes. Awesome.with all the technical advancements we can't build a replica of this grand structure. Design , verification,validation, project management, execution all need credit. Really a must see. Taj Mahal is over hyped. Try this and compare.

The Lakshmana Temple in Khajuraho is a stunning masterpiece of Indian architecture and a must-visit for history and art enthusiasts. Dedicated to Lord Vishnu, this temple stands as one of the oldest and most well-preserved structures in the Khajuraho complex. The intricate carvings and sculptures on the walls narrate stories of mythology, daily life, and culture with incredible detail and artistry. The temple's symmetry and design reflect the grandeur of the Chandela dynasty, leaving visitors in awe of its craftsmanship. Set amidst beautifully landscaped gardens, the temple provides a serene atmosphere, ideal for soaking in the magnificence of ancient Indian heritage. Whether you're a spiritual seeker or an admirer of historical treasures, the Lakshmana Temple is an unforgettable experience.

prt of western group temples of khajuraho…. many erotic sculptures are there on the temple

Part of the temple complex of Khajuraho. It is situated next to Kandariya Mahadev temple.

Chaturbhuj Temple in Khajuraho’s southern group, built around 1100 CE by the Chandela dynasty, honors Lord Vishnu. Unique for its west‑facing orientation and absence of erotic sculptures, it stands on a raised platform with a porch, mandapa, and sanctum. Inside is a majestic 9‑ft, four‑armed Vishnu idol.

Out of the tourist trail, a unique west facing temple. KM Dubey ji, the caretaker and the security, is a gem of a person and a free trove of knowledge. He even gave us a new photography trick. Come here for the temple, and KM Dubey ji.

One of the corner temples of the 4 corners of the Khajuraho group of temples - doesn’t see many people as it’s in a distant corner. But the beauty is totally worth visiting - from the main Shiva statue to the intricate stone carvings on the walls. A peaceful spot to explore without the crowds.

This temple is situated at a distance of 600 meters in the south-west direction of Jatkara villge, about 3 km from Khajuraho. This temple is built on the Nirandhara style and it is situated on a high platform. This temple has main gate, mandapa, antarala, sanctum-sanctorum and simple shikhar etc. On the outer wall of this temple, decorated statues and Gandharvas etc. have been marked in 3 rows. This is one such temple in khajuraho which lacks Mithun figures. The Chaturbhuji- Dakshinamurti (2.7 meters) of Shiva installed in the sanctum sanctorum of the temple is very picturesque. In this statue, Shiva is presented in a tribhanga posture and the expression of the face of the statue is very gentle which presents the culmination of idol art. River goddesses Ganga and Yamuna on their respective besides maker (crocodile) and kachchapa (tortoise) are depicted on either side of the sanctum. The construction period of this temple is believed to be 1100 AD.

This is the farthest temple situated about 3 km. South of Khajuraho and 600 m south-west of the Jatkari village. It is a nirandhara temple of modest size similar to the Javari, and consists on the plan of a sanctum carrying a simple sikhara of heavy proportions, vestibule, mandapa and porch. The temple shows some notable features. This is the only developed local temple which lacks erotic sculptures. Although the temple is girdled round by the three usual bands of sculptures, all figures, except those of the vidyadharas in the top row, are stereotyped. The large (2.7 m high) image of four-armed enshrined in the sanctum, however is remarkable for its expression of transcendental clam and basis. The consort of Narasimha, figured in the northern niche of the sanctum façade, is also noteworthy. The temple anticipates the Duladeo in many features of plastic style and ornaments and is datable to circa 1100. (Information from ASI)

Chaturbhuj Temple in Khajuraho’s southern group, built around 1100 CE by the Chandela dynasty.

Though not well-maintained , the architectural splendour of the place is great 👍! The local people living outside the temple premises are friendly-there was a guide , who explained us all about the temple and its past . The fact that many of the carvings in the temple have been stolen or ripped off is sad, though . It comes under the Eastern group of temples , and is of nirandhara architecture. It is located close to a village-like place.

This is the only local temple dedicated to Surya and is situated about 91 m to the north of the Jagadambi temple and 183 m south-east of an ancient (Chandella) three storied stepped tank, known as the Chopra. In respect of plan, design, dimensions and decorative scheme this temple closely resembles the Jagadambi and consists of a sanctum without ambulatory, vestibule, maha-mandapa with lateral transepts and entrance-porch, the last being completely restored above the original plinth. The octagonal ceiling of its maha-mandapa marks an elaboration over the square plan and thus appears to be relatively more ornate and developed than Jagadambi and may consequently be slightly later in date. The main image enshrined in the sanctum represents an impressive sculpture of standing Surya driving in a chariot of seven horses. Three similar but smaller figures of Surya are depicted on the lintel of the ornate doorway. The temple walls are also carved with some of the finest figures of sura-sundaris, erotic couples and gods including an eleven-headed Vishnu. The sculptures on this temple. as on the Jagadambi, approximate those of the Visvanatha in style. The same affinity is visible with regard to the architectural and decorative motifs. The Jagdambi and the Chitragupta temples are, therefore, stylistically placed between the Visvanatha and the Kandariya and are assignable to circa 1000-25. (Information from ASI)

Chitragupta Temple (early 11th century) The Temple faces east and belong to western Group. This temple is dedicated to Surya and the only Sun temple at Khajuraho. The reason for calling as Chitragupta Temple is not known. The sanctum sanctorum, enshrines a 4' 10" high image of Surya, the Sun God. Though similar to the Devi Jagdambi Temple, it is more developed and more ornate. ARCHITECTURE The development of Chandella architecture can be seen as the ceiling has evolved from being a square to an elaborate octagon. Nothing original remains of the platform and almost the entire shikhara is a restored one. But the walls with its three rows of sculptures depict some unique images. The dashavatara Vishnu with his ten heads representing his ten Incarnations, the ashtavasus and the somber looking siddhi Vinayaka Ganesha are quite unique. Also, depiction of the trinity along with their Consorts, Brahma Saraswati, Shiva Parvati and Vishnu Lakshmi, are extremely interesting and few of the very well preserved images are on a much higher level. What is very noteworthy is that the divine couples frequently appear along the same vertical axis. HISTORY AND INSCRIPTIONS It is believed that this temple was constructed during the same period of Sri Viswanatha Temple of the western Group.

Chitragupta Temple (1000-1025 AD): - The temple is dedicated to Surya. The presiding deity in the sanctum is an impressive sculpture of Surya driving a chariot drawn by seven horses. Three small figures of Surya are seen depicted on the lintel of the ornate doorway. It is a Nirandhara temple.

its historical intrigue, spiritual significance, and architectural beauty make it a worthwhile addition to your itinerary. Whether you're a history buff, a spiritual seeker, or simply an admirer of art and culture, this petite temple has something to offer everyone.

Chitragupta Temple in Khajuraho is a renowned marvel, standing proudly in the temple complex. Its intricate carvings and architectural brilliance make it a must-see attraction for anyone exploring the cultural richness of Khajuraho.

The Chitragupta Temple is a prominent part of the Western Group of Temples at Khajuraho, a UNESCO World Heritage Site in Madhya Pradesh, India. It is dedicated to the Sun God, Surya and dates back to the 11th century, likely between 1000 and 1025 AD. Architectural style and layout The temple is similar in design to the nearby Jagadambi Temple. It follows the typical Nagara-style architecture found in Khajuraho temples, characterized by lofty terraces (jagati), functional plans, and ornate exteriors. The temple features a sanctum (garbhagriha) with a circumambulatory path (pradakshina-patha), a vestibule (antarala), a large hall (maha-mandapa) with transepts, and an entrance porch. The central hall boasts an ornate ceiling, considered one of its greatest draws. Significance The Chitragupta Temple is unique in Khajuraho as it is the only surviving shrine solely dedicated to Surya. It provides valuable insights into the religious beliefs and artistic practices of the Chandela dynasty that ruled the region between the 10th and 12th centuries. The intricate sculptures, particularly those depicting everyday life, offer glimpses into the social and cultural aspects of that period.

This temple is located in the premises of the Western Group of Temple Complex of Khajuraho and closely resembles the Jagadambi Temple. This is perhaps the only temple in Khajuraho dedicated exclusively to Surya. The temple walls have some of the finest engravings in stark detail of erotic couples. The temple is dated back to the beginning of the 11th century, between 1000 - 1025 AD...

The temple is dedicated to the Vamana incarnation of Vishnu. It is nirandhara temple consisting of a saptaratha sanctum, vestibule, maha-mandapa with lateral transepts and entrance porch. The sanctum enshrines and image of four armed Vamana flanked by chakrapursha on the left and shankhapursha on the right. The sanctum entrance has seven bands decorated with stenciled scrolls, dancing ganas. Mithuna, lotuspetals and wavy scrolls terminating in a figure of naga, Ganga and Yamuna standing in tribhanga, flanked by female attendants on one side carrying purna-ghata and standing door keepers. The lintel contains a four armed standing Vishnu in the centre and the side niches represents Brahma and Shiva. The outer walls of the temple have two bands of sculptures which include graceful figures of sura sundaries and the sculptures of Varaha, Narsimha and Vamana sadorned in the niches of sanctum. On the basis of the sculptural art and architectural style, the temple is assignable to circa 1050-1075 C.E.

A small temple dedicated to Lord Vamana, an incarnation of Lord Vishnu. It has simple carvings, not as detailed as other temples in Khajuraho. The place is quiet and not crowded, making it a nice spot for a relaxing visit.

The Vamana Temple is a must-visit for anyone exploring the Khajuraho Group of Monuments. It offers a glimpse into the rich artistic and religious heritage of India, showcasing the unique blend of spirituality and artistic expression that characterized the Chandela era. No tickets required to visit Dec - 2024

This temple dedicated to the Vamana form of Vishnu, is situated about 200 m. to the north-east o the so-called brahma temple. It is nirandhara (one without ambulatory) temple, consisting on plan of a sapta-ratha (seven-projection) sanctum, vestibule, maha-mandapa with lateral transepts and entrance-porch, of which only the plinth has survived. Its sikhara is unencumbered by any subsidiary sikharas and is embellished with a fret-work of chaitya-arches, contrast to the developed local temples, erotic scenes are absent here, except in the subsidiary niches of the proof-pediments. It is also noteworthy for showing over the maha-mandapa a peculiar roof known as samvarana which is characteristic of the medieval temples of western India. The absence of the dhammilla- type of head-dress on the sura-sundari figures indicates that the temple is later than the Kandariya, the sculptural types and style of which it continues. This temple is, therefore, assignable to circa 1050-75. (Information from ASI)

The Vamana Temple in Khajuraho is a lesser-known yet captivating part of the UNESCO World Heritage site, dedicated to Lord Vishnu’s Vamana (dwarf) incarnation. Key Highlights: 1. Architecture: Simple but elegant design with intricate carvings showcasing apsaras, deities, and mythical scenes. 2. Atmosphere: Peaceful and less crowded, ideal for those seeking solitude. 3. Location: Situated in the eastern group of temples, around 2 km from the main town. 4. Best Time: Visit early morning or late afternoon to enjoy the carvings in natural light. Tips: • Exploration Time: Requires about 30-40 minutes to explore. • Nearby Attractions: Combine with visits to the nearby Javari and Brahma temples. • Essentials: Carry water and wear comfortable footwear for walking. The Vamana Temple is a serene spot that highlights the understated charm of Khajuraho’s rich heritage.

Vamana temple is a Hindu temple dedicated to Vamana, an avatar of the god Vishnu. The temple was built between 1050 and 1075. It forms part of the Khajuraho Group of Monuments, a UNESCO World Heritage Site listed because of its exceptional architecture, art, and testimony to the Chandela dynasty.

The Vamana temples is dedicated to Vamana, an avatar of the Lord Vishnu. The temple is believed to have been built in the latter half of the 11th century. This avatar of Vishnu is closely associated with the Onam festival in Kerala. It forms part of the Khajuraho Group of Monuments, a UNESCO World Heritage Site listed because of its exceptional architecture and art.

A small temple made of simple design, dedicated to Lord Brahma. It does not have many carvings like other temples but looks old and beautiful. The place is clean and quiet, good for a short visit. It may not feel very special if you like detailed artwork.

Built in 900 CE, the temple tumbled a few years ago, and was renovated by ASI. Given the temple is located on a road, it is now more than ever prone to fall. The main idol placed in the sanctorum is a SHIV LING with three faces that resemble TRIDEV. The lake situated behind the temple need to be cleaned by civic authority to make visiting this temple a scenic experience.

These temples are not merely monuments but symphonies in stone, where every surface breathes with life, emotion, and the divine artistry of the Chandela dynasty.”

This temple with a simple plan and design and with the sikhara made of sandstone and the body of granite, occupies a fine position on the bank of the Khajuraho sagar or Ninora-tal. It is miscalled Brahma on account of a four-faced linga now enshrined in the sanctum, but must have originally been dedicated to Vishnu as shown by his figure carved centrally on the lintel of the sanctum-doorway. It is a modest structure, comprising a sanctum and a porch, the later now completely lost and the former roofed by a pyramidal sikhara of receding tiers of pidhas, crowned by a prominent bell-member. The sanctum is cruciform externally with projections on each side, and square internally, resting on twelve plain pilasters of granite. The projection on the east contains the entrance and that on the west is pierced with a smaller doorway, while the lateral projections on the remaining two sides contain plain latticed windows. Except for the bodly modelled figures of the Brahmanical Trinity on the lintel and Ganga and Yamuna at the base, its doorway is plain. Its jangha (wall) divided into two registers and standing on simple basement mouldings is also plain. Despite some difference in details this temple belongs to the same conception and early structural phase the Lalguan-Mahadeva with which it shares a common plan, design, ornaments and building material. It is consequently assignable to circa 900. (Information from ASI)

The temple is located on the banks of Khajuraho Sagar lake. It is incorrectly called Brahma Temple due to a misunderstanding by the local devotees ages ago. The sanctum of the temple contains a four-faced lingam, the symbol of Shiva, and local worshippers mistook this for a sculpture of the God Brahma, who is depicted in mythology with four faces facing the four cardinal directions. The garbhagriha (sanctum) also contains figures of Vishnu. However, they are believed to have been added later as the stones used are different from those used to make the temple. The temple was built in either ninth and earlier half of the tenth century.

The temple is believed to be named after the Hindu Lord Brahma owing to the presence of a four-faced linga in the sanctum that represents the Creator of the World. However, historians are of the view that the temple was wrongly named, and it was actually dedicated to the Hindu Lord Vishnu. The reason for this belief is the presence of Vishnu's image on the lintel of the door of the sanctum. Adding to the marvellous architecture of the sanctum is a pyramid-shaped sikhara or apex. Constructed using sandstone and granite, the temple is beautiful and awe-inspiring.

Brahma Temple, an architectural marvel, is an intrinsic part of the Eastern Group of Khajuraho Temples. Built in AD 900, it is renowned for being one of the oldest structures in this temple complex. It is located on the banks of Khajur Lake or Khajuraho Sagar. The temple is believed to be named after the Hindu Lord Brahma owing to the presence of a four-faced linga in the sanctum that represents the Creator of the World. However, historians are of the view that the temple was wrongly named, and it was actually dedicated to the Hindu Lord Vishnu. The reason for this belief is the presence of Vishnu’s image on the lintel of the door of the sanctum. Adding to the marvellous architecture of the sanctum is a pyramid-shaped sikhara or apex. Constructed using sandstone and granite, the temple is beautiful and awe-inspiring.

Devi Jagadambi Temple This Devi Jagadambi Temple faces east. This temple, named after the presently enshrined image of Parvati in the sanctum, was originally dedicated to lord Vishnu. This temple is on the same platform/plinth of Kandariya Mahadeva Temple, on the north side. One of the niche has the image of Varahi, one of female form of Varaha and another incarnation of Sakthi in a seated posture. ARCHITECTURE The temple stands on a lofty platform and strikingly resembles the Chitragupta tempie in respect of plan, its design and general conception. But the hall differs in having a square ceiling. The principal elements of the temple are mukha-mandapa (entrance porch), maha-mandapa with lateral transepts, antarala and grabha-griha withou ambulatory. A four armed image of god Vishnu is carved on the door lintel of sanctum. The temple is known for its sculptural establishment. Three bands of sculptures adorn the outer walls and it is here, through the amorous couples and the surasundaris that one sees Chandella art mature. Two very interesting iconographies are that of the three-headed eight armed Shiva and the Varaha form of Vishnu. HISTORY AND INSCRIPTIONS The Chandela King Ganda Geva had a short reign (early 11th century) of period but the Chitragupta and Devi Jagadambi temples were attributed to him. The Vishwanath temple inscription was composed during his rules. It is believed that Devi Jagdambi Temple was built in early, along with Kandariya Mahadeva Temple, since both are built on the same platform.

At the front side of Devi Jagadambi Temple's jagati, its elevated platform, traces of sculptural embellishments remain clearly visible. These carvings mark the temple’s historical grandeur and reflect the artistic mastery that defines Khajuraho. The bands around the jagati once depicted mythological figures, celestial beings, and everyday life, contributing to the temple’s rich narrative and welcoming ambiance. Notably, a lion-like statue is positioned on the right side of the platform. This iconic sculpture, depicting a warrior fighting a lion bare-handed, stands at the entrance and is a proud symbol of the Chandela dynasty. The motif is found across several temples in Khajuraho and represents the valor and power of the ruling lineage. It also connects the temple’s architecture with cultural and dynastic symbolism. The lion figure serves as both a guardian and a ceremonial marker, emphasizing protection and strength. Its placement on the jagati enhances the temple’s imposing entrance, inviting devotees and visitors to appreciate the blend of myth and history embodied in stone. Overall, the jagati’s relic sculptures and the distinctive lion statue are integral to the temple’s identity, making Devi Jagadambi Temple not only an architectural treasure but also a lasting monument to Chandela heritage and artistry.

Devi Jagadambika Temple sat Khajuraho, Madhya Pradesh, India. Along with the other temples at Khajuraho, the temple was listed as a UNESCO World Heritage Site because of its outstanding architecture, art, and historical importance It's now under control by archeological survey of India A big and beautiful temple dedicated to maa jagdambika

First temple I noticed had damage from vandalism, typically found on most other temples in varying degrees. Some invader named Babur got petty with these temples and tried to ruin them, but engineering wins over ego.

The Devi Jagadambika Temple at Khajuraho is a breathtaking masterpiece that showcases the brilliance of ancient Indian architecture and artistry. As part of the UNESCO World Heritage site, this temple stands out with its intricate carvings and historical significance. Built between the 10th and 12th centuries by the Chandela dynasty, it reflects the rich cultural and spiritual heritage of India. The temple, dedicated to the goddess Jagadambika, exudes an aura of serenity and divinity. Its exterior is adorned with three bands of exquisite carvings that captivate visitors with their detail and beauty. Inside the sanctum, the imposing image of Goddess Parvati adds a sense of reverence to the space. Visiting the Devi Jagadambika Temple is an awe-inspiring experience, where history, spirituality, and art come together in perfect harmony. It is a must-visit for anyone interested in exploring India's architectural and cultural legacy.

Devi Jagadambika Temple or Jagadambika Temple is one of a group of about 25 temples at Khajuraho, Madhya Pradesh, India. Along with the other temples at Khajuraho, the temple was listed as a World Heritage Site because of its outstanding architecture, art, and historical importance.

Devi Jagadambika temple, is one of the most finely decorated temples in Khajuraho. It is named after Jagadambika, a Hindu goddess related to Devi. Three bands of carvings encircle the body of the temple. In the sanctum is an enormous image of the Goddess Parvati. Jagadambika Temple is one of a group of several ancient temples in Khajuraho. Along with the other temples at Khajuraho, the temple was listed as a World Heritage Site because of its outstanding architecture, art, and historical importance.

Much quieter and less crowded, which gave a peaceful atmosphere to soak in the beauty. The Dulhadev Temple was the highlight for me — elegant carvings and a serene ambiance. It’s a great place to sit and reflect without the bustle of tourists. While not as grand as the Western Group, it’s definitely worth visiting for its spiritual vibe and unique charm.

Temple on the east corner of the Khajuraho group of monuments - peaceful and usually without much crowd. The sculptures on the outer walls are just as beautiful as the other monuments, each one telling its own story. Definitely worth a visit if you have time in your itinerary

Duladeo Temple, also known as Kunwar Math, is Khajuraho’s youngest Shiva shrine, built between 1000–1150 AD Situated by the Khodar River in the southern complex, it features a grand octagonal mandapa with twenty apsara brackets A unique linga with 999 mini‑lingas equals 1,000 circumambulations in one go

Really, the temple is full of the culture of the 9th-10th century. It is a symbol of life and tradition of that time. The idols are full of the divine and life style of that time.

Ancient architect - golden era. Unbilevable temple and sculptures. Hats off to those our four ancesters.

Much quieter and less crowded, which gave a peaceful atmosphere to soak in the beauty. Great architecture really loved this place so much

Dulhadev Temple is also known as Kunwar Math. This is the newest temple among the Khajuraho temples. This east facing temple is dedicated to Shiva. This temple is built on the Nirandhara style which is without circumbulatory path. This temple has sanctum-sanctorum with huge sikhara, antarala, mukhamandapa, mahamandapa. Some influence of Deccan and West Indian temple art is seen in this temple. The temple has a shikhara with three projections having rows of miniature shikhara. The Maha-mandapa of this temple is very ornate and octagonal, on which 20 brackets have been made in which the statues of Apsaras were installed. There are many such decorations in the Dulhadev temple that differentiate this temple from other temples of Khajuraho. The Gandharvas, Apsaras and other idols displayed in the temple have been made commonly in similar fashion. The river-goddesses have been depicted on the door way of sanctum sanctorum. Among other statues, goddesses, deities, gatekeepers etc. are also seen in this temple. This temple was built in Circa 1100-1150 AD.

Varaha Temple The Shrine is facing Lakshmana Temple ie. West. The Shrines was constructed on an elevated level. ARCHITECTURE The Varaha is in standing posture, with about 674 figures of gods and goddesses, humans, animals and all other beings carved on the body of Varaha. Between the feet of Varaha is the image of serpent Seshnag, the symbol of Eternity Also visible are the feet of a broken figure of Bhudevi. Between its nostrils is the four armed Saraswati holding the Veena in one pair of hands. The highly polished monolithic image in yellow sandstone measures 2.5 m in length and 1.5 m in height. The ceiling of this temple is one of the finest with three rows of petals forming an elaborately carved inverted lotus. HISTORY AND INSCRIPRIONS Since this Varaha Shrine is just opposite to Lakshmana temple, believed to be constructed during the same period ie. Between 900-925 CE, by Lakshavarman of Chandela Dynasty. LEGENDS Facing the Lakshmana Temple, this temple depicts Vishnu in the form of Vishwa varaha, his third incarnation in which he took the form of a wild boar to rescue Mother Earth (Bhudevi) from beneath the ocean where she had been hidden by the demon, Hiranyaksha. According to the Vishnu Purana, when Vishnu assumed this form, the entire universe manifested itself in this form.

🐗 Varaha Temple – Western Group of Temples, Khajuraho The Varaha Temple is one of the smaller yet significant shrines in the Western Group of Temples. Despite its size, it holds great mythological and artistic importance. --- 🌸 Key Details: Deity: Lord Varaha, the boar incarnation of Lord Vishnu 🐗 Built by: Chandela rulers, around 10th century CE Location: Inside the Western Group complex, near the Lakshmana Temple --- 🏛️ Architectural Features: The temple stands on a simple sandstone platform. It houses a massive monolithic statue of Varaha, carved from a single block of sandstone. The statue is about 2.6 meters long and 1.7 meters high, showing Varaha (boar form) lifting Goddess Earth (Bhudevi). The entire body of Varaha is covered with tiny carved figures of gods, goddesses, sages, and celestial beings — symbolizing the universe resting on him.

The Varaha Temple at Khajuraho is a captivating site that highlights the unique blend of art, mythology, and spirituality found within the Khajuraho Group of Monuments. Located in the Western Group of Temples, this temple is part of the UNESCO World Heritage Site, inscribed in 1986 due to its exceptional architectural beauty and its representation of the Chandela dynasty's cultural achievements. What makes the Varaha Temple stand out is the monumental image of Varaha, the boar avatar of Vishnu, enshrined within the temple. This colossal monolithic sculpture portrays Varaha in his purely animal form, a powerful symbol of the divine rescuing the earth from chaos. The detailing of the boar figure is nothing short of remarkable, reflecting the artistry and craftsmanship of the time. Every inch of the sculpture is adorned with intricate carvings, making it a masterpiece of ancient Indian art. The temple itself, though smaller in scale compared to other temples at Khajuraho, holds immense historical and spiritual significance. Its architectural style is simple yet elegant, perfectly complementing the grandeur of the Varaha image it houses. The surrounding complex further adds to the temple's charm, as it is part of the larger Khajuraho complex, known for its stunning carvings, serene atmosphere, and historical richness. Visiting the Varaha Temple is a must for those who wish to explore the diverse representations of divine mythology and witness the artistic excellence of ancient India. The temple not only offers insight into the religious devotion of the Chandela dynasty but also provides a profound connection to India's cultural and spiritual legacy.

The Varaha Temple at Khajuraho enshrines a colossal monolithic image of Varaha, the boar avatar of the Hindu god Vishnu. This temple depicts Varaha as a purely animal form.

It's a small temple inside Khajuraho temple compound it's fully carved with small design on the varaha

Located in the premises of the Western Group of Temple Complex, this temple located on a high platform (plinth) depicts this avatar of Lord Vishnu in the purely animal form. This temple has been dated back to the beginning of the 10th century AD. The statute is monolithic, and inscribed with hundreds of inscriptions and figures on the body. It is about 9 - 10 feet long and about 5 feet in height, and presents a magnificent visual...

Varaha Temple in Khajuraho is a testament to artistic brilliance and cultural richness. The stunning depictions of Varaha, the boar incarnation of Lord Vishnu, are awe-inspiring. A captivating glimpse into ancient craftsmanship and mythology. Highly recommended for history and art enthusiasts!

Khajuraho railway station is located in Chhatarpur district of Madhya Pradesh and serves as an entry point for the Khajuraho Group of Monuments, medieval Hindu famous for their erotic sculptures. Between 950 and 1150, the Chandela monarchs built these temples.

A decent station with large space and cleanliness compared to its northern counterparts. Given the station is located on a off-route, it has very few trains for all-India tourists. Given the city is known for its beautiful, medieval temples, the entrance of the station gate resembles small temple tombs. MP Tourism stall and One District One Product stall are a few shop one must visit. The station could use a waiting room for AC1, AC2, AC3, and sleep class passengers.

Khajuraho railway station (KURJ) sits a few kilometers outside the main town, so reaching the temples usually requires a short taxi/auto ride. It’s a relatively small station with limited train connectivity compared to bigger nearby junctions like Mahoba or Satna. On-site amenities are basic—think standard waiting areas and a few small shops—so don’t expect many facilities. Plan transport in advance, especially for late arrivals, since services thin out after hours.

Khajuraho Junction, located in the Chhatarpur district of Madhya Pradesh, serves as the vital rail gateway to the world-famous Khajuraho Group of Monuments. This station handles around 3,000 passengers daily and is well connected by trains to major cities such as Delhi, Agra, Jaipur, Udaipur, Kanpur, and Varanasi, making it highly accessible for travelers hoping to explore the historical and cultural treasures of the region. The station offers basic amenities including waiting rooms, cloak rooms, and small local shops selling maps, enhancing passenger convenience during their journey. The importance of Khajuraho Junction goes beyond mere transit; it symbolizes the access point to the exquisite medieval Hindu temples built by the Chandela dynasty between 950 and 1150 CE. These temples are renowned for their unique Nagara-style architecture and intricately carved erotic sculptures that showcase ancient Indian artistry and symbolism. The Khajuraho Group of Monuments, a UNESCO World Heritage Site, includes 23 temples spread over a scenic landscape, featuring a high terraced platform, richly decorated sanctums, and towering spires representing Mount Kailasa, the abode of the gods. For visitors interested in history, architecture, and culture, Khajuraho Junction is the starting spot for an unforgettable heritage experience amidst the beautifully maintained temple grounds and their mythological depictions. The railway station itself is functional, with three platforms and daily connectivity by express and local trains, ensuring ease of travel for tourists. Whether visiting for spiritual exploration or architectural wonder, arriving at Khajuraho Junction promises an enriching gateway to one of India’s most treasured heritage sites.

A year ago I was here at this time. A year after now I'm here at the same time. Clean and long railway station

Khajuraho railway station is located in Chhatarpur district of Madhya Pradesh and serves as an entry point for the Khajuraho Group of Monuments or Bageshwar dham to distance of Bageshwar Dham to Khajuraho railway station to 26 kilometer

One of the most popular tourism destination of Madhya Pradesh....The railway station is unlike other stations that you usually see in the country. Built similar to temple architecture inspired by Khajuraho... A sound show is literally amazing in museum......